Thursday, December 18, 2025
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RIP Tony Bennett, 96, Famed Crooner, Philanthropist, Activist Who Had Sensational Second Act to Amazing Life

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Tony Bennett has died at 96, just three weeks short of his 97th birthday.

I was so honored and lucky to know him. He was actually a legend, a obviously a great singer and artist, a philanthropist, and political activist.

After a tremendous first chapter of life with hits like “I Left My Heart in San Francisco,” Tony came back stronger than ever in the 1990s with a voice that had grown only richer and wiser, and had hit after hit especially with Laga Gaga toward the end. He recorded with other stars, too, like Amy Winehouse, and it broke his heart when she died.

For long time, Tony lived in the shadow of Frank Sinatra, the premier crooner of his day. But when Sinatra died, Tony stepped out of that shadow and claimed his rightful place in the world of the arts. We were so lucky he lived here in New York where we could see him and talk to him regularly.

Tony was no prima donna, that’s for sure. I’ve told these stories before, but two come to mind. One was after a TV special of his won several Emmys. At the after party there was a buffet. There was Tony and his devoted wife, Susan, sitting on a long bench among other people who were not paying attention to them. Their paper plates were perched on their knees and they were eating from them. Tony, I said, you just won a lot of Emmy Awards! Bennett replied, “It’s okay! We’re fine here!”

My favorite story was accompanying Aretha Franklin to a recording session with Tony on New York’s west side. He was recording for his second Duets album. The temperature outside was about 100 degrees. Inside it was worse because Aretha had asked to turn off the air conditioning. She was wearing a sleeveless top and didn’t have a drop of sweat on her. Tony was dressed in a suit and tie and he was drenched. “Tony,” I said, “you can take off the jacket and the tie, you know.” He looked at me and said, “I got dressed up to sing for Aretha Franklin!” and refused to doff anything.

When I told Aretha she responded, “We took Tony Bennett to the recording studio and he burst into flames!”

Tony’s big second act was due to his own talent, of course. But also to the devotion of his family, principally his son, Danny, who became his astute manager and guided him through the 21st century. Tony’s other kids, grandkids, and wife Susan surrounded him with love. Condolences to all of them. What a life to celebrate!

PS One thing I left out: as late as 18 months ago Tony was still giving little concerts in his living room despite Alzheimer’s. He remembered every word and phrase of the songs. The music had been written into his wiring. At his 95th birthday at Radio City two years ago, it was the same. He performed a 40 minute solo set with his band, plus performed with Lady Gaga, never missing a beat. His rich voice was always a Wonder of the World. And so was he!

Exclusive: Fleetwood Mac Could Reunite with Lindsey Buckingham for One Last Reunion Tour

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Little by little all the 70s bands are planning farewell reunion tours.

The Eagles are getting ready to embark on one, Aerosmith and KISS are also eyeing the end of their touring days. Elton John just wrapped his last go round. Paul Simon has already dotted his i’s and crossed his t’s.

Now I’m hearing that Fleetwood Mac may be next. There is even talk, sources say per Mick Fleetwood, of reuniting with Lindsey Buckingham, who was fired from the group a couple of years ago. But with the passing of Christine McVie, it makes sense to get Buckingham back in the fold. He and Stevie Nicks can fight once the tour is over and they’re in nursing homes, frankly.

Also let’s not forget. John McVie retired from touring. Fleetwood Mac now would just be Mick and Stevie. They need Lindsay Buckingham, writer of many of their hits, to get on board.

A Mac attack in 2024 would be an easy sell out, too, for arenas. A solid, big name younger act would be a good opener. The Mac can fill three hours without a doubt, and now they’d have a memorial tribute that bring everyone would to tears.

So hang on Mac fans. The only question is, when all these groups wrap it up, who will take their places? Yes, the Stones, McCartney and Springsteen, and Ringo Starr, are still out there. But the era of live Classic Rock is ebbing away.

CNN’s Jake Tapper Picked Up 200,000 with Ron DeSantis Interview, Still Finished Last in Time Slot

CNN and I guess Jake Tapper himself thought interviewing Ron DeSantis would help CNN’s ailing ratings.

It did, to a point. On Tuesday at 4pm, Tapper picked up an extra 200,000 viewers.

But with a total of 786,000, Tapper still ran a distant third to MSNBC and Fox News.

No one really wanted to hear DeSantis on CNN, he just blabbed on about his usual mishegos, and Tapper let him to it.

CNN has become a sounding board for Republicans. Unfortunately, no one cares. We’ve heard it all. DeSantis is insane. He has no campaign either. He’s destroying Florida’s economy. Yada yada yada….

Exclusive: Broadway Will NOT Strike As Union Gets An Agreement And Averts Stage Hands Walkout

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IATSE has reached an agreement with the Broadway League and Disney Theatricals on what they call pink contracts, I am told exclusively. .

Earlier IATSE had authorized a strike against the theater organizations which would have caused a walkout among stagehands. and a lot of backstage personnel like make up artists.

But cooler minds have prevailed. Broadway could not afford shows shutting down so soon after the pandemic break. It would have been ruinous.

With SAG AFTRA on strike and the Writers Guild, the calamity of a third strike did loom greatly. The IATSE workers had already settled some of their issues, but outstanding ones included better pay for touring shows. Touring is a huge part of the theater world now, with productions hitting all parts of the country and bringing shows to people who can’t make it to New York or Los Angeles.

Here’s the official statement

“The IATSE International and the Broadway League and Disney Theatrical Productions have reached a tentative agreement for the “Pink Contract”, pending ratification by the bargaining unit. The agreement covers theatrical technicians employed by the League and Disney on Broadway and on touring productions.”

More to come, keep refreshing…

Another Elvis Movie, “Priscilla,” from Director Sofia Coppola, with “Euphoria” Star, Will Be Centerpiece of New York Film Festival

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I’m pretty sure I just saw an “Elvis” movie that was a big hit at the box office. The star, Austin Butler, became a big deal.

Now there’s another Elvis movie. “Priscilla” comes from the cutting edge director, Sofia Coppola. It’s based on the book, “Elvis and Me,” by Priscilla Presley. “Euphoria” star Jacob Elordi plays the King. Cailee Spaeny plays Priscilla. who divorced Elvis but was mother of his only child and went on to run his businesses until recently.

My guess is “Priscilla” will just cover the ex-wife’s marriage and not go into how she fell under the spell of Scientology, or the recent tragic death of her daughter, who was very screwed up or any of the other tragedies associated with this group. But with Coppola at the helm, at least the movie will be stylish and different.

PS If the strikes are still on, no one from this film will be attending the festival. Priscilla appeared on “Dallas” for many years. She has a SAG card, unless she’s ripped it up.

Fox News Trump Town Hall with Sean Hannity Scores Well Below CNN Trump Event from Last Month

Donald Trump, perpetual indictee, appeared with his bff Sean Hannity in a Fox News Town Hall last night.

The show– and it was a show not a news event — scored 2.85 million viewers.

But that was far less than Trump’s Town Hall in May on CNN with Kaitlan Collins. That event brought in 3.33 million.

Is Trump’s base done with him? Do they realize anything he does on Fox News is staged, scripted, and approved by him?

When the Hannity hour was over, it should be noted that nearly 1 million viewers tuned out of Fox as well. Greg Gutfeld at 10pm fell to 1.9 million. MSNBC’s Lawrence O’Donnell came within 300,000 pairs of eyes.

Earlier in the evening, with Fox having moved around its schedule, MNBC’s Ari Melber finished in a virtual tie at 6pm with Fox’s Bret Baier.

Random House Loses Dozens of Legacy Editors, Execs in a Corporate Buy Out/Lay Off Scheme that Guts the Company’s History

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A culture Atomic bomb has gone off at Random House.

You could call it Penguin Random House. But the venerable publishing’s power is held in the second name. For years Random House just housed its own company, the literary giant Alfred A. Knopf, acclaimed imprints like Pantheon and Shocken.

Over time and consolidation, Random House added a lot of rivals under its corporate umbrella including Viking Penguin and Doubleday. The Random House I worked for in the early 1980s is unrecognizable now. But the heart of the company always remained: dozens and dozens of famed editors who found the classic books, edited and published them, and were unknown to people outside the business.

In the last 48 hours, Random House has done something completely shocking. Through buyouts and layoffs they’ve gutted the company of people who worked there 40, 50, and 60 years. They’ve decimated the business in way that would have been unimaginable when arts and letters meant something.

By all accounts, 500 letters went out on Monday announcing these changes. Layoffs were inevitable. My sources say the corporate heads — bean counters who have no respect for the mechanisms that brought them critical and financial success — were actually shocked about all the buyouts that were accepted by veterans.

“The company hasn’t been the same for years,” says one source. “Everything is done by committee.”

Both the Associated Press and New York Magazine reported on a slew of people who are leaving Random House and its various labels. They include Ann Close, Jonathan Segal, and Victoria Wilson, as well as Penguin’s Wendy Wolf, Rick Kot, and Paul Slovak. Knopf managing editor Kathy Hourigan, “who has worked with Robert Caro on all his books dating back to The Power Broker,” will also take a buyout, New York magazine reported, as will head of production Andy Hughes, head of publicity Nicholas Latimer, and editor Shelley Wanger.

Another name not reported yet is Altie Karper, head of Shocken Books and the Pantheon imprint. Each of them is a devastating loss. Hughes, in particular, stings. He’s been responsible for 40 years of Knopf bestsellers maintaining their unique elegance and eloquence.

There are also the ones who’ve been fired including the estimable Dan Halpern, who came from Ecco Books two years ago with a raft of writers whose careers he developed.

At the center of this fiasco is the possible villain, Penguin Random House CEO Nihar Malaviya. A few weeks ago he sent out a letter offering Voluntary Separation Offers. According to Publishers Weekly, “The offer was made this spring to all employees at least 60 years old and who have been with the company for at least 15 years. Employees had until June 20 to decide whether or not to accept the VSO and according to sources, 49% of eligible employees signed on.”

On Tuesday, Malaviya wrote this letter to the staff: “As you know, the book marketplace has had several shifts over the past years. At Penguin Random House, we, too, have experienced these shifts and changes, especially during the last months. We are halfway through 2023, and while the book market has grown, particularly over recent years, we have also faced significantly increased costs in all areas across the board, and we expect these increases, as well as inflation, to continue.”

The letter continued: “We have been taking various actions over the last months to adapt our business to these market realities, and I’m sad to share the news that yesterday some of our colleagues across the company were informed that their roles will be eliminated. Everyone being affected has been informed directly in individual meetings. We long sought to avoid these actions, but unfortunately could not do so. This was the hardest decision I have had to make as a leader.”

A huge part of Random House’s financial agony is attributed to their failed purchase of rival Simon & Schuster. That merger was scotched by the a federal regulatory judge last fall. Random House incurred charges of $200 million in that failed battle. That bill was going to come due eventually, and this is the result.

Some suddenly orphaned authors will follow their editors to new homes. Other will hope the exiting talent will get consulting deals to finish projects. But the scope and richness of Random/Knopf/Penguin etc is going to undergo its worse sea change in almost 100 years. And even this lousy moment doesn’t solve the problem of Simon & Schuster’s ownership still with Paramount/Viacom. The Justice Department isn’t keen on losing one company to consolidation.

What a disappointment. When I worked in publishing — 35 to 40 years ago — it was a business (and often cutthroat). But there was a respect for books and how they made it through the pipeline to the customers. With this bit of mass destruction, it feels like that is gone for good.

Im at showbiz411@gmail.com if anyone wants to chime in, in confidentiality. This isn’t the end, by the way. Publishers Weekly reports tonight that Chicago-based IPG, the distributor affiliated with Chicago Review Press and Triumph Books, confirmed it is laying off nine employees this week, including five of Chicago Review Press’s 13 employees and one of Triumph Books’ seven.

UPDATED” Crowdfunded Christian Movie “Sound of Freedom” Hits $100 Mil*, Tops “Mission Impossible” Wednesday, Star Calls Trump “A New Moses” on Fox

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THURS MORNING UPDATE: “Sound of Freedom” narrowly beat “Mission Impossible” last night and took the top position at this morning’s box office. Technically. It’s time for an audit to figure out what went on here.

Also, this morning star Jim Caviezel called Trump “a new Moses” this morning on Fox and Fiends.

WEDNESDAY NIGHT: “Sound of Freedom” will cross the $100 million mark tonight. But it gets an asterisk. “SOF” is crowdfunded by Angel Studios. They’ve had millions of tickets purchased in blocks so audience members can go for free. No one knows who bought the tickets or how many people actually used them.

What happens if the free tickets donated by church and Christian groups aren’t used?

According to Angel Studios’ website:

“If there are any funds remaining after the theatrical run, they will be used to pay for streaming Sound of Freedom in the Angel Studios app. Remaining funds from Pay it Forward may also be used to help the filmmaker create additional content.”

So that should disabuse everyone about where the money is going. Because of this, the “Sound of Freedom” is just ka ching, but not the sound of truth.

A quick look tonight at Fandango in Chicago, Kansas City, and Indianapolis — places where “SOF” would have an audience — shows lots of seats available at all times. This would negate the proposition that it’s selling out like crazy. In all likelihood, Angel Studios sitting on plenty of tickets that haven’t been used.

Fandango and the other ticket systems would be wise to perform an audit.

Jason Aldean Fans Send Racist Song to the Top of iTunes Singles, Wrong Album to Number 3 Album

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Jason Aldean fans aren’t too bright.

They’ve sent Aldean’s racist song, “Try That in a Small Town” to the top of the iTunes singles charts. It doesn’t matter to them that the song is intended to incite violence against anyone who comes into a “small town” (meaning all white) and messes with “good ol boys.”

In their zeal to be part of this stupidity the fans have also sent an Aldean album to number 3 on iTunes. The only problem is, it’s the wrong album but has a similar title. “Rearview Town,” does not include the song. It came out in 2018 and has nothing to do with the newer more controversial screed.

Aldean has been denounced by Sheryl Crow. CMT has pulled the video, although it’s still easy to find on YouTube. Capitol Records Nashville should cut off sales of that record, but record companies exert little editorial judgement when it comes to records if they’re selling well. (Spotify and Apple should, too.) Sir Lucian Grainge has the ultimate authority over Capitol. It’s up to him to say enough is enough. But Universal Music Group did little to punish Morgan Wallen when he used the ‘n’ word in a home video. Since then he’s sold millions and millions of albums.

It’s all about money.

Review: Stunning “Oppenheimer” Christopher Nolan’s Masterpiece in Oscars Race

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There’s a lot to unpack in Christopher Nolan’s three hour masterwork, “Oppenheimer.” This is ostensibly the story of how America created the atomic bomb and a legacy of pending nuclear war starting in the 1940s and looming over us today.

It’s also a cautionary tale of how this country creates heroes and tries to destroy them all at the same time. “E Pluribus Unum” should really be replaced as our motto by “No good deed goes unpunished.”

For Nolan, “Oppenheimer” is a career high after two decades worth of innovative, intriguing filmmaking. All his sensational turns and rearranging of time have led to this moment. Forget “Barbenheimer.” This should be “Operaheimer.”

Cillian Murphy and Emily Blunt, who have immense chemistry, reunite from “A Quiet Place Part 2” as J Robert Oppenheimer and his his difficult wife, Kitty. She may be overwrought because he’s a distracted, emotionally distant womanizer (as described by others in the film) who’s got a quirky mistress (Florence Pugh) with a Communist past. (Here are Nolan’s first ever sex scenes.) Oppenheimer’s brother is also enamored of the American Communist party. But J Robert resists. Science is his focus. But, of course, the Communist associations will come back to bite him.

With these characters set up, Nolan begins mixing in the exceptional supporting cast beginning with Robert Downey Jr as Lewis Strauss (pronounced Stras, he says) head of the Atomic Energy Commission. Because Downey has been playing Iron Man for a generation no one recalls his Oscar nomination for playing Charlie Chaplin. But Downey is more than up to the challenge with the duplicitous Strauss, whose neck veins are always on the verge of exploding as he navigates his own Washington career at the expense of Oppenheimer. This is Downey’s performance of a lifetime.

There are plenty of other talented people doing exceptional work including Matt Damon, Josh Hartnett, David Krumholtz, Jason Clarke, Tony Goldwyn, Alden Ehrenreich, Kenneth Branagh, Macon Blair, and, inevitably, Gary Oldman as a surprise Harry Truman. Matthias Schweighöfer pops off the screen as German physicist Werner Heisenberg. Rami Malek and Casey Affleck each steal their respective scenes. Matthew Modine brings profoundly weary gravity to his moments. Nolan has rounded up the best people for this ensemble.

The other major player here aside from all these people is composer Ludwig Goransson. As a friend of mine said, this movie scored from wall-to-wall. There is rarely a moment without music underneath the dialogue or soaring through scenes of cosmic explosions. So many scenes are a lot of talk, the delivery of information, that the music is the apple sauce that makes the pill go down. The characters are almost singing the lyrics of how to build a better bomb. It helps that editor Jennifer Lame is cutting to the music, establishing a rhythm like it’s in a top 40 hit. You can almost snap your fingers to her work.

Nolan does play with time. but far more efficiently than in some of his previous more frustrating outings. It’s almost like he picked up a cue from Steven Soderberg. The different time lines are color coded and east to keep track of. This is especially helpful since two of the colliding plots are centered on hearings taking place in small rooms at conference tables. Yet they are distinct and build to dramatic counterpoints.

In the end, though, Nolan has constructed a compelling drama about a man upon whom the world’s fate rests. And when he succeeds at his mission, Oppenheimer is eventually punished for realizing the power of his invention. You’d think the highlight of a movie about the atomic bomb would be the actual explosion. But the mushroom cloud Nolan sets off is really after the climax, as the denouement of the film is almost more gripping because Oppenheimer has been so effectively presented as sympathetic but flawed.

We haven’t had a ‘big’ Best Picture in many years. The trend has been to quieter stuff, like “Nomadland,” “Spotlight,” “Moonllght,” etc. Nolan has the audacity here to address history writ large and ponder the universe, our place in it, and how decisions from 80 years ago have affected our present and future. A lot of people who see “Oppenheimer” may be shocked to discover all this really happened. But it really did, and we have this document to memorialize it.