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Cannes: Emma Watson of “Harry Potter” Fame Makes “Bling Ring” Shine

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It’s nice to see the trio of kid stars from Harry Potter succeeding as young adults, Now it’s Emma Watson’s turn– Hermione, that is. She’s listed as part of the ensemble in Sofia Coppola’s “The Bling Ring,” which premiered here in Cannes on Thursday morning. And while all the cast members are quite good, Watson just pops out. She’s a star in the making, that’s for sure.

“The Bling Ring” is based on a true story– a bunch of spoiled middle class suburban Los Angeles teenagers broke into the home of C list celebrities–reality stars– and stole about $3 million in cash and other items including clothing and jewelry. Nancy Jo Sales wrote about in Vanity Fair, and now it’s a big screen movie.

This might be a throwaway film if it weren’t for Coppola’s exacting eye, and her precision in capturing a brain dead culture. This is Southern California at its worst. The parents are clueless and into cult like religions and faux spirituality. The kids aspire to nothing more than owning brand name items, becoming famous, having to work for nothing.

Watson plays Nicole who is not the ring leader of the group. That would be excellent newcomer Katie Chang as Rebecca. She’s a real find. Watson, however, is just a member of the group. But she plays the part as if she were Nicole Kidman’s daughter from “To Die For” with the same kind of unabashed venal enthusiasm for celebrity without substance.

Sadly, “The Bling Ring” saga– which happened in 2009– is no different than Less than Zero” or “Thirteen.” This chapter just notches it up a bit thanks to the internet and social networking. Coppola is like Joan Didion capturing not only the kids’ idiocy, and their parents’ but the studpidity of the celebs involved who left keys under their doormats, left doors unlocked,  and didn’t have alarm systems.

More bizarrely, Nicole–who along with the others is finally arrested and sent to jail–comes to do her sentence in the same cell block as one of her victim–Lindsay Lohan. This neat twist isn’t lost on Coppola, who knows exactly how to turn the knife.

Yes, “The Bling Ring” is a morality tale, but it’s also beautifully deadpanned satire. Coppola tells the story efficiently and never stops to pat herself on the back. There’s no winking. And as usual Leslie Mann, as Nicole’s mother, is kind of a divine being sent from comedy heaven. Because she’s Judd Apatow’s real life wife Mann doesn’t get enough credit. She really is Julie Hagerty’s Hollywood younger sister. They’d be hilarious in a movie together.

Little A24 is releasing “Bling Ring.” They made a nice hit out of “Spring Breakers.” This should do even better.

Cannes Opener: “Gatsby” Gets a Tepid Response at Premiere

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“The Great Gatsby” didn’t have such a great response at the Cannes Film Festival on Wednesday. The opening film, directed by Baz Luhrmann, was met with silence at its morning press screening- literally no applause. Some of the audience even left early and missed the main closing credits.

The situation was no better on Wednesday night. The black tie red carpet audience was filled with celebrities from Julianne Moore to Sacha Baron Cohen, husband of Isla Fisher, who plays Myrtle in the movie. There was what some called “muted response,” “polite applause,” and a basically tepid response. Nowhere to be found were the customary ten minute standing ovation, whistles, shouts of “Bravo!” and the like. There was no foot stomping.

At the rain-drenched but still swanky dinner thrown by the Festival for the movie and the new jury, answers to the question “How did you like it?” were met with cautious responses. One juror, a celebrity, simply said, “I’m glad it wasn’t in competition.” A Paris TV talk show host said, directly,  “I hated it.”

Otherwise, the dinner turned out to be a lot of fun—even though outside torrential rains caused expensive gowns to be water logged and high heels to be toppled. Trains—the ones that follow gowns—were not running on time.

Nicole Kidman was smart and didn’t have one. She looked like a million bucks in a billowy gown. Kidman told me she was eagerly awaiting the arrival of husband Keith Urban on Friday, right after he finishes up “American Idol.”  She acknowledged that Urban, like the other judges, are not returning.

“I don’t know what they want,” she said of the Idol producers. “I liked Keith on the show and I watched it. I thought it was great.”

Juror Ang Lee told me about his upcoming FX channel pilot called Tyranny. He’s directing it, and “Tyranny” is written the creators of “Homeland.” Ang said “It’s modern day, and set in a Syria-like country.” But he added: “Make no mistake it is not Syria.”

Other guests at the dinner included Tobey Maguire, who stars in “Gatsby” and is now also producing two upcoming films. Jury chief Steven Spielberg brought wife Kate Capshaw and two of their kids. Leonardo DiCaprio had his father and step mother as guests, but they were seated at a table far away from him. His actual dates were huge bodyguards, the size of Viking ranges.

Meanwhile, over at the post-dinner party thrown by Warner  Bros for “Gatsby”—again in monsoon rains—so many name guests were denied entry to the VIP area that there was a mass exodus after Florence (of the Machine) sang one song on the stage. Very amusing was watching Warner  party chiefs and French speaking body guards making director Lynne Ramsay, a Cannes juror who’d just been on the main stage, cool her heels.

“She’s a juror,”  at least ten people yelled only to receive blank stares. The other jurors were smart enough to have gone home directly from the dinner. It was a crappy end to an otherwise elegant night.

Cannes: Spielberg Happy There’s “No Campaigning” Like Oscars

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At the Cannes jury press conference today, Steven Spielberg let it be known he’s happy about one thing here. No campaigning. Spielberg just came through a brutal Oscar campaign for “Lincoln” and lost. “I think the great thing is that there’s no campaigning,” Spielberg said. “We’re going to be caucus-ing and deliberating and meeting. As you know, awards season in America is like a political cycle. We had the campaign for president of the United States of America. And the campaign for the Academy Award. There’s no campaigning here and that is like a breath of fresh air for me.”

Cannes Opening Will Toast Spielberg, Color Purple

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It’s going to be quite the opening night for the 2013 Cannes Film Festival. Lana dek Rey was reportedly going to sing, but instead there will be a tribute to “The Color Purple” for Steven Spielberg. She will be part of a big presentation with French actress Audrey Tatou, as well as a mini tribute to Steven Spielberg and the presentation of his jury including Nicole Kidman, Ang Lee, and Christoph Waltz.

At the afternoon press conference for the jury, Ang Lee– who won the Oscar in February for Best Director–said of head juror Spielberg: “I worship him. He’s my hero.” It was heartfelt. Spielberg blushed. “I worship ‘Life of Pi’,” he said. “So I worship Ang Lee.”

Nicole Kidman said she did not get any advice from hubby Keith Urban about being a judge– he’s finishing a rocky year as a jurist on “American Idol.” Kidman did say Urban would be joining her here as soon as “Idol” is over. He sorely needs a vacation, that’s for sure.

Waltz likened negotiating with the other jurors to a type of psychotherapy, and mentioned the name of Freud. Waltz, whose international career began here with “Inglourious Basterds” just three years ago, said he still can’t believe he’s a juror.

“Coming up the stairs today I forgot what I was doing here,” he laughed.

 

Gatsby Cannes: Director Baz Luhrmann Says He Never Got Good Reviews

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The Cannes press conference for The Great Gatsby was more interesting for what wasn’t said than what was going on: beefy bodyguards for Leonardo DiCaprio stood at the edge of the stage. One of them filmed the audience of reporters and photogs with his iPhone. DiCaprio, center on the dais among the cast, drank espresso and some kind of fizzy water. The press, which did not applaud at all after this morning’s screening, seemed as muted as their reaction to the actors as they did to the movie.

Director Baz Luhrmann said he didn’t really worry about the mixed reviews. “I’ve never had great reviews,” he said. He said that he and DiCaprio had not totally given up the idea of making the epic
Alexander. “We even have a studio built for it, by Dino DeLaurentiis.” It was a film that never came to fruition.

DiCaprio looked a little bored. The one time he lit up was when he mentioned the great US box office from this past weekend. He must be tired of doing press for this movie already.

The one real highlight of the press conference was the appearance of Chaz Ebert, widow of Roger Ebert. Several of us jumped up when she walked in, and there were a lot of hugs.

“Don’t make me cry,” she said.

Anne Hathaway New Film Latest to be Financed by New Cannes Stars

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I told you exclusively about Anne Hathaway‘s next movie, “Song One,” which starts shooting in June in New York. Hathaway won’t sing, but there will be music. Her character is involved with a rocker played by real life Brit star Johnny Flynn. Jenny Lewis of Rilo Kiley has written the music. The film is co-produced by Jonathan Demme and Hathaway’s husband Adam Shulman. Kate Barker Froyland wrote the screenplay and directs.

Now comes word that the new stars of Cannes, Worldview Entertainment, will handle the money end. Worldview is the brain child of a brother and sister who are finance whizkids, and the actual kids of another financial wizard. Sarah Johnson Redlich, 53, and Bill Johnson, 50, are the adult children of Charles B. Johnson, famed founder of Franklin Templeton Investments.

Worldview — with CEO and chairman Christopher Woodrow– is suddenly becoming a major player here in Cannes. They’ve already got a bunch of films either finished or in production, many playing here or being presented including Guillame Canet’s “Blood Ties,” James Gray’s “The Immigrants,” and Arnaud Desplechin’s “Jimmy P.” all in competition.

Over the weekend, Worldview will introduce themselves with a party on a yacht put together by New York nightlife queen Amy Sacco. And then, watch out for more deals.

 

Justin Long’s “A Case of You” Gets IFC to Release

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Exclusive: It does look like IFC is closing a deal to distribute the Justin Long-written and acted indie rom com “A Case of You.” Kat Coiro directed this very amusing and charming film which was debuted at the Tribeca Film Festival in April. Justin wrote the film with his brother and co-star Keir O’Donnell. Long and Evan Rachel Wood star as the main duo who, of course, are thrown together by odd circumstances.

There are very humorous performances by Busy Phillips, Peter Dinklage, Vince Vaughn, and Sam Rockwell. Holly Wiersma, Logan Levy and Cassian Elwes lead a list of producers who heard from several suitors after Tribeca. Long and co. are still hopeful they can get Joni Mitchell to help them with rights to her song. But even without it, they’ve got a gem of a film.

Cannes Gears Up For “Gatsby” Opening as Soundtrack CD Scores

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The Cannes Film Festival is gearing up for Wednesday night’s red carpet premiere of “The Great Gatsby.” The film, with $55 million banked since Friday in the U.S., will launch worldwide from here.

Posters and adverts adorn the front of the famous Carlton Hotel. Tonight– Tuesday– the cast and their guests are getting a private dinner party at the Cap D’Antibes villa of Russian billionaire Roman Abramovitch.

On Thursday they’ll be treated to a private dinner at the famed Michelangelo restaurant.

In between, “Gatsby” opens the film festival on Wednesday with a black tie screening at the Palais on the Croisette. The whole gang– DiCaprio, Maguire, Mulligan, Luhrmann– will attend the festival dinner immediately following the screening. But by midnight they’ll be at yet another private party that will rage on until they retreat to the Hotel du Cap in Antibes.

Meantime, the “Gatsby” soundtrack surprised just about everyone this past week It finished at number 2 on the charts, selling around 135,000 copies. The CD collection is propelled by Beyonce, Jay Z, Emeli Sande, and will.i.am, among others.

Elsewhere in Cannes: the jury had a private dinner at the Hotel Martinez. Steven Spielberg and Kate Capshaw, Nicole Kidman, and Christoph Waltz were all in attendance. They’ll be introduced to the public on Wednesday at an afternoon press conference, and then at the evening’s formal presentation.

“Bling Ring” director Sofia Coppola was seen in the Martinez lobby around cocktail time. She and her cast were going out to dinner. “Bling Ring” screens on Thursday.

Super producer and director Irwin Winkler and his wife were strolling up the Croisette on Tuesday afternoon. On Saturday Winkler will present Martin Scorsese’s “Silence,” to be shot next year in Taiwan starring Andrew Garfield. Scorsese wil be here, and their whole unveiling is set for a big yacht.

But rain and cold weather are coming– three days of it. Already some parties have been rescheduled until next week. Everyone is hunkering down. And poor mobile tele-communicating can be a drag on top of it. (Thanks to TMobile for making life extra difficult while on the road.)

And at home, look for a tense couple of days wrapping up “American Idol” on Wednesday and Thursday. My sources say the judges have had it. These are two “live” shows. But if they get to the end of it without a murder mystery everyone will be relieved.

Broadway: $75 Mil “Spider Man” Box Office Fade As New Shows Arrive

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Is it curtains for “Spider Man” on Broadway? Not yet, but things are looking a little scary for Peter Parker and Mary Jane. For the last several weeks, the Broadway box office for “Spider Man: Turn off the Dark” has been in slow decline. This past week the show’s gross was a little over $1 million– and that’s the way it’s been recently. Compare this week to four weeks ago, and the number is trending down by the tens of thousands.

But that’s not good news. “Spider Man,” as we all know, cost $75 million. Its official opening was June 14, 2011–not quite two years ago. And that was after previews started in November 2010. The show had several missed openings, and even shut down for three weeks in May 2011 while it was retooled.

Initially, the Julie Taymor show with songs by Bono and The Edge was taking in $1.5 to $1.7 million. All the heralded accidents in the theater drew curiosity seekers The flying and the costumes were also draws, especially for tourists who enjoyed the action and didn’t read the bad reviews.

Even that has petered out, apparently. “Spider Man” used to be the new kid on the block. But this past week it finished 9th of all Broadway shows, including the play “Lucky Guy” with Tom Hanks.

New musicals like “Kinky Boots,” “Matilda,” “Motown,” and the revived “Pippin” are now out drawing “Spider Man.” Then there are the standbys have built return audiences into their draws, like “The Book of Mormon,” “Wicked,” “The Lion King,” “Mamma Mia,” and “Jersey Boys.”

It’s not only the totals at the box office that look worrisome for “Spider Man.” The show is only playing at around 72% capacity. The average ticket price is $89 which means it can be found at TKTS on discount.  Even an enjoyable, middling show like “Newsies” filled 98% of its seats last week. “Chicago” somehow did 89.2%.

And then of course there are ancillary issues. There’s still no “Spider Man” national tour. There’s no spin off show in Las Vegas. No doubt the idea of starting anew somewhere else, and having new accidents etc, is keeping the show from expanding. But you can already imagine “Kinky Boots” in other cities. “Spider Man”? Not so easy to get all those hydraulics working elsewhere.

This summer will really tell the tale of “Spider Man.” If tourist audiences don’t fill up the Foxwoods Theater, the Green Goblin may be the least of this super hero’s problems.

 

 

Exclusive: Five Years Later, Hyatt Hotels Heir Will Re-Shoot Large Chunks of Unreleased Jazz Film with New Actors

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A year ago I told you about Hyatt Hotels heir Dan Pritzker and his devotion to a feature film he started shooting in 2008 but never released. It’s called “Bolden!” about obscure jazz performer Buddy Bolden (1877-1931). Anthony Mackie played the lead in a cast that included Jackie Earle Haley and Wendell Pierce.

Pritzker shot the film in North Carolina, brought it home to Chicago, and let it sit. In May 2012– a year after “Bolden” wrapped– he told me he’d release it when it was ready. Another year passed and I wondered what had happened.

Now I can tell you that Pritzker, who has unlimited deep pockets– is planning to go back and re-shoot large chunks of the film this September. That’s over five years since he wrapped. The sets are in storage in North Carolina.

But he won’t have the same Buddy Bolden. Pritzker’s producer, Jon Cornick, tells me that Mackie–who went on to make “The Hurt Locker” and has turned into a sought after leading man–isn’t available. So, says  Cornick, they are now casting to replace him.

Yes, you read that right. Pritzker will reshoot all the scenes with the main character now played by a new actor.

A rep for Mackie says he loved making the movie five years ago and wishes everyone well. He has “two or three projects” and at least one of them will be shooting in the fall.

Mackie is currently on screen in “Pain and Gain.” Among his new films is “Captain America” and a movie about WikiLeaks.

http://www.showbiz411.com/2012/05/14/hyatt-hotel-heir-denies-hes-spent-100-mil-on-jazz-film

“He wants to make the film he wants to make,” Cornick told me about Pritzker. “He wants to finish the film.” It’s unclear yet whether more actors will have to be recast. Cornick says they have “plenty” of footage of other characters in scenes that didn’t feature Mackie.

“But he plays Buddy Bolden, and that’s what the movie is about.” Indeed.

Sources say a new script exists that changes about a third of the movie as it now exists.

When I interviewed Pritzker last year he denied that he’d invested $100 million in the project. Cornick also laughed at that number. But that was a number I’d heard from reliable sources. And Pritzker did manage to produce a short black and white silent film about Louis Armstrong, taken from the shot film. He staged it in a few cities in theaters using live musicians.

Now Cornick says they are casting for a new Buddy Bolden. Does it have to be a star or someone of Mackie’s stature? “No,” he told me. “Just a great Buddy Bolden.”