Sunday, December 21, 2025
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amFAR Cannes Falls $5Mil Short of Last Year, No Sharon Stone, Reduced to Robin Thicke, Dita von Teese, Faux Celebs

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UPDATE: amFAR’s Cannes gala raised less than it did last year, although it’s hard to say– on purpose. Now they say they raised $30 million euro. Last year they say they raised $35 millon– dollars. Who knows? But one amFAR leader confided in my source that it was less than last year.

Anyway, according to the 2013 form 990 amFAR files with the government, they have over a dozen execs making well upwards of $100,000 a year. Sacre bleu! Their leader Kevin Frost takes home just under $500,000 a year. Not bad, amFAR! Charity begins at home! That doesn’t include how much it costs to fly these people around, ferry them around in chauffeur driven cars etc.

EARLIER The parade of gowns is underway in Cannes, as amFAR tries to keep its Cinema Against AIDS going another year. Sharon Stone is a no show. But Robin Thicke, whose popularity is on the slide since his divorce and “Blurred Lines” debacle, is right there on the stage. The Europeans, Asians, and Arabs don’t know about the whole Marvin Gaye thing, you see.

Stars like Sienna Miller and Jake Gyllenhaal, who are on this year’s Cannes jury, are there at the Eden Roc. Marion Cotillard is also present. But largely it’s models, models, models. Also, faux celebs who have nothing to do with cinema– like Paris Hilton and Kendall Jenner– are creating buzz on the red carpet. That’s what amFAR has been reduced to.

A few actors– like Leonardo DiCaprio and Frances McDormand– skipped the red carpet completely. Photographers have been hunting them down and shooting them as if they were on a celebrity safari.

Mary J. Blige is scheduled to perform. Charlie XCX or MCM or something is also there. Later amFAR will announce some overblown number for their night’s take.

The most photographed celebrity: Dita von Teese, who’s still doing burlesque striptease. She’s the Ann Corio of the last generation.

David Letterman Retirement: We May Never See Him Again (We Didn’t See Him Before)

I’ve covered entertainment in New York for about 30 years, give or take. In all that time I have never seen David Letterman outside of his studio. No one else has, either. Now that he’s off of TV, we may never see him again.

Check the photo agency websites: nothing. There are a couple of photos from Letterman from the Kennedy Center Honors, last December. There is exactly one picture of his wife, Regina, on Wire Image. And that’s from this last week. When Letterman appeared last winter at a fundraiser for Paul Newman’s SeriousFun camp, it was out of respect for the late actor. He was home before the event was over.

A great photographer who shoots all the big parties, premieres, etc and has for two decades, told me yesterday he’d never actually seen Letterman in person.

There was once a feeling that Letterman maybe dined in Connecticut with actor Charles Grodin and Regis Philbin. Grodin wasn’t invited to the final weeks of the show. Regis did appear, and Letterman is clearly fond of him. But they don’t socialize.

All that fawning a few nights ago with Julia Roberts is make believe. The “relationship” exists only in the studio, at the desk.

If you watched Dave thanking the celebrities last night who did the Top 10 list, listen carefully: he speaks to them as if they are strangers. He doesn’t know them. They don’t know him. He and Tina Fey short of shake hands.

The relationship with Paul Shaffer– it’s business. It’s worked, don’t get me wrong. But Dave is not coming over for Friday night dinner.

Dave gave a beautiful speech last night. But he didn’t mention the producers who got him there– Bob Morton and Rob Burnett. He didn’t acknowledge Mike Ovitz, who got him $14 million when he jumped from NBC to CBS, or his manager Jack Rollins (just turned 100) or Rollins’ late partner Charles Joffe.

Oh well, why quibble? But Letterman sightings? Don’t hold your breath. Like Greta Garbo, he wants to be alone.

Letterman- Corden Ratings Soar as Dave Hits 10 Year High and Sting Bridges Generations

David Letterman’s final episode hit a 10 year high in early local ratings reports. And his show pushed James Corden’s late start “Late Late Show” up a record for its short life so far. The big winner was Sting, who bridged the two shows in a bit following Letterman, sitting with Corden in front of the Ed Sullivan Theater in a sketch where he sang “Every Breath You Take.”

from tvbythenumbers:
From 11:30PM-1AM, the final broadcast of LATE SHOW with DAVID LETTERMAN (Adj Avg. 9.3/24) delivered its highest local rating since Dec.1, 2005 (10.1/24) with guests Oprah Winfrey and Bonnie Raitt. Last night’s LATE SHOW outrated every primetime broadcast.

From 1AM-2AM, THE LATE LATE SHOW WITH JAMES CORDEN (Adj Avg. 2.5/10) scored a new all-time high local rating, up +79% from last week (1.4/05) and +150% from last year (1.0/03).

More to come…

David Letterman Gives a Classy, Heartfelt Farewell After 33 Years on TV: “Please save something for my funeral”

David Letterman went out with a classy final episode tonight. He gave good wishes to his successor, Stephen Colbert. He gave great thanks to his family, to the staff, and everyone involved with the show. He did joke that he might become the new face of Scientology, and that seemed clear now he would not be getting the Tonight show.

Letterman also presented an all star Top 10 list with Bill Murray, Barbara Walters, Jerry Seinfeld, Julia Louis Dreyfus, Steve Martin, Tina Fey, Alec Baldwin, Jim Carrey, Peyton Manning and Chris Rock. There were several film montages.

Letterman worked in a clip of himself with Mary Tyler Moore from the comedy sketch show on which he got his break; the show failed but the two remained great friends. There were a lot of references to Larry “Bud” Melman aka Calvin deForest, and many thank yous to Paul Shaffer.

Thirty three years really went by fast. A lifetime. #thanksdave.

Exclusive: Lena Dunham Recreating Grisly 1964 New York Murder for “Girls”

Relax. None of the main ladies on “Girls” is getting murdered. But Lena Dunham is recreating the infamous grisly 1964 murder of Kitty Genovese for an episode of the show.

I’m told that Adam (Adam Driver) puts on a play, and going on in the background is the Genovese murder. In real life, Kitty Genovese was killed in Queens in 1965. She was a lesbian and a bartender. On her way home from work she was assaulted, managed to escape, and then was brutally raped and murdered.

Her story became legendary because the myth was that 38 neighbors heard her screams and did nothing. Later that was disproved. But the story stuck, and there are books and seminars about the death of Kitty Genovese and why people ignored her.

Sounds like Adam’s play is going to be a big deal. I hope there’s a Playbill!

PS I’m surprised HBO has never made a movie about Kitty Genovese. Maybe this will tip them off.

Letterman Final Guests: Foo Fighters, Jim Carrey, Tina Fey, Julia Louis Dreyfus, Steve Martin

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I guess I was first to report on Twitter some time ago that the Foo Fighters are David Letterman’s final musical guests.

Cynthia Littleton from Variety has reported that Jim Carrey, Tina Fey, Julia Louis Dreyfus, Steve Martin and Chris Rock are among those who’ve been spotted going into the Ed Sullivan Theater for Dave’s final show. Peyton Manning was also seen, and Barbara Walters arrived looking fragile.

Hard to imagine that if it’s just an all star rat pack that Jerry Seinfeld won’t be in the mix. And Jay Leno? Jay? We’ll see. Can’t believe it’s over. More to come…

Exclusive: “Mad Men” Tying Together Finale-Coke Commercial-Beatles (Watch, Listen)

The choice of song for the grand finale of “Mad Men” – the iconic 1971 Coca Cola advert “I’d Like To Buy The World A Coke” – which subsequently became the worldwide hit single “I’d Like To Teach The World To Sing” – prompted our good friend producer/writer/pop culture historian Martin Lewis to scribble a few recollections of the genesis of that song that pre-date the idea of real-life 1960s Mad Man Bill Backer of McCann Erickson.

It was McCann Erickson creative director Bill Backer who in early 1971 came up with the slogan “I’d like to buy the world a Coke and keep it company” as an idea for a Coca Cola ad campaign. But he knew it needed to become a jingle to make it succeed. So he turned to a successful British pop-writing duo Roger Cook & Roger Greenaway and gave them the challenge.

The duo wrote massive worldwide hits such as the Hollies’ 1972 smash “Long Cool Woman in a Black Dress,” “You’ve Got Your Troubles” (#7 Billboard for The Fortunes in August 1965), “My Baby Loves Lovin” (White Plains, 1970) and many more.

Cook and Greenaway didn’t take long to write a song extolling the virtues of Coca Cola. They simply repurposed a song they’d already written titled “True Love and Apple Pie” – which they had written and produced for a perky Liverpudlian songbird named Susan Shirley. See her perform the song on a 1971 UK TV show here:

The song wasn’t a hit until they first changed the lyrics into a jingle for Coke – and then into yet another version without referencing the product – which was released by both the New Seekers and the Hillside Singers under its new title “I’d Like To Teach The World To Sing”.

The “peace ‘n’ love” all-races-living-together-in-harmony philosophy heard in the new lyrics and seen in the iconic hillside TV commercial for Coca Cola was also recycled from an earlier Cook & Greenaway song – a massive UK hit single in 1969 called “Melting Pot” by the group Blue Mink which featured lead vocals by Cook and American soul singer Madeline Bell. (The band also included legendary bassist Herbie Flowers who played the iconic bass-line on Lou Reed’s “Walk On The Wild Side”)

The lyrics were a plea for racial harmony and name-checked (among others) the Beatles, Mick Jagger, Marianne Faithfull and the Queen!

The chorus:

What we need is a great big melting pot
Big enough to take the world and all it’s got
Keep it stirring for a hundred years or more
Turn out coffee-colored people by the score!

Here is Blue Mink singing the song on a 1969 TV show.

And reprising the song in a 1995 TV reunion of the core trio of Blue Mink (Cook, Bell & Flowers)

Incidentally Cook & Greenaway were not new to the US charts. In 1966 they had a Billboard Top Twenty hit as performers. At that time they were a British Invasion singing duo in the vein of Peter & Gordon known as “David & Jonathan”. Their version of the Beatles’ “Michelle” reached #18 in Billboard. Their recording – the first cover of a song from the Beatles’ “Rubber Soul” album – had the inside track as it was arranged and produced by Beatles producer George Martin. Who also arranged and produced their 1967 cover of “She’s Leaving Home”. It was George Martin who first spotted their talent and signed them to his AIR production company. He produced all their recordings.

Their version of “She’s Leaving Home” is very important in the Beatles universe because it indicates how George Martin might have arranged the song for the “Sgt Pepper” album had Paul McCartney permitted him! McCartney had been in a hurry to record his new song and because George Martin was unavailable the day before the scheduled session (he was busy producing the Beatles’ pal Cilla Black that day) McCartney imperiously commissioned another arranger – future Gary Glitter producer Mike Leander) to score the song. George Martin regarded Leander’s score as saccharin but gamely conducted the string section and produced the Beatles recording anyway. So arranging and producing David & Jonathan’s version of the same song a few weeks later gave him the opportunity to present the tune as he thought the orchestration should have sounded!

Broadway: Sting Sails “The Last Ship” One More Time in Joyous Show for Actors Fund

Sting is back from his world tour with Paul Simon, which followed his run as actor/composer of Broadway’s “The Last Ship.” So what did he do last night? Perform most of the songs in a pared down version of the show, two performances, for The Actors Fund at the McKittrick Hotel (home of “Sleep no More”).

The rocker turned Broadway composer has a Tony nomination for Best Score of a Musical, and could actually win– and should. He’s up against the fun but “Spamalot”-like “Something Rotten” (funny songs, but no keepers), and “Fun Home” (sad songs that sound like Sondheim-lite).

Hearing the songs from “The Last Ship” a few months after it closed was like meeting up with old friends. The title song is so catchy you can’t get it out of your head. Same for the great stomping “What Have You Got?” (not the real title, but that’s what I call it). The lush ballads are just gorgeous– from “What Say You Meg” to “The Night the Pugilist Learned How to Dance.”

Sting– with the eminently agreeable Jimmy Nail performing, and singing siren Jo Lawry– also added back “And Yet,” a beautiful samba number that was cut after the run in Chicago a year ago. The audience, knowing it from Sting’s album of the show’s songs, cheered when they heard it.

There were two shows last night at the McKittrick. The first one was precise and studied, as musical director Rob Mathes had rearranged the music to fit the small combo on the intimate stage. In between shows, Sting and wife Trudie Styler and a few friends were packed into a small dressing room where they dined on cold chicken and spicy pieces of steak on skewers. Jazz trumpet star Chris Botti stopped by. Hot tea with honey was made with an electric pot and poured into Dixie cups. “The glamorous rock life,” someone quipped.

The second show proved a joyous rave as a gang of “Last Ship” cast members showed up and joined in from the back of the small room as if they were still in the Wallsend bar on the stage of the Neil Simon Theater. The cast is still devoted to the show, even as they look for new jobs. They knew all the words, and sang them with gusto. A couple– husband and wife– just got in as the doors closed. They stood in the back, among the rousing cast. “We thought this would be a bad spot,” the husband observed. He was beaming. “But now we’re in the middle of everything!”

Regis Philbin Says Goodbye to David Letterman, And Show Runs an In Memoriam (Watch Classic Video from 1986)

David Letterman hosted Bill Murray and Bob Dylan tonight. Just in case Wednesday night’s finale runs over, the show ran its In Memoriam Tuesday night that included Larry “Bud” Melman and Bill Wendell, plus names of others who expired during the 33 year run.

Regis Philbin made his final appearance on the show, his 136th or 150th time on the show. It was very moving.

 

On Tuesday, Dylan didn’t sit with Dave. After 20 years, he appeared and croaked out a song from his current album of standards, “The Night We Called it a Day.” Humorless Dylan looked constipated and unsure of why he was even there. He could have sung “You’re Gonna Make Me Lonesome When You Go.” But that would have made sense. We wouldn’t want that.

Murray was funny and touching, popping out of a real cake, with hot girls in tow, and getting the cake all over Dave. Murray had been Letterman’s first guest on his NBC and CBS shows. It was a nice touch.

Tonight, we say goodbye to David Letterman. I’ve been to his show many times over the 33 years. Once I sat in the green room with Ed Koch, but I don’t remember why. Last fall, I went with Aretha Franklin. I was there with Sam Moore and Wynonna Judd in 2006. When Letterman was on NBC, I was there a lot as a book publicist. In 1986 I brought the great Peter Ustinov, who was promoting a book for UNICEF. The episode became legendary because it ‘revolved’– at Ustinov’s point in the show, it was ‘upside down.’ Peter had a ball with it, as you’ll see in the clip below.

The amazingly talented Paul Shaffer has always been a great friend. He married the lovely Cathy Vasapoli, who was a booker when I brought guests. They are still married. Sheila Rogers started booking the musical guests in 1996, and had the absolute best taste in the world. When the show was at NBC , until 1996 at CBS, Robert “Morty” Morton was the executive producer. He was a great friend, also with terrific taste. He made the show what it was.

One more note about Paul Shaffer: using this platform he personally educated each new generation about the history of pop, soul, and blues. Without him, and Sheila, a lot of brilliant stars would have gone forgotten on late night TV. We owe them an incredible amount of thanks.

Letterman first started in the morning, then moved to late late night, and then to his current show. He had a terrible publicist all those years who kept him apart from everyone. You never ever saw David Letterman in public, at a movie or theater premiere, and rarely at a charity. He was simply not accessible in person.

But on TV he was a genius who weathered everything, even open heart surgery and blackmail. We kind of loved all his speeding tickets and his stalker. We loved his mom. And the top 10 list, and all the segments, and the way he sneaked his politics into the show. I am really, really going to miss, and I know you are, too.

Thanks for everything, Dave.

 

“I Love Lucy” was Sunday Night’s Number 1 Scripted Show, Nearly Twice as Many Viewers as “Mad Men” Finale

Sunday night: Two reruns of “I Love Lucy” from the 1950s, colorized (objectionable, but ok whatever) scored the highest total viewers of all scripted shows that night.

“Lucy” had 6.4 million total viewers. That’s almost twice the very high “Mad Men” score of 3.3 million viewers on Sunday. That’s shows with scripts. The Billboard Music Awards had 11 million, and “60 Minutes” had 9 million.

But of all the other shows on TV Sunday night– Dateline, The Simpsons, Battle Creek– Lucy prevailed.

“Lucy” scored twice as many total viewers as Andy Samberg in “Brooklyn Nine Nine.”

The two episodes of “Lucy” looked terrible, I thought. The beautiful original black and white looked garish and Crayola like. But “Lucy” is the Shakespeare of television comedy. A few others come close, but Lucy, Desi, Vivian Vance and William Frawley were in a league of their own. All their writers and directors were, too.