Sunday, December 21, 2025
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Studios Begin Yanking Misfires Asteroid City, No Hard Feelings, The Flash from Huge Numbers of Theaters to Make Way for Potential Hits

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The party is over for Hollywood studio misfires of the last month.

Start saying goodbye to “The Flash,” “Asteroid City,” and Jennifer Lawrence’s “No Hard Feelings.”

The breakthrough audiences weren’t there, so after first big weekends, the studios are not going to keep paying theaters to keep them running.

Today, for example, “The Flash” is losing 995 spots. We won’t belabor the whole “Flash” saga. It’s made $102 million over a long time, and is dying on the vine.

But also mostly dead is Wes Anderson’s “Asteroid City.” Despite an all star cast, Anderson’s movie was for his niche audience — and they’ve seen it by now. “AC” loses 790 locales today. Total take: just $21 million in the US. It’s a big disappointment.

Also winding to an end is “No Hard Feelings.” Jennifer Lawrence, an Oscar winner, runs around naked and delivers crude dialogue. What a mistake. She’s also a got a teen boy in the story who doesn’t care. (Imagine if that kid had a libido.) They could have called this “There’s Something About Jennifer” if it had been funny. Total b.o.: $34 million US, $20 mil international, so they’re pulling it from 522 spots.

Next up, the summer’s big three — “Mission Impossible,” “Oppenheimer,” and “Barbie.”

Review: Elvis Costello Hits New Heights with Dazzling New Horn Section and Ingenious Song Reinventions, and Nick Lowe for Dessert

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How many times have we seen Elvis Costello perform in the last couple of years? A lot, and every show is different. Music of many genres pours out of him, not just his original new wave or punk rock. Costello’s songs vary to country, R&B, reggae, classical, literally everything. The theme is always melodies and hooks. No matter what field he’s working in, you can’t forget his songs.

Last night Costello brought his crackerjack group, The Imposters, along with Charlie Sexton to the Hartford Healthcare Arena in Bridgeport, Connecticut. This is a large new outdoor amphitheater open to Long Island and breezes and the rush of Metro North in the background. Even on the hottest, most humid night the place filled up pretty quickly to see Costello and co plus opening act the great Nick Lowe and his group, Los Straitjackets.

Costello’s tour has only recently begun and is aimed the New York’s Beacon Theater next week. Last night for the first time a dazzling horn section consisting of trumpet player/arranger Michael Leonhart, saxophonist Donny McCaslin and trombonist Ray Mason was added to the Imposters famed roster of Steve Nieve, Davey Farragher, and Pete Thomas.

Elvis, alternating between a black beret and an electric blue Fedora, was more expansive on stage than ever with all this talent surrounding him. Most of his set lists are unique to the night, and this was no exception. He began the show sitting, grinding out the obscure politically themed (and rap influenced) “Pills and Soap.” That would be just enough to send fans who were expecting “Alison” to the exits. But they stuck with it, and the result was a glorious 40 year old R&B gem called “Possession,” accompanied by the disarmingly sublime horns. (It’s on the underrated “Get Happy” album.)

Then you could see Costello’s plan forming as he reinvented well known material — a la Bob Dylan — into new exciting forms. “Watching the Detectives” was crunchy. A last minute addition of “Everyday I Write the Book” was a soulful call and response with a jolly edge.

Two unexpected highlights: Costello at the piano for a gorgeous ballad he made years ago, Allen Toussaint’s “Poisoned Rose” with horns blazing. Then there was an ingenious mash up of a song Costello recorded with the Roots called “Cinco Minutos Con Vos” with the formerly pounding signature rocker, “High Fidelity.” The groove from beginning to end was magnificent and left everyone a little buzzed.

And then, of course, came “Alison” with Sexton’s guitar scraping it off the ceiling. Nick Lowe returned from his opening to join Costello on their most famous collaboration, “What’s So Funny ‘Bout Peace Love and Understanding.” (Lowe’s silky voice and enormous songwriting chops have stood the test of time.)

If you saw Costello and Lowe last summer, or Costello on his 10 show journey at the Gramercy Theater, it doesn’t seem possible but every show is unique and memorable. This is an artist at work. I can’t wait to see more.

photo c2023 Showbiz411.com

Hollywood Upset: “Indiana Jones” Beaten at Box Office on July 4th by Christian Film From Small, Upstart Outlier Utah-Based Movie Company

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On Tuesday, July 4th, the box went awry.

“Indiana Jones and the Dial of Destiny,” number 1 for the weekend, was beaten by something “Sound of Freedom,” a Christian movie from a small, sketchy film company that doesn’t actual say it’s Christian.

“Sound of Freedom” –which took in a shocking $14 million on its opening day — is said to be based on actual events, although many question its veracity. It stars Jim Cavaziel, the star of Mel Gibson’s “Passion of the Christ,” and Eduardo Verástegui, who is also listed as the producer. Verástegui long ago starred in a little indie film called “Bella,” that won kudos on the festival circuit. He had little luck after that until he turned to faith based filmmaking. For a time he was very close to Kathie Lee Gifford, who herself has made a career in that world after leaving the “Today” show and moving to Nashville.

The film was made in Colombia by Angel Studios, which is owned the Harmon brothers (Neil, Jeff, Jordan and Daniel) and Benton Crane. They are all members of the Church of Latter Day Saints. They say they’ve perfected a technology called Pay it Forward, in which people can buy tickets for others who don’t have the funds to get their own. The Harmons tout themselves as viral marketing experts who have produced other top viral ads for companies including ​Squatty Potty, FiberFix, OraBrush, Poo~Pourri ​and ​Purple. They’re based in Provo, Utah.

On Rotten Tomatoes, “Sound of Freedom” has a high score– 88% — from 18 reviewers. Only one, Owen Gleiberman, of Variety, is listed as a Top Critic, and he liked it.

The Harmons’ expertise in marketing paid off on Tuesday with $14 million in sales. Using crowdfunding, according to one report, Angel Studios has 50,000 individual investors and has over $100 million worth of original content, including 12 titles, in production. But it’s not all a bed of roses. According to Wikipedia, in 2016, the Harmons’ original company, VidAngel, “was sued by several major Hollywood studios for copyright violations, accusing the service of streaming unlicensed content that was not created by VidAngel. VidAngel fought the lawsuit for several years, asserting its method was legal under the Family Movie Act of 2005, and then eventually reached a settlement in 2020.”

The “true story” in “Sound of Freedom” is about Tim Ballard, the founder of Operation Underground Railroad, or O.U.R., an anti-human trafficking activist. According to Techbuzz, “Sound of Freedom” depicts actual events involving Tim Ballard’s decision to quit his government job in Homeland Security to rescue a little girl from sex traffickers in the Colombian jungle. In the process, Ballard — played by Cavaziel — ended up saving 123 people, 55 of which were children, from one mission alone. (Mira Sorvino and Bill Camp, who are not identified as Christian actors, co-star.)

Is the story true? That’s a matter of debate, as O.U.R. has been accused of being involved with QAnon in a series of articles on Vice News. The organization denies it. But there’s plenty of reading — you can go down a rabbit on the subject of Ballard and his background.

The main thing here, though, is the Harmons and Crane upset the normal course of events on Tuesday. “Indiana Jones” is already on shaky ground financially with a poor marketing plan that has backfired. Now Disney has been embarrassed by Angel Studios, an upstart outlier that stole their thunder. Stay tuned…

Ratings: “The Idol” Series Finale Jumped 39% But Still Didn’t Crack 200,000 Viewers Plus The Weeknd Released Tracks No One Bought

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Post mortem: “The Idol” Sunday finale, probably the series finale, did jump 39% in total viewers.

But it still didn’t crack 200,000. The Sunday number was 185K. Season average was 164K.

And so “The Idol” comes to an ignominious end.

Meantime, The Weeknd released some more tracks from the show. None of them charted or sold. It’s like they never happened. The Weeknd got nothing from “The Idol” except bad press and angry fans.

HBO was smart to cut its losses, jump ahead to the last episode and get rid of the show. How long will it be up at Max? We’ll see in a few days if they just don’t chuck it.

Mangia: Top Restaurants Set Up Shop for Hamptons Happening This Saturday Night for Samuel Waxman Cancer Research, Hot Silent Auction Items Include Billy Joel Tickets

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The 19th Annual Hamptons Happening is just over a week away. Don’t miss out on one of the biggest social events of the summer.
Get your tickets here today!
Your support will help fund six new investigators this fall as part the brand new SWCRF “Mission Possible” cancer research program.
Come out and enjoy a variety of delicious tastings from dozens of chefs including Ralph Scamardella, Julian Medina, and Harold Moore, and favorite restaurants such as 317 Main, Centro Trattoria and Bar, Chef Meze Catering and Events, TBar Steak & Lounge, El Turco, and Peter Ambrose (see full list below).
Plus you can party like a Yacht Rockstar with bars stocked with your favorite liquors and wines such as Tito’s Handmade Vodka, Hamptons Breeze, Woodford Reserve, Herradura Tequila, and Palm Bay International.
There will also be a thrilling live auction facilitated by our exclusive auctioneer: Heritage Auctions featuring exclusive golf packages, superstar concert tickets, and high-end, luxury items.

Hamptons Happening event is chaired by Mark D. Friedman of Brown Harris Stevens and Jamie Koff, Fabric to Finish with co-chairs Bess Freedman and Bryan Griffin and Journal Chair Erica Fineberg.


Join us in congratulating this year’s honorees:

  • Chef Ralph Scamardella, EVP and Chief Culinary Officer, Tao Group Hospitality
  • Lori and Scott Levine, Co-founders, Scott’s Protein Balls
  • Denise Albert, CEO and Co-founder, My Cancer Family
  • Anna Zuckerman, Founder and Chief Designer, Anna Zuckerman

Review: New “Mission Impossible” Is the Studio Blockbuster of the Summer, with Tom Cruise Back to Save Movie Theaters Once Again

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Let’s face it, you kind of hate yourself for liking “Mission Impossible: Dead Reckoning Part One.” First of all, it’s two hours and forty three minutes. You could have flown to Miami or something. Second, following “Top Gun Maverick,” it’s another Tom Cruise extravaganza that will be a huge crowd pleaser. Even an aging Tom Cruise still has the charm he exuded in “Risky Business” and that was 40 years ago.

Some of “DR Part One” is a little hard to follow, but don’t worry about that. That part involves something called The Entity, which I think is like The Borg from “Star Trek.” It’s AI, or an algorithm. Charlie Brown once asked Linus what he did when he got to the long Russian names while reading “Dostoevsky.” Linus replied, “I just skip over them.” That’s what I did with The Entity. (Luckily there’s mustache twirling human villain, too, in the form of Esai Morales.)

The main thing in “DR Part One” is that UK actress Hayley Atwell really becomes a movie star. So many times in the past she was supposed to break through, whether it was in :Woody Allen’s “Cassandra’s Dream,” some “Avengers” projects, or in the wonderful “Howard’s End” TV version with Matthew MacFadyen. She was always the promising newcomer.

Now Atwell joins the long line of Ethan Hunt’s leading ladies and romantic interests, all of whom have been excellent — from Thandiwe Newton to Michelle Monaghan to Rebecca Ferguson. But Grace has something extra that propels her through this non stop action like champ. She’s beautiful, smart, sexy, cool, fun, and athletic (at least her stunt double is). She’s a good type for Cruise to be matched with, like Jennifer Connelly in ‘Maverick.” Atwell’s Grace is a welcome addition to the IMF group even though she doesn’t know it yet.

The rest of the team is back including Ferguson, Ving Rhames, Simon Pegg, and Henry Czerny. Add to them Oscar nominee Vanessa Kirby, who returns as The White Widow and gets to play two parts simultaneously in what is almost a mini movie within “DR Part One.” She’s a welcome distraction, believe me, and director Christopher McQuarrie knows it.

“DR Part One” is a long movie, but I never felt tired or bored. Cruise and co. can really thank themselves that Lalo Schifrin — who just turned 91 — wrote that theme music back in the 60s for the original TV show. Lorne Balfe uses it throughout his score, plus all the cues and incidental music that came with it — and it never lets up or disappoints. The music propels the film and gives a constant reminder where you are as the flames burst into explosions and bullets fly in every direction.

Then there’s the added attraction of seeing Tom Cruise, the biggest movie star in the world, constantly in danger of dying because he does these amazing stunts. He’s jumping off cliffs, flying through the air on a motorcycle, riding the tops of bullet trains through tunnels. (I always imagine what Peter Graves, the original star of “MI,” must have thought if he saw any of this.) Paramount has supplied plenty of evidence that Cruise does almost all of it himself, even when that seems eye brow raising. The main thing, when you see it, it’s not to hard to believe. Cruise is the epitome of “go for it.”

Last summer, the word was Tom Cruise saved movie theaters with “Top Gun.” He’ll do it again this summer, although I’m not sure the box office — which will be huge– can match those dizzying heights. “Top Gun” had a big heart tug, a lot of emotional appeal and nostalgia. “DR Part One” is action, action, action. It’s a thrill ride, but heavy enough on “thrill” that fans will flock to multiple viewings.

Mangia: Top Restaurants Set Up Shop for Hamptons Happening This Saturday Night for Samuel Waxman Cancer Research, Hot Silent Auction Items Include Billy Joel Tickets

T Shirt King Flies in West Coast Tabloid Type Celebs (Bieber, Jenners, JLo) for Latest Version of Time Honored Hamptons “White Party” (Been There, Done That)

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T shirt king billionaire Michael Rubin — who was briefly an investor in the Philadelphia 76ers — had a White Party on Monday in the Hamptons.

As far as the released pictures go, no one who actually lives in the Hamptons — like Jerry Seinfeld, Christie Brinkley, or Jimmy Fallon — was invited or came. There were no writers or artists, or media– the people who actually live in the famed area.

No, Rubin — who owns a $50 million “house” that bears a strong resemblance to L.A.’s Dorothy Chandler Pavilion — flew in a raft of US Weekly type West Coast celebrities, including Jenners and Kardashians, JLo, and Tom Brady. Ben Affleck and Leonardo DiCaprio represented actual Hollywood, and were there basically as dates. Justin Bieber? Not exactly Paul Simon or even Jon Bon Jovi, neither of whom were present but live nearby. Billy Joel? Otherwise occupied.

The White Party is getting a lot of press. But it’s an old idea, actually made popular in the Hamptons in the late 90s but Sean “Diddy” Combs. He had several at his house — a modern but much more serene and modest mansion — that defined an era out East between 1998 and 2007. Jay Z, who attended at least one of those back in the day, could not have forgotten this while he Jeeped around with Beyonce. Martha Stewart and Donna Karan were among the locals back then. My favorite moment was meeting Lil Kim on the bathroom line.

Diddy — who doesn’t seem to have been on this guest list — wasn’t the only host of White Parties back in the day. Superstar Motown songwriters Nik Ashford and Valerie Simpson threw a much in demand July 4th soiree at their beautiful estate in Westport, Connecticut. Celebrities filled their massive property including Aretha Franklin and Freddie Jackson, and there was always an unforgettable performance — like KC and the Sunshine Band — to go with the delicious cuisine.

So “White parties” are nothing new. Just the hype is now, and the fact that people have short memories. Michael Rubin is the new kid on the very expensive block, having made a fortune in sports apparel. His company, Fanatics, is a huge hit especially if you want sports team branded clothing. He’s the latest Gatsby to arrive in East Egg, but not the first. Or the last.

Watch the Trailer for Martin Scorsese’s Oscar Bound “Killers of the Flower Moon” With Leonardo DiCaprio, Robert De Niro, Newcomer Lily Gladstone

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Martin Scorsese’s “Killers of the Flower Moon” wowed us in cannes. Now the trailer is here, and it looks better than ever.

“Killers” is a certain Oscar nominee in a dozen categories including Best Picture, Director, Actor, Supporting Actor, Actress, Adapted Screenplay, Editing, Cinematography, and Sound. I don’t want to overhype it, but it’s likely the film to beat come next winter.

Leonardo DiCaprio, Robert De Niro, and Lily Gladstone are amazing. The true story is shocking and sad, another terrible chapter in American history that was swept under the rug.

Roseanne Barr — Racist, Antisemitic — Welcomed Back to Twitter By Elon Musk After Two and a Half Years: “Comedy is Legal on This Platform!”

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Yes, it’s true: Roseanne Barr is back on Twitter. She began Tweeting on Sunday. She was kicked off the platform on December 3, 2020.

Elon Musk welcomed the racist antisemite back. He wrote: “Comedy is legal on this platform!”

Roseanne wrorte before that:

“Damn it feels good to be a gangster. Thank you @michaelmalice for getting me my twitter back! 62 million views isn’t bad for a multi-cancelled has been. Thanks @elonmusk for fact checking the mind controlled bots after me and for giving @TheoVon a platform. Comedy is back!”

Barr’s controversy this past week was announcing Theo Von’s podcast that “the Holocaust never happened,” and that “six million Jews should have been killed.” She claimed this was satire and thought the whole thing was very funny. No one else took it that way except Musk, whose Twitter checks immediately started defending the video.

In the end, You Tube kicked the offensive interview off its own platform. So apparently Barr decided to appeal to Musk. The Tesla billionaire has welcomed a slew of unsavory characters to re-join since he bought Twitter, so why not Barr?

Roseanne tanked her own career for good in 2018 when she Tweeted racist comments about Obama associate Valerie Jarrett. She said later she didn’t know Jarrett was Black, which was ridiculous. ABC cancelled her show, Roseanne doubled and tripled down as she identified herself as a right wing nut who supported Donald Trump. She’s had little career since then, as she is unwelcome on regular TV and can’t sell tickets to comedy shows.

What Barr and Musk refuse to see is that even if Roseanne was using satire, “taking the piss.” or whatever, regardless, saying these things is antisemitic. This is what I said about the movie “Jojo Rabbit.” And since that film was released, incidents of antisemitism have skyrocketed. When Roseanne’s pitifully uneducated fans hear say this stuff, it gives them the idea they can act out on it. She’s a fool, a danger, and must be shunned, not unlike Kanye West or Roger Waters. Statements like this cannot be tolerated or accepted.

The Von video (who is he, no one knows) is below, after her latest Tweet.

Exclusive: The Mysterious Disappearance from GQ Magazine Website of Controversial Warner Discovery Chief David Zaslav Profile

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It’s a case of a missing profile.

In the last two days, New York Times Culture writer Jason Bailey published a profile of controversial Warner Discovery owner David Zaslav. The story appeared on gq.com and was titled “How Warner Bros. Discovery CEO David Zaslav Became Public Enemy Number One in Hollywood.” The story was a pretty complete recitation of Zaslav’s issues with Hollywood including the current scandal at TCM, and didn’t even include his CNN problems.

But now the piece is gone. It’s been wiped clean from the GQ website. Vanished into thin air. A revised piece, 500 words shorter, has taken its place but not on the GQ website. This is the version that went out to aggregators like Yahoo News. If you Google Jason Bailey and Zaslav, the result is dead links to GQ.com and to other sites that linked to the original version.

Where did it go? And why? All of that remains unclear. The revised, shorter version is different than the original in that it cuts back to just the facts, ma’am. Bailey’s colorful thoughts about Zaslav being like the Richard Gere character in “Pretty Woman” — he tells Julia Roberts he buys companies to sell off their parts– are gone. There’s also now no mention of the party Zaslav threw in Cannes with Graydon Carter for Warner Bros’ 100th anniversary, or breaking news that he’s trying to sell 50% of the rights to Warner Bros. soundtracks that include songs like “As Time Goes By,” the studio’s signature piece of music.

If anyone knows what happened here, do email me at showbiz411@gmail.com. And meantime, here’s a link to the original story. https://archive.ph/2023.07.03-160323/https://www.gq.com/story/david-zaslav-warner-bros-discovery-ceo-tcm-max

 

from Bailey’s excellent piece: