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Exclusive: Madonna Leaving Clues About Surprise Single/Video a la Beyonce?

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EXCLUSIVE: Here’s a good rumor, with a little substantiation: Madonna may be planning a surprise single and video this month a la Beyonce. She may also be leaving clues out in the open. For one thing, Madge has been working with contemporary producer superstar Avicii (aka Swedish deejay Tim Bergling) on new music. She needs him since her “MDNA” album was pretty much a disaster. (Remember those days? Yikes.)

Now comes word that famed photographer Mark Seliger and his video team (Barney Miller and Monica Monique) are casting for a video shoot on Wednesday on New York’s Lower East Side. Seliger/Miller and Monica worked on Avicii’s big hit “Wake Me Up.”

Plus the list of characters for the video shoot, for a song called “Stranger,” sounds like typical Madonna: rollerskaters, bodybuilders, breakdancers, a drag queen a la Ru Paul, and a “leather boy” who “must be comfortable without a shirt.”

Avicii’s brand of neo-disco, like Daft Punk’s, is in right now. And it sounds like an updated version of Madonna from her heyday.

There had been a rustle of activity at the end of May that Madonna had a surprise album called “Rebel Heart” and maybe a single called “Unapologetic.” (“Rebel Heart” was the name of Bebe Buell’s bestselling memoir of life in fashion and rock and roll.)  A snippet of instrumental music was teased on Soundcloud via Billboard, too.

Everyone in the music biz is jealous of Beyonce’s surprise album drop last December. So a Madonna album out of the blue is a possibility. But as one record label head observed to the other day, Beyonce’s “Visual” album had 17 new videos. It wasn’t slap dash. So we’ll wait and see if “Stranger” is Madonna’s answer.

PS Madonna should look at what just happened with Mariah Carey as a lesson. Artists of a “certain age” are not selling like they used to. Madonna already took a hit on “MDNA.” “Rebel Heart” could easily face the same fate.

West Memphis 3 Movie, with 2 Oscar Winners and 24 Producers, Vanishes

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“Devil’s Knot” is missing.

The narrative feature film about the saga of the West Memphis 3 has disappeared completely. Directed by Atom Egoyan, “Devil’s Knot” starred two Best Actor/Actress winners– Colin Firth and Reese Witherspoon. It also boasts no fewer than 24 producers and executive producers– possibly a record.

According to various movie websites, “Devil’s Knot” opened in limited release on May 9th. That’s a month ago. But there is no listing for it on boxofficemojo.com. On the Internet Movie Database, there is no evidence of any money made at the box office. The film was un-rated. No numbers means the distributor never reported them because they were so embarrassingly low.

The DVD will be released on Tuesday, it turns out. That was fast. And mysterious.

“Devil’s Knot” premiered in September 2012 at the Toronto Film Festival. Bad reviews? An understatement. “Devil’s Knot” rated a charitable 23% on Rotten Tomatoes.That’s not so bad. Adam Sandler’s movies get lower numbers.

The people involved knew nothing about a much publicized case. They even didn’t know how to dramatize the four “Paradise Lost” documentaries made by Joe Berlinger. The film was a total mistake, and a waste of time.

No one wanted to release it. That job fell to Image Entertainment, also releasing “All Cheerleaders Die” this year. They are somewhere below “B” movies, around “D”.

The $15 million budget is a complete write off for scandal-plagued Worldview Entertainment. One of their principals, Christopher Woodrow, listed as an executive producer on the film, resigned from the company last week under a dark cloud of rumors of personal malfeasance.

Tom Cruise Conquered at Box Office By “Fault in Our Stars” Tearjerker

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It’s not like the $10.65 million made last night by Tom Cruise’s “Edge of Tomorrow” is so bad. But Cruise and company were literally swamped by the melodramatic tearjerker “The Fault in Our Stars.” The latter movie made $26.1 million on its opening night including $8 million from Thursday showings.

“Edge” just barely edged out Angelina Jolie in “Maleficent” which made $10.14 million on Friday night, starting its second weekend. “Maleficent” would have the edge today-Saturday- from a young audience. So it could be that Cruise ends the weekend at number 3.

“Fault” has a built in audience of teenage girls and young women who want to come and cry their eyes out. The first night had to be big big big. Will it sustain? Will any men go? That’s the question now. Estimates are $50 mil for the weekend.

Broadway Update: “After Midnight” Will Close on June 29th, Other Shows to Follow

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UPDATE JUNE 14TH: I wrote the following piece last Saturday. Now comes word that “After Midnight” will shutter on June 29th. What a shame, what a great show. Patti Labelle was guest starring this week. Gladys Knight and Natalie Cole were scheduled for this summer, and appeared on the Tonys to promote it. Broadway is a cruel place sometimes.

 

JUNE 7: Tomorrow, Sunday, the Tony Awards at 8pm on CBS: you will see lots of great stuff from this season, and some teases for the fall season and beyond including Sting’s important new musical “The Last Ship” and the musical stage version of the hit film “Finding Neverland.”

Radio City will be filled with the music of the Brill Building, the clever invention of “A Gentleman’s Guide to Love and Murder,” and Woody Allen’s breezy “Bullets Over Broadway.”

But a lot of shows will start shutting down right after the Tonys. By August 1st, the theater district is going to full of empty theaters.

“Of Mice and Men” closes July 27th. They’re already deep discounting tickets. Bryan Cranston in “All the Way” will wrap up as expected, as well as the all-star “A Raisin in the Sun.” “Casa Valentina” is a limited run, so its slight showing won’t matter.

A number of older shows, though, may call it a day. First of all, “Rocky” is not long for this world. They played at 63% last week. Without major Tonys, “Rocky” may be knocked out by Labor Day.

The dreadful “If/Then” is also starting to fray. After huge initial numbers, the grinding, shrieking Idina Menzel showcase is at 84%. Again, no Tonys means it will be harder to sustain.

Tyne Daly in “Mothers and Sons” will exit right after the Tonys. Last week the show took in just under $160,000. Soon the actors will have to pay the audience. A valiant effort, but to no avail.

Older shows “Rock of Ages” and “Once” are on the ropes. Newer shows “Violet” and “The Realistic Jones” are in peril. And if the producers of “Pippin” don’t do something, they too could be in trouble. I hope not. But they need a marketing plan, tout suite.

Broadway is not for the faint of heart when it comes to producing a show. But the good news is, new shows are always around the corner– or trying out in another city. Barry Levinson and Sheryl Crow’s long-awaited “Diner” is finally going to do a run in Arlington, Virginia this fall. If it sticks this time, we may see it in the spring.

 

Jane Fonda Hailed in Hollywood as A Legend: “More Important to Stay Interested than Interesting”

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Of all the luminaries who spoke for and showed up for Jane Fonda’s American Film Institute Lifetime Achievement Award last night, the most moving came from two different parts of the double Oscar winner’s life: her son, actor Troy Garity, and famed Vietnam vet Ron Kovic, who wrote “Born on the Fourth of July.”

Garity, keeping back tears, spoke poignantly about being the son of “Hanoi Jane.” He joked, “My firs 13 birthday parties were Hollywood fundraisers.” Garity was joined by his wife, Simone, and his older sister Vanessa. Also speaking on behalf of the Fonda family was Jane’s famous actor brother Peter Fonda, who toasted her from his table on the floor of the Dolby Theater with recollections of their Oscar winner Hollywood icon dad, Henry Fonda.

Kovic, a surprise speaker from the stage in his wheelchair, reminisced about protesting  the Vietnam war with Fonda in the 1970s. “I love you, Jane,” he said.

Fonda, glowingly beautiful at age 76 in a Vera Wang gown, told the crowd: “It’s more important to stay interested than interesting.” She bemoaned the fact that she hadn’t asked more questions of the legends she acted with when she had the chance. She said the only younger star who ever asked her questions was Meryl Streep, on the set of “Julia” in 1977.

In his opening remarks of the night, AFI head Bob Gazzale told the glittering crowd that Fonda had picketed the annual AFI dinner at least twice. Once was over American involvement in Vietnam. Another time, she and Shirley MacLaine protested the lack of women in key Hollywood roles. Gazzale pointed out that led directly to the AFI changing its policies.

The crowd dressed in formal attire could not have been more star oriented. Michael Douglas (who gave Fonda the award) was joined by wife Catherine Zeta Jones. Among the presenters was Sir Howard Stringer, Sally Field, Sandra Bullock, Lily Tomlin, Meryl Streep, Cameron Diaz, Jeff Daniels, Eva Longoria, Eve Ensler and comedian Wanda Sykes– who made some unpublishable jokes about the cause of Michael Douglas’s throat cancer and HPV. Sykes was also dressed like “Barbarella.” Much of what she said will be cut from the televised version.

HBO brought a contingent from “The Newsroom,” in which Fonda stars, including Jeff Daniels, Emily Mortimer (with actor husband Alessandro Nivola), Sam Waterston, Rosario Dawson, Alison Pill and Marcia Gay Harden. Other guests included director David O. Russell, married actors William H. Macy and Felicity Huffman, and Morgan Freeman, Corey Stoll, Kathryn Hahn, Diane Lane, Samantha Mathis, Dylan McDermott, plus cinematographer Haskell Wexler and Fonda’s great friends, producer Paula Weinstein and actresses Melanie Griffith and Rosanna Arquette.

Last year’s AFI recipient, Mel Brooks, vowed humorously not to return, but did anyway. He told me that because of the new “Star Wars” movies, he was thinking of actually making “Spaceballs 2: The Search for the Money,” the never made but much wanted sequel to “Spaceballs.”

Fonda was seated at the main table with significant other, famed record producer Richard Perry. Perry had some of his own guests from the music world including Clive Davis and Arnold Stiefel, longtime manager of Rod Stewart, and great songwriter Carole Bayer Sager (with husband Bob Daly, former Warner Bros chief and AFI leader). Also at their table: Jackie Collins and indefatigable philanthropist Barbara Davis.

Streep’s speech is one I hope they keep intact for the TV broadcast. She remembered her work on “Julia,” her very first film, and how Fonda– hilariously– taught her how to hit her mark and stand under the right light. She thanked Jane for her “generous heart” and “presentness.”

In fact, before Meryl Streep was The Greatest American Actress, that distinction was owned by Jane Fonda, winner of two Best Actress Oscars– for “Klute” and “Coming Home,” with several more nominations.

A terrific after party nearly ended on a sour note as Hollywood regular Robert Wolders, boyfriend of Fonda’s step mother Shirlee, fell off a raised platform and hit his head. Fonda and daughter Vanessa rushed to his aide as paramedics swooped in. Luckily, Wolders recovered well enough to sit up after the Fondas’ ministrations.

 

Hillary Clinton’s Ghost Writer Once Fronted Band as “Lord Rockingham”

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As we await the publication of Hillary Clinton’s “Hard Choices” next Tuesday, here’s a little more about her ghostwriter, Ted Widmer. Like Bill Clinton, Widmer has a musical background. He was once part of the stunningly unsuccessful Boston rock band called the Upper Crust. The group actually played gigs and appeared on Conan O’Brien’s NBC show. Widmer was called Dr.Lord Rockingham during his 1995-97 term. (Correction thanks to some sharp readers!)

The group soldiered on without Widmer, putting out CDs and a DVD called “Horse & Buggery.” The premise was that they dressed like 18th century French aristocrats, wore the requisite white wigs, and spoke with English accents. This is our youth! Widmer emailed me: “…that was a lifetime ago — the early 90s. Was fun though.”

Not as much fun, I’m sure, as writing and researching “Hard Choices.”

 

 

Irony: Tom Cruise Makes a Good Movie and No One Wants to See It?

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Here’s a weird irony that was unexpected: Tom Cruise has made a good movie but it seems like no one wants to see it.

“Edge of Tomorrow” opens tomorrow, directed by Doug Liman, and it’s pretty good. In fact, it’s the best thing Tom Cruise has been in, in a long time. When you think of “Oblivion” and “Valkyrie” and endless “Mission Impossible” movies– I mean, really, Cruise’s original non franchise films that really worked are “Jerry Maguire”– 1996!–and “Minority Report” (2005).

“Edge” is around 90% on Rotten Tomatoes– getting great reviews. But the early international release appears to be a dud- $26 million so far including the UK. Of course it hasn’t opened yet in South Korea, where Tom is strong, or Russia and China. And “Edge” hasn’t been seen yet in Australia- there are a few Aussie actors in the pic so that may help.

But word is that tracking in the US is soft, and that “Edge” may have a disappointing launch. How funny– well, not haha funny– would that be? Cruise finally comes through and everyone shrugs. I sure hope it doesn’t work out that way. We’ll have to wait and see.

Mike Myers Makes a Movie About Alice Cooper’s Manager, Shep Gordon, “The Nicest Guy I’ve Ever Known”

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The best documentary I’ve seen in ages opens Friday and it’s directed by Austin Powers. Er, not really, it’s Mike Myers, who turns out to be as thoughtful a filmmaker as he is a comedic actor and writer. He’s made a film called “Supermensch” about Shep Gordon, the legendary manager of Alice Cooper, inventor of the celerity chef, and sort of Zen Jewish Buddhist.

Last week, a group of luminaries met in New York to launch “Supermensch” including Clive Davis, Elvis Costello, Paul Haggis, Jason Sudeikis and Olivia Wilde, Michael Stipe, Julie Panebianco, Anthony Bourdain, and DA Pennebaker and Chris Hegedus. After the screening, the group repaired to the upstairs at the Wayfarer on 57th and 6th, where bodyguards watched Myers as if he were going to be attacked by Brad Pitt’s red carpet nutter.

But before the screening I wandered into the bar at the Modern, next to the MoMA screening room. And there was Shep, having drinks with a bunch of old friends who were not celebrities. They’d all known him forever, like everyone. All the celeb stuff was elsewhere, and you’d have no idea that his movie would include tributes and stories from Michael Douglas, singer Anne Murray, Alice Cooper, Emeril Lagasse, home movies with Mick Fleetwood etc.

Myers was smart in choosing his subject. He says in the film that Shep Gordon is the nicest guy he’s even known, and it’s true. A ladies man with no kids, Gordon wound up unofficially adopting the grandchildren of one of his first loves, an African American model. They are his family now, all grown up, and it shows you “family” can mean all kinds of things. Gordon also has lots of famous “family”; all of them are in this must-see film.

One cool spoiler:

“Supermensch” goes into theatres this weekend and will eventually play on A&E. Expect a lot of awards action on it this fall. For one thing, the more it’s seen, the better its chances. And Shep is the film’s best ambassador. He’s  been in  New York on and off for weeks doing promotion. I must say it’s been a pleasure to have him around. For a very big guy he’s extremely laid back and sweet. (Must be the Dalai Lama connection.)

See this movie– I do think my favorite thing about it is the reveal that he never really cared for Alice Cooper’s heavy metal stuff. He was more of Anne Murray fan! Maybe that’s why Alice finally wrote a great ballad in “Only Women.” Anyway, this is the side of rock and roll nostalgia we don’t see enough.

Tom Cruise Saves the World Again in “Edge of Tomorrow,” But It’s OK

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Have you seen “Edge of Tomorrow” before? Yes, maybe, in some ways. But Doug Liman’s original sci-fi thriller comes off as a hit, with a lot of originality, and Tom Cruise is more appealing than he has been in a long time.

The movie, which opens Friday, has a fresh feel to it also thanks to an excellent screenplay (by Jez and John Henry Butterworth, polished up by Christopher McQuarrie) and solid supporting performances from Emily Blunt, Bill Paxton, and the suddenly ubiquitous Ben Mendelsohn.

For once, Cruise isn’t a martyr with a know-it-all grin. His character, Bill Cage, wants nothing to do with combating aliens from other worlds who are destroying Europe. He’s happy just to film the whole thing as an army major with a public relations mandate. He doesn’t know how to fire any gadgets or blow things up. He’s a coward.

That’s a nice twist, so that when Cage is sent to the front lines, and knocked down to Private, he has to learn everything new. Liman uses Cruise to great advantage. There’s no preening. He’s not an insta-hero. Or any hero, really. He just “is.” And Liman doesn’t force any romance on Cruise. He and Blunt kiss once, but there’s nothing more than camaraderie.

The story is your basic War of the Worlds, only this time it involves a “Groundhog Day” like concept. Cruise has to keep re-starting the same day, getting a little further each time, until he can get to the ultimate goal of eliminating the aliens’ source of power. The plot plays like a video game, where in each journey you reach a new level.

Luckily, Liman keeps it human throughout. Even though the movie is expensive, with lots of CGI and 3D effects, “Edge” feels grounded. The good news is: no sequel. When it’s done, it’s done. Everyone comes out a winner, starting with the audience.

So it’s all good. But do we really need to see Tom Cruise do this thing again and again? After this. he’s got to find some actual films. He almost, dare I say it, acts in this movie. It would be nice to see more of that.

Mariah Carey’s Album Comes in At Number 3, With Disappointing Sales So Far

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Mariah Carey’s “Me I am Mariah” got the best reviews for the singer in about ten years. But sales have not immediately translated. Carey came in at number 3 this week with around 56,000 copies sold. That’s over 100,000 less than her last studio release did in its debut week.

Also known as “The Elusive Chanteuse,” the album is suffering more from a marketing problem than anything else. While all the tracks are strong and there are plenty of possible singles, the release may have been hampered.

For one thing, the album was due a year ago. Then Carey announced it would be released on May 6th. As that date approached, and it was clear there was no album, there was also silence. Then the singer announced May 27th.

There’s little a record company can do when chaos ensues. A more planned attack would have given DefJam 90 days to set the record up, place songs in movies or commercials, work a real single at radio. Carey had already had two singles early on. “#Beautiful” and “You’re Mine (Eternal)” were not big hits. Given time, DefJam could have worked “You Don’t Know What to Do” or “Thirsty” a few weeks ahead of the album. But it didn’t work out that way.

Now it’s a matter of radio catching up to those two new tracks. No one is better at entertaining radio stations than Mariah. She has charm to spare. “Me I am Mariah” is not over, by a long shot. But it’s going to take some old fashioned elbow grease to get it moving.

Who’d ever a-thunk it? Mariah as the Underdog. I’m rooting for her.