Sunday, December 21, 2025
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Sharon Stone, Who Once Played “The Muse,” Gets a MUSE Award, But She’s Not Amused

The only one of this year’s nine muses awarded by New York Women in Film to actually have been in a movie as a muse — Albert Brooks’s 1999 “The Muse” — Sharon Stone played goddess to the hilt.

At a packed 700-person luncheon this week at Cipriani 42nd Street, she spoke of growing up in a town so small there was no traffic light; watching Fred Astaire and Ginger Rogers on television and dreaming of dancing down a spiral staircase, she punctuated her story of finally achieving that, “and I did.”  “And I did” became the punchline of several more achievements including starring as an action hero.

Hers is a story of many triumphs–making it in New York being one of them. Yes, she started as an Eileen Ford model and still had to look for change in telephone booths so she could take the subway home downtown to a studio she shared with another girl and a million roaches. Recently in L.A. her pal Sarah Paulson asked her why people hate her so much. “You know why,” she said.

No other movie has followed her like “Basic Instinct.” An little known actress at the time, she was paid $500,000. Michael Douglas was paid $14 million. There is of course one of the most memorable movie scenes which aside from making everyone say, Did I just see what I just saw, features her speech about loving sex with a particular partner because he liked to experiment. Wow! She became the voice of female pleasure like no other woman since The Wife of Bath! Few have torn away the curtain on hypocrisy as she has. Now we have college professors fired for showing full frontal Michelangelo’s David, she said. Prior to “Basic Instinct,” she says, “I was not allowed to cross my legs, or hold my arms up. You could not show armpits. We should think about what we can do.”

“Slumdog Millionaire” star Freida Pinto made it all about her journey, how motherhood helped her transcend insecurity, perhaps the most common thread among women who achieve—until now. Cookbook author and lifestyle guru Sandra Lee had taken the stage before, and recounted a time Stone sat with her on an airplane. Sharon Stone gave her sage advice, she said: “Make sure your hair is not perfect.” Munching on branzino and ricotta cheese cake, guests listened intently as Lee told everyone how excited she was to be in New York.

But Danielle Brooks belted it out. I mean, she literally sang, “New York/ New York.” “If I can make it there . . . “ and no one wanted to follow that act. Winner of the NYC Mayor’s Office of Media & Entertainment Made in NY Award, she just wrapped filming “The Color Purple” in the role of Sofia. She also just made her Broadway debut in the most recent Broadway revival. This theater season she killed in August Wilson’s “The Piano Lesson,” my pick for this year’s Best Revival Drama Tony. Watch for a nomination for her too.

Inspiring, the NYWIFT “Muse” Award luncheon hit every note: on stereotypes, equal pay for women, sexism, racism, age-ism, but as one speaker noted, “The women in this room are powerful. And the few men who are here, they must be powerful too.” Everyone took home a David Yurman bracelet. The message: Every goddess and action hero must be adorned.

Netflix’s $100 Million Quest for an Oscar May Be Doomed by New Academy Plan to Require Theater Releases

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The party may be over for Netflix.

The streaming platform has spent nigh on $100 million over the last decade to get a Best Picture Oscar. This year, all their plans fell apart anyway as their only viable candidate was the German language war film, “All Quiet on the Western Front.” They won Best International Film, but couldn’t compete with the other candidates.

Now, the Academy of Motion Pictures is considering a new rule requiring films to play in theaters in at least 15 of the top 50 markets. Puck, a newsletter, was first to report this yesterday and I’ve confirmed it.

Prior to the pandemic, Netflix and other streaming platforms that didn’t show their movies in theaters were ineligible for Oscars. Then, when people couldn’t go to theaters, the Academy allowed in their films. But the crisis did huge financial damage to theater chains, so when the pandemic subsided, the Academy reverted to its old rules: films had to open in theaters in New York or Los Angeles to quality for the Oscars.

But the theaters have suffered tremendously. Two big houses in Manhattan have announced they’re closing. In Hollywood, the vital ArcLight and Cineramadome are shut. So the Academy may come to the rescue with this plan. If Netflix, Amazon, Hulu want to be in the Oscar business, they’ve got to have moderately wide releases around the country first.

This is a great idea. Already, Amazon, with Paramount, is about to do that with Ben Affleck’s great new movie, “Air.” Now Netflix would have to do that this fall with Bradley Cooper’s “Maestro” — which they will sink millions into for awards — and Apple will have to do the same with Martin Scorsese’s “Killers of the Flower Moon.”

Who wins? The filmmakers, for one. They deserve to get their films off of laptops and phones and back on the big screen. The theater owners will finally get their customers back. And the streamers will still get lots of subscribers out of it.

Netflix must be having a fit at this point. They still can’t get into Cannes competition because as festival leader Thierry Fremaux says, they’re committed to movies in theaters. Already Netflix faced a defeat when Apple, in 2022, won Best Picture with “CODA.” But they will have to adapt to the new rules so that the entire industry, not just them, benefits from releases.

It’s Official: Martin Scorsese Will Return to Cannes Red Carpet for the First Time Since 1986 with DeNiro-Di Caprio “Killers of the Flower Moon”

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Martin Scorsese’s “Killers of the Flower Moon” will debut at the Cannes Film Festival, confirmed.

I told you on February 20th this was happening. It was just a matter of Scorsese and editor Thelma Schoonmaker cutting the film down to a manageable size from over three hours.

“Killers” stars Robert De Niro in the lead role and Di Caprio in a smaller role, at the latter actor’s choice. De Niro, I’ve heard, is “spectacular.” (I’m sure Leo’s pretty good, too.)

Believe it or not, this marks the first time Scorsese has been back on the Croisette showing a film since 1986 with one of my personal favorites, “After Hours.” Where’s he been? It’s probably just been a matter of timing. Very often Scorsese finishes a movie a right up to the time of release. A lot of his films have opened in late fall. But this one is ready to go!

Ten years earlier, Scorsese won the Palme D’Or for his seminal film, “Taxi Driver.” In 1998, he was appointed head of the jury.

Based on David Grann’s best-selling book and written for the screen by Eric Roth and Martin Scorsese, “Killers of the Flower Moon” is set in 1920s Oklahoma and depicts the serial murder of members of the oil-wealthy Osage Nation, a string of brutal crimes that came to be known as the “Reign of Terror.”

Best News in 7 Years: NY Grand Jury Indicts Donald Trump Over Stormy Daniels Pay Offs! DA Bragg Pulls Off a Surprise

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For the first time ever in history a US president has been indicted by a grand jury.

Donald Trump, the greatest political criminal in US history, is finally facing the music. To paraphrase the Rolling Stones song Trump illegally uses: “You can sometimes get what you want.”

Pop a cork!

What makes this so lovely this afternoon: DA Alvin Bragg’s office had leaked to the press that the grand jury was taking a break for a month, putting Trump into a false sense of ease. Bragg obviously knew that wasn’t true, so we give him lots of points for pulling off a head fake. Nicely done!

Also, the Wall Street Journal reports that aside from the Stormy Daniels story, the Karen McDougal-National Enquirer pay off is involved. This explains the return of Inquirer publisher David Pecker to the grand jury this week.

Read the NY Times coverage here

Also, the Yankees won their opening game vs. the San Francisco Giants, 5 to 0.

Mamie van Doren, 91, The Original Pamela Anderson, Has No Kind Memories of Superstar Comedian Bob Hope

Mamie van Doren is 91 years old now, but she hasn’t tempered with age.

van Doren was a blonde bombshell model-actress of the 50s and 60s who was married five times and had dozens of celebrity lovers. She was the Pamela Anderson role model. She was on the cover of every magazine and in tons of B movies.

Today, van Doren– an animal enthusiast and author of two memoirs — weighed in on Twitter when a fan asked what Bob Hope was like. van Doren did USO shows with Hope in the 60s.

Her answer may leave a lot of jaws dropped. She wrote:

“He was an asshole that made a living off of the troops. Plus he got plenty of ass doing it. A miserable human being. Not from me. I was Miss Palm Springs here and just turned 17…He wasn’t funny at all. He had to have a comic writer with him all the time. He treated girls like whores.”

She added: “And he always had his hands in his pockets.”

Now, as they say, tell us what you really think!

Hope was a huge movie star in the 40s and 50s, particularly with singer Bing Crosby in his “Road” movies. Genuinely funny, Hope is revered for those movies by many comics who followed. But in the 60s — doing USO shows for US troops at the height of the Vietnam War– he turned into a Nixon Republican, and all his “cool” went out the window. People my age derided him as he became an emblem for conservative, wealthy warmongers. All his outlier wisecracking disappeared, which was too bad, He could have been a subversive hero in the time of Lenny Bruce and Richard Pryor but his success did him in.

van Doren included a picture of her and Hope, seen here.

Who is Ariel Zilber and Why Is He Obsessed with Writing About Megyn Kelly — 20 NY Post Articles Already This Year

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You remember Megyn Kelly? She was bounced from Fox News, and then NBC — where she had no ratings — let her go and bought out her contract. She has not been on network TV since then, instead carping and blabbering without any sense on social media.

No one cares what Kelly thinks, anywhere as far as I can tell, except for the New York Post. So far this year they’ve run about 20 articles on her already. All them have been written by the same person, a reporter named Ariel Zilber. If Kelly blows her nose, Zilber files a story. If she gets a Cheerio stuck in her teeth, Ariel Zilber is there. There are no interviews and no reporting. They’re just puff pieces promoting her SiriusXM podcast– not a show, a podcast.

Last year, in 2022, Zilber wrote about 50 stories that included Kelly’s name. Again, Kelly doesn’t like something, or goes after someone, and this, Zilber feels, is news. It must also be felt by Rupert Murdoch’s Post, even though Murdoch’s Fox News kicked her out of the building.

Before the Post, Zilber filed Kelly stories at the Daily Mail.

Many reporters have beats. I certainly do, people we write about on a regular basis because they’re of public interest, or notorious enough to require following. But Megyn Kelly? The only thing she and Zilber seem to have in common is they are rabid right wingers. That’s it.

And yet today we are 20 stories in for 2023. No one else in the world writes about Megyn Kelly, or cares about her. If Zilber weren’t carrying her water four times a month, no one would remember she was still around. We wouldn’t know, as Zilber told us in October 22, that Megyn Kelly dunks on Kim Kardashian’s ‘enormous fake ass’. We wouldn’t be aware — we were told today that ” ‘They’re not going away’: Megyn Kelly ‘f–king sick’ of calls to ban guns after Nashville shooting

I was losing sleep over her opinion on these matters.

Where does Kelly deliver these bon mots? Apparently, she does have that podcast onSiriusXM. Not a show–a podcast– a vanity project that I’m dozens of people race to hear every day. Me? I’d rather listen to Little Steven’s Underground Garage or Soul Town on Sirius XM when I’m in the car. If I want hot blown in my face, I can just roll down the window!

As for Zilber, his LinkedIn page says he’s a business reporter for the New York Post, although so far it’s unclear what business he has writing Megyn Kelly pieces every week– that is, unless he’s in some kind of business with her that hasn’t been made clear yet. Otherwise he’s just giving her publicity out of the goodness of his heart.

Exclusive: Curb Your Anxiety, Larry David Comedy is Not Over Yet, Ignore Strange Tweets, No Sign of “Ending”

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Everyone, hold on. “Curb Your Enthusiasm” is not over.

The show just wrapped over the weekend, and Larry David is in the editing room. A wrap party was held on Saturday night. According to my sources, there was NO talk of this being the series finale, or that “Curb” would not return for a 13th season. (Who can keep count after 20 years plus?)

The season final episode wrapped up plot points from the season. There was no big farewell.

I’m told the two people who posted strange Tweets about this being the “series finale” quote “would not know anyway and it wouldn’t come from them.”

So this is all pretty, pretty premature.

Indeed, as one source with the show told me: “There have been other times when we thought it was over, then Larry says come back. We had a six year hiatus once. Anything is possible.”

It’s also possible that those Tweets were sent as contract negotiations. Everyone in TV is belt tightening. “Blue Bloods” just agreed to pay cuts to return for a 14th season on CBS. “Curb” is not a blockbuster in the ratings. But it has a loyal following, it’s good stuff for HBO, and gets awards attention. It could go on for years, frankly.

“Is it over?” says a source, “I don’t think so and there’s been no hint of it. But if it, we had a good run.”

My money is on Season 12.

Alec Baldwin DA Appoints Special Prosecutors But Is Made to Step Away from “Rust” Case by Judge

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The Alec Baldwin “Rust” case lurches forward despite many setbacks for the prosecution.

Now New Mexico First Judicial District Attorney Mary Carmack-Altwies finally got the budget and ok to hire special prosecutors. Carmack-Altwies will now step down from the case. The new prosecutors are described as long-time New Mexico attorneys Kari Morrissey and Jason Lewis. The press statement says “Morrissey’s and Lewis’ extensive experience and trial expertise will allow the state to pursue justice for Halyna Hutchins and ensure that in New Mexico everyone is held accountable under the law. “

Carmack-Altweis had been complaining that she didn’t have the resources to handle the case properly and had been turned down when she asked for help. Two days ago she argued that a new special prosecutor was necessary as her office was suffering from staffing shortages. They’d already received $360,000 from the New Mexico state legislature earmarked specifically for forensic investigation and outside counsel related to the “Rust” case.

That request was denied by Judge Mary Marlowe Sommer, who said that the DA’s office had to either prosecute the “Rust” case itself or delegate it to a special prosecutor and recuse itself completely from the case.

“You cannot use [a special prosecutor] unless you’re not going to prosecute,” the judge said. You may not co-counsel …you stay the course and not use a special prosecutor and prosecuted on your own. It’s an either or.”

The press statement reads: “With the appointment of new special prosecutors, Carmack-Altwies will step aside from personally prosecuting the ‘Rust’ case, allowing her to focus on the broader public safety needs in New Mexico’s First Judicial District. Carmack-Altwies will continue her record of prosecuting drunken drivers, collaborating with local law enforcement, increasing diversion efforts and securing convictions against the most dangerous and prolific offenders.” 

Disney Finally Ousts Ike Perlmutter, Major Financial Backer for DeSantis, Company’s Mortal Enemy

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Bob Iger is certainly happy this morning. The head of Disney was finally able to oust the right wing nutjob who brought Marvel to the company– and was then a big pain in his side.

Ike Perlmutter, 80, is finally excised from the company under the ruse of the new layoffs. Perlmutter is a huge Republican donor and a big backer of Florida’s evil governor Ron DeSantis.

I wrote about Perlmutter and the GOP a couple of years ago.

Since then, Perlmutter has lavished millions on DeSantis, even loaning him his private plane. Meanwhile, DeSantis has attacked Disney on every front, from his anti-LGBTQ stances to his efforts to strip the company of their tax breaks,

For some reason, the New York Times just ignored all this today in their report on Perlmutter’s exit.

For Marvel getting rid of Perlmutter is like taking out Thanos for good. But no one will ever forget him, unfortunately.

Good News: Trailer for Wes Anderson’s All-Star “Asteroid City” Is Dry Humor at Its Best, And a Return to Form

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“Asteroid City” looks pretty great from this trailer, which just dropped from Focus Features.

Wes Anderson is in a return to tongue in cheek form, very dry humor, as he sends up space movies, aliens, and a kind of stylized 50s culture. It’s set in a desert, filmed in Spain. There are nearly two dozen stars. In this trailer we see mostly Scarlett Johansson, Jason Schwarzman, and Tom Hanks.

“Asteroid City” will open in Cannes in May, then in June in theaters.