Friday, December 19, 2025
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Review: The Wikileaks Movie aka “The Fifth Estate”: Julian Assange as a Mad Man

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Bill Condon’s “The Fifth Estate” opens on Friday, right after Julian Assange wrote an open letter to actor Bendedict Cumberbatch on his website.  Thank goodness because the movie, which slows down in some areas, is desperate for a scandal or any other kind of publicity. The WikiLeaks episode already seems very old and something vague that happpened in the past. The movie doesn’t help.

Part of the problem with “The Fifth Estate” is that there’s no one to root for. This isn’t Watergate, the Pentagon Papers, or “All the President’s Men.” There are no heroes. Assange, played very well by Cumberbatch, comes as a composed lunatic. The US government– well represented by Laura Linney and Stanley Tucci– seems more sympathetic but not much. The journalists involved aren’t very likable and never make a good case for their release of the Wikileaks material.

I did worry about Alexander Siddig, who plays an Arab diplomat whose cover might be blown by the WikiLeaks reveals, but I was mostly wondering why he doesn’t work more. He’s a very good actor.

One thing about Laura Linney: she’s like a bright spot in dark dream. She lights up the conference room where she plays a higher up at the Department of Justice. Anthony Mackie also stands out in a smaller role.

The only possibly sympathetic character: Daniel Berg, the WikiLeaks spokesperson, played with usual understatement by Daniel Bruhl. Along with his performance in “Rush,” Bruhl is making a big splash this fall in American cinema.

Unfortunately, Berg is no better than Assange. The two of them, along with Bradley, er, Chelsea Manning, and now Edward Snowden, are enemies of all states (except Ecuador and Russia). Their revelations did not instigate a revolution or the toppling of a president. They come off the movie as troublemakers. And Assange, ultimately as a made man.

But there is some disconnect in “The Fifth Estate.” We’re never sure why we should care about all this. Obviously, we’re watching the film. The unleashing of thousands of secrets has had no immediate effect on the American people. We are more upset that Kris Jenner may have been cheating on Bruce. The secrets of governments? Not so much.

 

Tuesday: Michael Jackson Kids Guardianship Comes to L.A. Family Court

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This should be interesting: on Tuesday morning in Los Angeles Superior Court the issue of the guardianship of Michael Jackson’s children will be addressed. The petitioner is Christine LeRoux, who said that so far neither party whom she has served– Katherine Jackson and her son, Tito, has filed an answer to her motion.

Christine LeRoux told me last night by phone that she met Michael Jackson when she was three and he was seven years old. She was living in Massachusetts. Years later, Ms. LeRoux told me, Michael asked her to donate eggs so he could have children. “Debbie Rowe was the surrogate,” she said. Ms. LeRoux also says she’s also the egg donor for Blanket, Jackson’s third child.

You would think Ms. LeRoux would be a raving maniac but she sounds pretty collected on the phone. She told me that there is evidence of her long relationship with Michael Jackson. “I called in to the Phil Donahue show in 1988 and Michael spoke to me,” she said. She is researching how to get that tape.

She told me that over the years she has had access to Jackson’s children through another friend from Neverland. She visited with the children in Massachusetts and then in Ohio, where was living. For “safety” reasons she has not come forward until because she was “threatened by several people” especially “powerful people” in Massachusetts.

Ms. LeRoux says she has an older daughter in Massachusetts who “doesn’t want to be part of this.” When I asked her how she, a three year old, met Michael, a seven year old who was not yet famous, she replied: “I’m trying to remember how we met. I was very precocious. I thought he was cute.”

As for Debbie Rowe, the official acknowledged mother of Prince and Paris, Ms. LeRoux said, “She’s very convenient for the Jacksons.”

Ms. LeRoux also mentioned that she’s “destitute” and living in transient housing while in Los Angeles.

Ms. LeRoux is not the only one who’s filed for a change in the Jackson children’s guardianship. “Billie Jean Jackson” has a petition in, There’s actually a lot of activity on this front. Someone did file for change in guardianship back on June 10th, five days after Paris Jackson’s suicide attempt. And on November 4th, there’s another motion in front of Judge Mitchell Beckloff to seal all the files regarding guardianship.

Tom Hanks, Sandra Bullock Prove “Gravity” Win Doesn’t Matter (Video)

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Sandra Bullock’s “Gravity” beat “Captain Phillips” with Tom Hanks at the box office this weekend. But it doesn’t matter to the stars. They played Chopsticks on Jonathan Ross’s chat show this weekend in the UK. Watch this fun video:

Review: Joaquin Phoenix Gets It On with His Computer (Scarlett Johansson) in “Her”

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Spike Jonze’s “Her” created a lot of buzz over the weekend. Jonze (real name Adam Spiegel, of the Spiegel Catalogue family) has only made three other features in the last 15 years: “Being John Malkovich,” “Adaptation,” and “Where the Wild Things Are.” So “Her”– with Joaquin Phoenix, Rooney Mara, Amy Adams, and the voice of Scarlett Johansson — was bound to be of interest anyway. It was the closing night film of both the New York and Hamptons film festivals.

“Her” explores old school boy meets girl movie themes in a high tech world, finding new depths (and failure) in advanced virtual romance. Phoenix is a mustachioed bespectacled Everyman named Theodore Twombly in some future time whose job is writing compelling personal letters. Imagine a moment when that skill is so marketable, it affords this expert a slick apartment with elegant Los Angeles views! He’s really good at penning them; so emotionally resonant, they are a far cry from Hallmark cards.

It comes as a surprise then, that with real women, as in Catherine played by Rooney Mara, he’s somewhat at a loss, not really able to communicate tenderness. Lonely, estranged from his wife and unable to connect with sexkitten (the voice of Kristen Wiig), he starts up a relationship with the O. S. “Samantha” who he can engage by putting a button-like plug in his ear. They talk sex, travel, double date, and experience system failure.

In the department of odd relationships, this one goes almost as far out as Ryan Gosling and the blow up doll in Lars and the Real Girl. But in many ways Her is a logical extended vision of anyone who wonders how electronics are affecting the generation that devotes more passionate attention to their iPhones than with one another.

The movie’s final image is Theodore–having had some unexpected closure with “Samantha,” catalyzing a satisfying finale with Catherine, seated beside his gal pal played by Amy Adams, a deeply felt reminder that even in an age of depersonalizing technological advance, human touch rules.

Oscar material? A long shot at best. But does that matter? “Her” is a charmer for the key demo. Oscar voters may not relate to it. But I suspect a lot of other people will.

Sir Ian McKellen Approves: Trudie Styler Scores an Off Broadway Hit with “The Seagull”

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No less than Sir Ian McKellen gave tonight’s opening of “The Seagull” off Broadway his stamp of approval. Sir Ian has appeared in “The Seagull” five times, and in Chekhov’s “Wild Honey” on Broadway. He pronounced Max Stafford Clark’s new production at the Culture Project-45 Bleecker Street as his “favorite” so far. The New York Times also gave the production and star Trudie Styler high marks. They’re all correct.

With Sting front and center, Sir Ian a row behind, director Paul Haggis in the house, and a very theater centric crowd for opening night, Styler more than acquitted herself as Isobel–renamed for this Irish translation by Thomas Kilroy. The play is only for a month at the Culture Project, so hurry down there. Styler, trained at the Royal Shakespeare Company, is an absolute hit.

Sting said to me at the small dinner after opening night: “I ruined Trudie’s career when she met me.” That was over 30 years ago. “She was a real actress, and she left it all,” he said. “Now she’s back.”

The rest of the cast is superb too. http://cultureproject.org/current/seagull/

Chief among them are two “legacy” actors: Amanda Quaid, daughter of Randy, is superb as the renamed Mary (from Masha); and Alan Cox, son of Brian, is perfect as Aston, her lover with fickle tastes.

The Kilroy transition from Russia to Galway, Ireland is especially interesting. Chekhov adapts easily and almost seems more natural in this environment. His snappy and snappish play seems more rueful than ever. Styler plays rage to humor to irony with superior timing. Her character’s ability to connect with everyone except her own son is really ironic, too, considering in real life she has four children and two stepkids, all of whom adore her.

And what a month for the Gordon Sumners– Sting had his triumphant 10 shows at the Public Theater followed by Styler’s success tonight. And let me tell you–he will be in the audience most nights this month, cheering Trudie on. Bravo!

 

Where’s Mariah’s Album? She Sends Facebook Message to Fans

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Mariah Carey took a spill in June, and her album was postponed indefinitely. When I saw Mariah backstage at the MLB Central Park show in July, she showed me her gigantic bruise. She was a mess. Now word is that Carey, who’s just hooked up with manager Jermaine Dupri, is gearing up for some action. Here’s the note she put on Facebook this weekend:
Hiiii lambs!!

I’m so happy to be able to catch up with everybody here on Facebook. The last three months of my life have not been easy. Getting through this injury has been the toughest experience of my life. It took me three months to get to this point but thank God I was able to recover and get my arm back. It’s a huge deal, it should have taken eight months and even my doctors can’t believe it. It’s been a long journey, the physical therapists have been incredible and I am very grateful to all of them for helping me.

When people expected me to go “Here I am, I’m back and everything’s great!”, it didn’t happen because my hand was still in tremendous pain and it took this long for it to heal. I’ve been working day and night, and it took a lot of rest (though I did sneak in to the studio a couple o’ times!) but I can finally say that I am on my way to a full recovery.

There’s a lot of excitement that I’m going to reveal to you very soon, and sooner than you know it, you’re going to understand why but more than that, you’re going to feel what I’ve been feeling for the past- not three months- but three years.

This is, to me, one of the most important albums I’ve ever made in my life. If you’re a lamb, a fan, or just a human being that needs to feel good, happy, sad, miserable, joyous… “I gotcha” (said like Roc- you haven’t heard how he says it yet but you will soon, it’s a complete+total classic!)

Oscars: The Negative Campaigning Starts Early, with “Gravity” and “Captain Phillips”

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It’s that time of the year. Academy Award buzzed movies are opening. And with them comes the negative campaigning. To wit: the New York Post is leading the charge against Paul Greengrass’s “Captain Phillips.” And “Gravity” is being attacked for its bad science. Can these movies be destroyed by all this? I don’t think so.

First “Captain Phillips”: some members of the Maersk Alabama’s crew have filed a screwy lawsuit, claiming that the real Capt. Phillips purposely ignored warnings and steered them into pirate infested waters. This makes no sense whatsoever. It also has nothing to do with the movie, which is exciting and beautifully produced. Back in 2009. there were plenty of interviews with the crew, especially Shane Murphy, who is depicted in the film.

Murphy and many of the crew came to the New York Film Festival last month for the premiere. They all sang Capt. Phillips’ praises. I think it will come out that the dissident crew members weren’t paid for their stories by the production company. But until then, we’ll have to endure the accusations.

As it happens, a friend of mine and I shared a cab with Shane Murphy and his wife on the opening night from the screening to the party at the Harvard Club. We asked Murphy all about the movie’s veracity. He said, “The movie’s very good. It’s funny to see five days compressed into two hours. But mostly, they’ve got it.” He did NOT say, Listen, Phillips tried to kill us and himself so one day there would be a movie.

As for “Gravity”: who cares if the science is bad? The 3D is amazing, the actors are great, and it’s damn exciting. You want to re-enact the whole thing and see if it works?

What’s next? That the man who wrote “12 Years a Slave” was a volunteer, that he did it all to write a book, and was only down south for 6 months in 1841. That nothing in “Mandela” is right, that Nelson Mandela came and went from Robbens Island by helicopter. How about “American Hustle”? Is there enough time to get all the ABSCAM people together so they can rat it out? And so on.

50 Shades of Weird: Charlie Hunnam Exit from Movie is Shrouded in Mystery

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And so it was announced that Charlie Hunnam dropped out of playing Christian Grey in “50 Shades of Grey.” No adequate explanation. But did you know that Hunnam and director Sam Taylor Wood Johnson share the same manager? And that Cynthia Pett-Dante of Brillstein Management also manages Sam Taylor Wood Johnson’s very very young husband, actor Aaron Johnson?

Also Hunnam, it was announced in July, was going to be in “Triple Nine” with Cate Blanchett and Christoph Waltz. The John Hillcoat thriller was supposed to start shooting before the end of the year. But then Hunnam got “50 Shades” and was, according to my sources trying to exit that film. Or he actually did leave it for “50 Shades.”

All of this is very mysterious indeed. “Sons of Anarchy” finishes shooting next month. “Grey” was set to start right after that. It’s not exactly Shakespeare. Hunnam could easily have gone from one to the other. Was he really spooked by fans demanding someone else as Grey? And now can he go back to “Triple Nine”? And who will get handcuffed to “50 Shades of Grey” next?

If I were Jackie Collins, I’d be writing the book about this right now.

“Captain Phillips” Scores a Solid Number 2 this Weekend with $25 Million

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Tom Hanks as “Captain Phillips” is a hit. The Paul Greengrass thriller will finish at number 2 this weekend with around $25 million. Oscar noms are forthcoming. Our LEAH SYDNEY loved it. Here’s her glowing review:

Sony’s “Captain Phillip” is heart throbbing, heart pounding and heart stopping from beginning to end.  Director Paul Greengrass, (‘United 93,’) is true to his genius kinetic filmmaking.  We all know the story by now:  Tom Hanks stars as Richard Phillips, the Captain of an American cargo ship, who was taken hostage for five days in the isolated waters of Somalia.

No one does thrilling better than Greengrass, he could film the yellow pages and make it exciting, and the movie is expertly engrossing from beginning to end.  And no one does ordinary man faced with extraordinary challenges better than Hanks.  The scene where he is rescued and being examined by an army medic, so not a spoiler we all how it ends, will be etched in moviegoers’ memories forever. His delayed reaction of what he just endured is acting gold and the impact is shattering.

Kudos to noted casting director Francine Maisler for finding the unknown actors who play the Somali pirates, Barkhad Abdi and Faysal Ahmed; they are just terrific.  The intense, tight screenplay by Billy Ray is just right. And the score by Henry Jackman keeps you riveted as well.

‘Captain Phillips,’ with its perfect craftsmanship in every facet of it’s making, is a true American hero story for the ages.

True Blood Star Rutina Wesley Headed to Important Off Broadway Play

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EXCLUSIVE She’s been playing Tara Thornton on “True Blood” since day one. Now I’m told that the intensely talented Rutina Wesley is coming to off Broadway this fall. Wesley has signed on for Charles Fuller’s new play at the Cherry Lane Theater. She will co-star with Grantham Coleman in “One Night,” the much anticipated play from the author of “A Soldier’s Play”– known to movie fans as “A Soldier’s Story.”

Initially another actress signed to play opposite Coleman. But when Fuller’s son unexpectedly passed away, the play’s schedule changed. The actress dropped out. Enter Coleman’s intrepid manager Jason Spire. He suggested Wesley, another client. And the play was saved.

Wesley first cut her teeth on Broadway in The Vertical Hour opposite Julianne Moore and then wowed audiences with her performance at the Public Theatre in “In Darfur.”

She won raves two seasons ago at MCC during “The Submission” directed by Walter Bobbie.

Last year during her hiatus Wesley starred in two films—one called “Last Weekend” starring Patricia Clarkson and the other- “Angry Little Gods” is opposite Mark Webber and supposed to be released by The Weinstein Company next year.

This seems like a great move considering “True Blood” is entering into its final season  on HBO.