Thursday, December 25, 2025
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Robin Williams Lets Real Tiger Blood Loose on Broadway

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Robin Williams has a stunning hit on Broadway: he’s the star and main character in “Bengal Tiger in the Baghdad Zoo.” He opened Thursday night to rave reviews and thunderous applause from friends like Billy and Janice Crystal, Sting and Trudie Styler, Bob Balaban and Lynn Grossman, Peter Asher and wife Wendy, Barry Levinson and wife Diana, Susan Sarandon, Neil Simon and Elaine Joyce and dozens of wowed theatergoers who didn’t know what to expect including The New Yorker’s veteran writer, Lillian Ross. Moises Kaufman directed this experimental and cool new play by Rajhiv Joseph, and it’s a thing of beauty. “Bengal Tiger” takes place in 2003 in Bahgdad, in a zoo, as American soliders are searching in vain for weapons of mass destruction.

Most of the characters including Robin’s, are ghosts. But Robin is also a tiger. And very very funny while the play delivers multiple images and layers with anti-war statement. At the party afterwards, Billy Crystal could not stop kvelling, And it was a big deal for him, too. “I missed opening day at Yankee Stadium,” he conceded. “But I know you have to stay up late for Broadway!” Williams was overwhelmed, I think. When someone told him the review in the New York Times was a rave, he said: “I guess that will be good for business.” An understatement. The Tony Award nominations for Best Actor in a Play are going to be wild this year, with Williams facing off against at least Al Pacino, Brian Cox, and a bunch more big names on their way!

Don Hill, Owner of Famed West SoHo Rock Club, Passes Away

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Word is just getting out that Don Hill, who ran his self-named famed rock club on Spring St. for almost twenty years, died today. There’s a memorial at midnight, 12 am Friday. No official word has come out yet but everyone from Moby to Bebe Buell is spreading the news with great sadness. Don was somewhere, I’d guess, between 65 and 75. He was ageless, though. With the end of CBGB and the Bottom Line and dozens of other clubs, Don Hill’s was the last original rock club. Recently Nur Khan and Paul Sevigny bought in and spruced the place up, but it was still Don Hill’s. All the great and legendary restaurateurs and club owners, from Elaine Kaufman to Don Hill, are disappearing now. We are at the end of not just an era, but maybe an eon. Rock on, Don.

Billy Joel Pulls Memoir, Tells Publisher at Last Minute

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Billy Joel pulled the plug on his memoir this morning. He told his publisher, Harper Collins, simultaneous to releasing a short statement. The book company is gob-smacked, as they say.  The book was scheduled for a Jule release. It was all but signed off on, completely edited and ready to go. There aren’t too many instances of this sort of thing happening. Years ago Oprah Winfrey did the same thing to Knopf. More recently, movie producer and former hairstylist Jon Peters did the same thing. What it generally means is that the subject of the book has been too candid, and is too young to live with the repercussions of telling the truth about their lives. That last read through of the galleys says it all. In Billy’s case, he’s had a tough few years personally with his daughter, Alexa, his own bad marriage to Katie Lee, accidents and rehab. The last straw may have been Elton John’s odd, unprovoked attack recently, calling Billy out for his drinking. Joel probably didn’t want to hit the interview circuit to defend himself. It’s his decision. What I wish Billy would do is channel all that energy into a new collection of songs. An autobiography can wait a while, like until he’s in his 70s. Billy, stay just the way you are. But give us some music!

John Travolta Plans Another Career Ending Movie

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John Travolta has career longevity, that’s for sure. Just when you think he’s finished–with stuff like “Battlefield: Earth”–he comes bouncing back with an off the wall hit like “Wild Hogs.” Scientology, gay rumors, toupees, the National Enquirer–it’s all there, but Travolta just bounces along. Now he’s announcing a new film that’s his latest career ender: he’s going to play John Gotti in a film about the dead, disgusting mobster and his living, disgusting son. Yikes. Someone–maybe former comic and husband of Shirley Jones, Marty Ingles; or Jonathan Krane, Travolta’s sometime manager–has convinced Vinnie Barbarino that this will be his “Godfather.” You can hear the pitch–look at what this kind of thing did for Brando! Ahem. A couple of differences. “The Godfather” was put together by a Dream Team, and director by Francis Ford Coppola. “Gotti” is going to be directed by Nick Cassavetes, who’s lacking in the success department. Also, “The Godfather” was a solid bestselling novel by Mario Puzo. It was fiction, so we could distance ourselves from it. The Gotti’s are real, and really horrendous. There’s no upside to this story, no morality tale, and no poetry. The people killed by Gotti had relatives in real life. I can’t wait for that premiere. I guess the main thing for Travolta is that he can lose his wig toward the end. Some movies should not have been made. Recently, “Valkyrie” and “The Beaver” are on that last. Here comes the next one.

George and Barbara Bush Steal Hollywood Mogul’s Movie

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Lately, George and Barbara Bush are everywhere. But they’re also in Doug McGrath‘s wonderful HBO documentary about Hollywood mogul, mover and shaker Jerry Weintraub. An A list crowd came to the Time Warner Center screening room last night to watch the film, called “His Way,” based on Weintraub’s memoir. And just like the Bushes are so friendly with Bill Clinton, they also have a connection to Weintraub through his wife, singer Jane Morgan.

Like the witnesses in “Reds,” the Bushes give a hilarious on camera testimonial to Weintraub that has to be seen the film airs this coming week. (Barbara Bush has impeccable coming timing.) They rattle off a list of celebrities to whom the gregarious Weintraub has introduced them over the years. Barbara pauses, then remembers, suddenly: “John Travolta!” Her eyes light up.

There’s a long history between the Bushes and the Weintraubs not mentioned in the film, but it’s in Weinraub’s book. McGrath recalled the story for me last night. Apparently, Weintraub was denied admission into the Bushes’ country club in Kennebunkport because he was Jewish. Bush was so upset he arranged for Weintraub to play in a foursome with him (this was many years ago). McGrath said, “Now Jerry is a member.”

“His Way” is the second documentary produced by Graydon Carter recently for HBO, following Martin Scorsese’s “Public Speaking,” about Fran Lebowitz. Carter, editor in cheif of Vanity Fair, presided over the dinner following the screening at The Porter House steak restaurant in the Time Warner Center. Who wasn’t there? Nobody. Candice Bergen, Barry and Diana Levinson, Joan Juliet Buck, Liz Smith (looking snazzy in a red leather jacket), HBO doc chief Sheila Nevins, Hearst magazines chief  Ellen Levine, People mag editor Larry Hackett, and Police Commissioner Ray Kelly.

“His Way” is not to be missed, especially for Matt Damon’s and George Clooney’s imitations of Weintraub, rare footage of Frank Sinatra and Elvis performing together, early clips of John Denver, and Julia Roberts squirming on camera when asked to comment about Weintraub’s unusual domestic arrangements.

Kabbalah Founder’s Son Wants to See Father, “Get Him Out of There”

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On Tuesday I sat down with an interesting person in the Kabbalah-Madonna saga: Avraham Gruberger, the 53 year old son of Kabbalah Centre founder Philip Berg, nee Fievel Gruberger. Avraham is the third of the eight children Philip Berg had with his first wife, Rivka, who is now deceased. He left her and the eight kids around 1969 for Karen, who worked for him in his office.

Forty years later, with Philip Berg in his 80s, Avraham Gruberger is concerned and his father’s health and well being. He hasn’t seen him in four years. He says Karen Berg, his stepmother, has barred him and his siblings from seeing their father. None of the original eight children are involved in Kabbalah, by the way. When they were growing up, their father was a life insurance salesman. But he followed their mother’s uncle, Rabbi Yehuda Brandwein, a Kabbalah scholar.

“Karen saw that it would be a good business,” Avraham tells me. And so the Kabbalah Center was born. Now with rumors that Karen Berg has a paramour, Muki Opphenheimer, and that Philip Berg has been hobbled by strokes and old age, his son wants to rescue him.

It’s not about money, either, although none of the original Gruberger children have profited from Philip and Karen Berg’s unique abilities to earn millions from creating a religion. It’s not like Avraham has much support within his family, either: their father has never attended any of their weddings, or had much to do with them since his departure and divorce. Two of the children are deceased from cancer, leaving just six. In Florida, Avraham says, he and his family were actually told to leave the local Kabbalah Centre.

For most of Avraham’s childhood, he didn’t see his father. Philip–aka Fievel–had moved the family to Israel. He commuted back and forth to New York, leaving the family in the dark about his other life. At 12, Avraham was sent back to New York and spent some time with Berg. There was another brief meeting a few years ago. But other than that, nothing.

Avraham Gruberger says his only wish now is to “free” his father. “There’s no vendetta. I do believe he’s been drugged up. I’d like him to come live with us and fulfill his mission.” Indeed, Gruberger says that if Karen Berg were to just hand over Philip without discussion, and without money, Avraham would just take him. “We can take care of him,” he says.

PS Avraham knows nothing about Madonna or Raising Malawi, and doesn’t care to hear about what’s gone on since Karen Berg took over the Kabbalah Centre. “I just want to see my father and get him out of there.”

“The Office”: Ricky Gervais Odds Get Higher as Possible Head Honcho

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There’s news today that Will Arnett has joined the cast of a Lorne Michaels-produced pilot co-starring Christina Applegate and Maya Rudolph. That most certainly means that Arnett will not be the new boss on “The Office,” even though Ricky Gervais first told me on Golden Globe night that he wanted him. And so the mystery of who will succeed Steve Carell deepens. With Arnett scratched from the list, it seems more and more possible that Gervais himself will take the spot. (Will Ferrell, coming in for four episodes, returns to films.) Gervais re-appears in the final episode of “The Office” after making his debut back on January 27th as a sales guy looking for a job.

Gervais had told me that the January 27th episode would give a big clue about who’s going to run Dunder Mifflin. Gervais has his animated show with HBO, “The Ricky Gervais Show,” but that certainly wouldn’t preclude joining “The Office.” And as I reported recently, Gervais’s production partner, Stephen Merchant, who helped develop “The Office” in Britain, recently visited the American set. We’ll keep an eye on this, because with Arnett signed up for something else, all bets are off now.

PS Last week’s episode of “The Office,” called “Garage Sale,” was Emmy worthy for acting, writing, and directing. A perfect episode. The engagement of Michael and Holly was just sublime. Carell deserves Best Actor, and I do hope Amy Ryan is nominated for Best Actress. Can’t wait for tonight’s episode!

“Spider Man” Using Understudies as Leads Go to Rehearsals

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“Spider Man: Turn off the Dark” is now using understudies instead of its leads for regular performances. Two sources tell me that an announcement was made to the cast and crew that Reeve Carney, who plays Peter Parker, Jennifer Damiano (Mary Jane), and Patrick Page (Green Goblin) are all out of the main performances for the next two weeks. The reason is they’re rehearsing new material on dawn til dusk. (A spokesman for the show insists that the performers can work all day and all night, and that understudies will not be used.)

The good news might be that audiences will see Matthew James Thomas as Peter Parker. He’s very good. What’s unclear is how this affects the character of Arachne, played by T.V. Carpio. She’s been out because of an injury. Her understudy, America Olivo, has been playing Arachne. Who is rehearsing Arachne’s new material is a big question. But that role, sources tell me, is being cut way down anyway.

“The whole second act has been rewritten,” says a source. “And there are new songs.” The show closes down after the April 17th performance, for three and a half weeks. The whole first week, I’m told, is just to make technical changes without the actors.

Meantime, the “Spider Man” producers still have no signed deal with creator Julie Taymor. Sources say that legally she may still have power to veto the new work that’s being done.

Horrifying “Kennedys” Sensationalizes Sister Rosemary’s Condition

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Fans of “Melrose Place” may remember a big reveal from one season when Kimberly, who was crazy as a bed bug, pulled her hair back in front of a mirror to reveal a massive scar from brain surgery. It was the last scene of an episode, and done for maximum shock. Guess what? In Joel Surnow’s really terrible miniseries, “The Kennedys,” about real people, the scene is more or less re-enacted in the worst possible way.

Episode 5, just toward the end: “The Kennedys” stages a scene of Rose Kennedy coming to see her daughter, Rosemary, after her lobotomy. The miniseries acts as if Rose knew nothing of the surgery in advance, that Joe Kennedy did it without anyone’s acquiescence. This is historically inaccurate according to Laurence Leamer’s book about the Kennedy women. In fact there was much discussion in the family before the surgery. Kathleen Kennedy aka “Kick”–who is not mentioned in the miniseries–did a lot of research in advance. She was told it was a mistake.

In the miniseries, Rose walks into a hospital room where Rosemary is seated and staring into space. For maximum shock, Rose pushes back Rosemary’s hair to discover a severe and bloody scar on her forehead. It’s right out of Hannibal Lecter, and totally disgusting. I’m not sure if Caroline Kennedy or Maria Shriver made it this far into the series, but if they did, I wouldn’t blame them for calling anyone they knew to kill it. Reprehensible and unnecessary. Yikes.

I can’t even imagine what awaits me in Episodes 6, 7, and 8.

James Franco: “It’s An Honor” To Teach at NYU

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James Franco, in classes at Yale, this week, is about to become a professor. He’s been asked to teach a directing class at NYU Film School.

Franco told me: “It’s an honor to be asked to teach there.” He’s finishing his MFA at NYU, and on the road to a PhD at Yale. Today’s New York Post sounded positively bitter as it quizzed NYU students–none of whom will be in Franco’s class–whether he should teach there. It does seem that the more Franco accomplishes, the more people in the media seem to resent it. Well, too bad.

The “127 Hours” star did fine at the Oscars, too, despite crazy accusations that he was stoned or unprepared. Again, insane. As a teacher of film directing, Franco has plenty of experience, too: several short films, a couple of small features, all praised. He’s also working on a plan to shoot William Faulkner’s “As I Lay Dying” next year. Franco could be like the two dozen or so other young actors in his age group, just going from one mediocre film to another and not trying to do anything new or interesting. By the way, the students who are chosen for his directing class will not be there to ogle a movie star. They’ll be there to get work done, just like the teacher. Give James Franco an A for effort.