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Mariah Carey’s Latest Album Crashes and Burns on Charts, Drops Off Top 100

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Mariah Carey has proven to be the most elusive chanteuse. Her latest album, “Me I Am Mariah, The Elusive Chanteuse” has crashed and burned. Fast. Despite great reviews, “Me I am Mariah” is now number 157 on iTunes and 75 amazon.com. It was released on May 27th, just two and a half weeks ago. Saleswise, the album has sold a paltry 75,000 copies through this past Sunday and probably not too many more after that.

The failure of “Me I Am Mariah” should be a lesson for everyone in her age group and generation still recording and releasing music. Jennifer Lopez should be watching all of this very carefully. Carey took off five years after her last album, and even that CD was not a smash hit. Carey’s last real hit album was “The Emancipation of Mimi” in 2005.

But “Memoirs of An Imperfect Angel” (2009) had no hit singles and was already signalling that Carey had aged out of the hit pop radio market. “Memoirs” sold only 550,000 copies, a far cry from its predecessors.

Now Carey faces a total write off of “Me I Am” unless DefJam can figure out a way to resuscitate it. But even electric shock paddles may not be enough. Mariah needs to drop the Diva act (including campy stuff like being photographed on the subway in a tight fitting ball gown). Her best bet is a knock out, heart string pulling video for the George Michael gospel song “One More Try,” or something witty and self-parodying for the upbeat “Thirsty.”

Stephen Sondheim Will Get Double Dose of “Into the Woods” This Winter

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Is everyone ready for a lot of “Into the Woods”? The Rob Marshall directed movie is coming at Christmas based on Stephen Sondheim’s famed musical. Marshall has an all star cast, with everyone from Meryl Streep to Emily Blunt, Johnny Depp, Anna Kendrick, Billy Magnussen, and for some reason, Chris Pine.

At the same time, Roundabout Theater just announced they’re staging “Into the Woods” off Broadway with a mid January opening. That’s unusual. It’s one thing if a movie of an existing show– like “Rock of Ages” or “Mamma Mia” or “Jersey Boys” — is released. But in this case, the new live production could be an awkward overlap with the movie.

This new “Woods” is based on the well reviewed production by the Fiasco company at the McCarter Theater in New Jersey last year. It’s just 10 actors playing many parts, and one instrument– a piano. Sounds like fun. I guess by mid winter we’ll know all the words to this show, once and for all!

Adam Levine’s Debut Hit Solo Single Is Coming July 1 in “Begin Again”

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Maroon 5 leader and “Voice” judge Adam Levine is about to have his debut solo single hit. Only he didn’t write it. But he sings “Lost Stars” in John Carney’s great movie “Begin Again.” The soundtrack will be released on July 1st on Levine’s 222 Records. The movie opens a couple of days later in New York and L.A. and then spreads out over July. This has pushed Maroon 5’s new album to a September 2 release, which means get used to seeing Adam Levine sort of 24/7 for the next year. It’s all good!

“Lost Stars” is a mega mega hit in the making– you can hear it now in the “Begin Again” trailer. It was written by the incredibly talented Gregg Alexander and Danielle Brisebois of New Radicals fame. Remember the amazing “You Get What You Give”? Their new songs for “Begin Again” are even better.

And the movie– starring Levine, Keira Knightley, Mark Ruffalo, Catherine Keener, and Hailee Steinfeld is as charming and romantic as it could possibly be. Carney wrote and directed the wonderful “Once.”

I asked Adam recently if it was weird to sing someone else’s song– he writes his own Maroon 5 hits with the group. “Not at all,” he told me. “And I didn’t change a word of it.” Really, his voice seems made for Gregg and Danielle’s songs. So does Keira Knightley’s.

RIP Ruby Dee, Famed Actress and Civil Rights Leader, was 91

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NY Daily News and others are starting to report the death of actress Ruby Dee at age 91. The widow of Ossie Davis was a landmark New Yorker and civil rights leader who blazed through stage and film and TV. She was nominated for an Oscar in 2008 for “American Gangster,” has an Emmy award and several Emmy nominations. Dee’s many successes stretched back to her 1959 debut in the original production of “A Raisin in the Sun” on Broadway as Ruth Younger. Her death even at this age comes as a shock since just two days ago we saw her in a video at the Apollo Theater’s 80th anniversary from a recent interview. Talk about a real legend. She and Ossie will never be forgotten…

Broadway: Sting Musical “The Last Ship” Sails and Soars in Super Chicago Launch

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It’s going to be a rockin’ fall on Broadway if last night in Chicago was any indication. The previews here have begun of “The Last Ship,” the gorgeously tuneful musical written by rock star Sting with a book by John Logan and Brian Yorkey, choreographed by Steven Hoggett and directed by Joe Mantello. “The Last Ship” is already quite sea worthy and built for a long journey.

Enough with those metaphors. Truly, once “The Last Ship” is tweaked and polished in this out of town run, the show will be a formidable masterwork when it comes to Broadway this fall for an October opening. For one thing, the songs are delicious– actual songs with brilliant melodies, hooks and lyrics that poetically (and humorously) move along the story of a dying breed of shipbuilders in Newcastle, England.

The story is Sting’s, although it’s only partially autobiographical. The main character, Gideon, played by star in the making Michael Esper, is a rebel who went looking for an adventure on the high seas after impregnating his teenage lover, Meg. Of course, this is not what happened to Sting, a young English teacher and jazz musician who left Newcastle for London, and became a rock star and great family man. But he obviously saw these characters around him, and now they’ve come to life.

(Newcastle is going to become the next tourist destination in England thanks to Sting, as Highclere Castle is for “Downton Abbey.”)

The audience last night, for the second preview, was rapturous for the songs, the set, and the actors, particularly Esper, veteran actor Fred Applegate (who pretty much steals the show as the saucy local priest), beloved British star Jimmy Nail (who finally gets his big moment in America, wow), Aaron Lazar, Sally Ann Triplett and the lovely Rachel Tucker. Joe Mantello has the whole principal cast, the ensemble, and crew in amazing shape and all the trains, as they say, running on time.

And yes, there are those songs. Sting recorded them himself for a hit album last year, there was a PBS special and a DVD. A few have changed since then, a couple of have been dropped, and those are good signs. It means nothing was written in stone. One beautiful ballad, “Practical Arrangement,” is now omitted as Tony winner and multiple Oscar nominee Logan continues to delineate and streamline the book.

All the artistic participants are on hand 24/7, by the way, unlike what we’ve heard about other shows. Sting hangs unobtrusively around the theater taking notes, wringing hands, making changes. He is fully committed to the show, and the results of that are more than evident.

He doesn’t have to do much else. Unlike with this past season’s original musicals, everyone leaves “The Last Ship” humming if not outright singing what they just heard. The standouts are the title song and the stomping, fun “What Have You Got.” But there’s also the beautiful “What Say You, Meg,” sung poignantly by the show’s talented second lead, Aaron Lazar, and now sounding like the hit you missed the first time you played an album.

I’m also convinced that “The Night the Pugilist Learned How to Dance” will become a Broadway classic. Sting also deftly weaves in three of his lesser known past compositions: “When We Dance,” “Island of Souls,” and “Ghost Story” that now sound as if they were waiting for a musical.

“The Last Ship” comes with a great provenance of producers– Sting’s savvy manager Kathy Schenker has put together a group that includes Jimmy Nederlander, Herb Alpert and Jerry Moss (the A&M of A&M Records which launched Sting and the Police 35 years ago), vets like Roy Furman and Kevin McCollum (“Motown: the Musical”), and most importantly, Jeffrey Seller (he steered the successful revival of “West Side Story”). They’ve also got a secret weapon in Producer of Producers Manny Azenberg, who was here last night in a Yoda capacity.

These people are going to look brilliant this fall when “The Last Ship” docks (sorry) in the theater district!

PS Funny, isn’t it? First Cyndi Lauper has a triumph with “Kinky Boots.” Now comes Sting with “The Last Ship.” A whole generation of real composers from the rock-New  Wave scene are taking Broadway by storm. Very exciting!

PPS Chicago was a good place to launch this show. It’s just like the Newcastle on stage– cold, cloudy, stormy, windy–in the middle of June!

20th Anniversary Flashback: How O.J. Simpson “Did It”

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Thursday June 12th, 2014 is the 20th anniversary of the murders of Nicole Brown Simpson and Ronald Goldman, here’s what I wrote back in 2006:

O.J. did indeed “do it.” He killed two people in cold blood on June 12, 1994. One of them was the mother of two of his children. Yes, he was acquitted by a jury in the criminal matter. But he was also found responsible for the murders by a more sensible civil jury in 1996.

I covered the O.J. Simpson trial for New York magazine and broke a lot of the stories surrounding that circus. For six months, from the day of the murder until the pretrial hearings kicked into gear, I followed every possible lead that would prove Simpson innocent. These included Nicole’s horrible little friend Faye Resnick, as well as many other similar murders in L.A. around that time.

 

And this is what came up: No one but O.J. Simpson could have killed Nicole Brown Simpson and Ron Goldman. His friends may have helped cover it up, but in the end, it was all O.J.

 

There were a lot of theories about how he did it and lived with himself afterward. Apparently, in the unpublished book he says he had a “black out” period — if he did it.

 

One theory that I came to subscribe to was supplied by a freelance writer and his brother, who was a Harvard forensic psychiatrist. To this day it makes the most sense: Simpson was having steroid rage. This wasn’t from being on steroids, but from getting off of them. He’d been addicted to them for years when he took a pounding in football and stuck with them later for rheumatoid arthritis.

 

A lot of different details added up to this conclusion. For weeks, Resnick’s boyfriend, Christian Reichardt, had been weaning Simpson off the steroids with a fruit drink that Simpson promoted in a TV infomercial. Reichardt told me this had begun in late March, early April 1994. By June 12, Simpson was probably not feeling too well. Erratic outbursts, extreme emotions — these were indications that his withdrawal was not a success.

 

In the infomercial, made March 31, 1994, which was entered into evidence but never pursued, Simpson recalls “They had me on — you name it — Naprosyn, Indocin, Motrin, I, I had so much Motrin you couldn’t believe it, you know.”

 

Then he talks about the miraculous turn around in his life from drinking Juice Plus: “And then before I knew it, I just start skippin’ the Naprosyn and skippin the Indocin and skippin the pain pills, uh, the Advil. I mean I was one of these guys who was on six or seven Advils a day, you know, until today when I don’t have to take anything.”

 

For some reason, no one bothered to ask the doctor what the effect would be of no longer taking all those drugs. And no one asked Dr. Robert Huizenga — a doctor whose specialty was steroids and athletes — one word on that subject as well.

 

Simpson, I learned from the FBI lab in Washington, had been tested for eight different kinds of drugs but not for steroids when he was arrested.

 

My sources’ claims, they say, were further emphasized by the Bronco “chase.” Al Cowlings, who’d been in the car with Simpson, described to a writer he’d hired for a book proposal that Simpson had been sweating like crazy in the car. His face had turned “golden,” Cowlings recalled. Sweat poured from him. Simpson was so incoherent that he let Cowlings do the talking for him.

 

The chase was on June 15. Three days earlier, Simpson had returned to L.A. from a visit to Chicago. Howard Weitzman had been his lawyer. Dr. Bertram Maltz , now deceased, had been his long-term physician.

 

When Weitzman handed over the reigns to Robert Shapiro, the first thing Shapiro did was get rid of Maltz and bring in Dr. Huizenga. Huizenga had just published a book on the subject, as physician for the L.A. Rams.

 

In his testimony at the criminal trial, Huizenga said that Simpson had given him “a one-month history of drenching night sweats so severe that he would have to get out of bed, towel himself off and go back and sleep in the dry portion of the bed.”

 

But nothing more was asked in this area by either side, and the words “steroid” or “rage” or “withdrawal” never again came up either in direct or cross-examination.

 

 

As I wrote then: “What was most alarming, Huizenga told me, was how prosecutors treated him. His direct questioning by the state was from Deputy District Attorney Brian Kelberg, who worked for Marcia Clark.

 

“I told them that Simpson appeared to be limping when he came into my office. Instead of asking me about that, they said, ‘He wasn’t limping, you’re lying, we have tape of him from two months before.’ It’s odd that the prosecutors didn’t even bother to ask about the sequelae,” he said, tossing some much-needed Latin into our conversation. In other words: Clark’s team never asked why Simpson had been limping, or what would have brought him to that point.”

 

Indeed, Clark and Chris Darden , who went on to have fame and make little fortunes off their horrendous loss in court, didn’t do a lot of things right.

 

A lot of people blamed Judith Regan for attempting to publish Simpson’s book “If I Did It.” But Clark and Darden are the real culprits here, and the reason why O.J. Simpson is still walking around and causing trouble.

Gladys Knight, Natalie Cole, Isley Brothers Celebrate Apollo Theater’s 80th Birthday

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What a night for the Apollo Theater! No less than Gladys Knight, Natalie Cole, the Isley Brothers, and more helped the world famous Apollo celebrate its 80th birthday last night. The Apollo, once almost shuttered during the worst times in the city’s economy, has become one of New York’s top 10 cultural institutions thanks in large part to former Time Warner chairman Dick Parsons, who was given the theater’s highest honor last night.

Of course, Parsons had to get through a funny, if f-word speckled speech from his good pal, Revlon chairman Ronald Perelman. The latter acknowledged how Parsons had saved Time Warner after Gerald Levin “f-ed” it up. The well dressed Apollo crowd gasped the first time they heard Perelman say that word. By the third time, they were over it.

And what about Wayne Brady? The host of “Let’s Make a Deal” is wasting his time on that game show. Brady sang Ray Charles’ “Georgia On My Mind” with the Ray Chew Orchestra, and was absolutely sublime. I’ve never understood why Brady is not on the level of say Hugh Jackman or Neil Patrick Harris– he should be the break out host of every awards show, or definitely on Broadway. CBS should move “Deal” to NYC for a while so Brady can be in a show like “After Midnight.”

Anyway, the Apollo birthday also included tributes to gospel music with Edwin Hawkins performing his classic “Oh Happy Day” and Savion Glover was a special guest with hot tap dance number. There was also a longish medley of soul tunes by a white Australian group called Human Nature.

But the other highlight was Joss Stone, still only 26, blasting the room with a sizzling take on James Brown’s “It’s a Man’s World.” Stone was Adele before there was Adele. She’s ready for a  career part 2 Renaissance.

me with gladys knight 6-10-14 at the apolloI ran into Stedman Graham, Sylvia Rhone, Tamara Tunie and Gregory Generet, and the Apollo’s super team– CEO Jonelle Procope and PR chief Nina Flowers– in the huge glamorous tent erected behind the theater on West 126th St. where the food included desserts from the Magnolia Bakery. Yowza.

And yes, for the first time ever– I’m running a picture of yours truly with Ms. Knight. She’s got a new album coming out in September. If you heard her sing jazz standards last night, she was breathtaking. It’s time for a Kennedy Center honor for Gladys Knight!

Michael Jackson Brand Damaged by Poor Sales of New CD and Books

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Considering all the people who write to me screaming about how they love Michael Jackson, etcetera, etcetera, here’s a question: where are you?

Jackson’s much touted CD of new, unreleased, and reconfigured material has been a bust. Forget proclamations that it’s “number 1 in 50 countries” or other such nonsense. In the United States, after four weeks of sales, “XScape” has sold just 286,000 copies.

That’s it, and it’s around number 25 on the album charts. It’s not coming back, either. “Xscape” had one marketing ploy and it’s over. That was the dancing “hologram” on the Billboard Music Awards.

Meantime, two new books about Jackson, pegged to the fifth anniversary of his death on June 25th, are also flops. “Michael Jackson Inc” by Zach O’Malley Greenburg, has done the worst. It’s ranked around number 16,000– sixteen thousand— on amazon.com. That’s pretty much no sales.

“Remember the Time,” an interesting memoir by two former Jackson bodyguards, has done a little better. Deservedly so. That book is up around number 1,320, which means it’s had some sales, good worth of mouth and online reviews. But it’s no best seller.

Maybe the authors of the books are waiting for the death anniversary to do some publicity. I think they should get going now. Those books are not going to revive themselves. Like the CD, they simply haven’t caught on.

The CD, of course, was a bad idea. Remixing and fiddling with Jackson’s unreleased music was a kind of heresy. It served no purpose. Just releasing the demos as they were would have been plenty.

As it is, many good unreleased  songs were thrown out because they’d already been included in the “Bad” 25th anniversary album. There isn’t that much left now in the vaults. Sony would be wise to issue a series of live CDs from concerts.

What do people want of Michael Jackson? The hits, the ones they love, and have ties to. “Billie Jean” and “Beat It” already outlasting the “new” stuff.

Meantime, TMZ has a LOL story about Jackson’s ex-wife and her purported engagement to gay pornographer Marc Schaffel. Apparently, he has a wife. Only on TMZ, my friends, only on TMZ.

 

Oliver Stone Will Make Movie Based on Novel by Edward Snowden’s Russian Lawyer

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Oliver Stone is making a movie sort of about Edward Snowden. He and producing partner Moritz Borman have bought the rights to a novelised version of the Snowden story written by the NSA leaker’s Russian lawyer. The book, to be published this fall, is called “Time of the Octopus,” written by Anatoly Kucherena.

from the press release: The novel tells the fictional story of an American whistleblower, Joshua Cold, who, threatened by his Government, and while waiting for a decision on his request for asylum from the Russian authorities, spends three weeks in limbo in the transit area of the Moscow airport.  He occupies his time there talking to a Russian lawyer about his life and what motivated him to expose a massive American surveillance program.

Said Kucherena: “The more I engaged in the Edward Snowden case, the more I was impressed by his story. To understand Edward and his actions, I had to ‘tune to his wavelength’ and try to balance between the rational and intuitive perception of his world. Having experienced these incredible sensations, I realized that I had to write about them, but only in the form of a novel that would not claim any sophisticated philosophical conclusions.”

Said Stone: “Anatoly has written a ‘grand inquisitor’ style Russian novel weighing the soul of his fictional whistleblower, Joshua Cold, against the gravity of a ‘1984’ tyranny that has achieved global proportions.  His meditations on the meaning of totalitarian power in the 21st century make for a chilling, prescient horror story.”

Stone will use Kucherena’s insights alongside Luke Harding’s book, ‘The Snowden Files: The Inside Story of the World’s Most Wanted Man’ as the sources for the screenplay of his untitled “Snowden” film, with production planned to start before the end of the year.

 

Clint Eastwood Brings Out the A Plus Crowd for a “Jersey Boys” Screening

Want to bring out the A plus crowd? Just say Clint Eastwood is showing “Jersey Boys.” That’s what Warner Bros. did last night, and the guests showed up in droves. From Clive Davis and Barbara Walters to Regis and Joy Philbin, plus Broadway stars like Andy Karl from “Rocky” and Reeve Carney aka “Spider Man,” and last year’s Tony nominee Billy Magnussen, not to mention Soon Yi Allen, Nancy Shevell McCartney, the great Bebe Neuwirth and Roger Rees (a little “Cheers” reunion). Whew!

The group convened at the swanky Angelo Galasso men’s store in the Plaza Hotel, dined in the Oak Room, and then proceeded to the Paris Theater. Talk about a mob scene! I ran into “Sopranos” creator David Chase and his wife, “Boardwalk Empire” creator Terry Winter, as well as Candice Bergen, Tommy Tune, Melissa Leo and Alan Cumming. Lena Hall, who won a Tony on Sunday night, was thrilled to meet Clint Eastwood, and vice versa.

Not only Clint was there, but “Jersey Boys” screenwriters Marshall Brickman and Rick Elice, plus the cast including John Lloyd Young, Kathrine Narducci, Renee Marino, Erich Bergen, and so on.

It’s been a while since I sat through a screening in which the audience applauded and cheered during the film. But they do in “Jersey Boys,” as the musical numbers generated also a lot of clapping and humming. And everyone got a big chuckle out of Clint’s “Hitchcock” moment in the film, which I wrote about yesterday.

I hope Frankie Valli is ready. Because the Four Seasons are going to get another big push this summer– some 50 years after first sang “Sherry Baby.” Their music just gets better and better.