Thursday, December 18, 2025
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Five Years Later, We’re Still Waiting for Elaine to Come Back

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This is what people who used to go to Elaine’s say to each other on the occasion of an accidental meeting: “Where do you go now?”

It’s as if there’s a secret, and it must be shared.

Elaine Kaufman died five years ago on December 3rd. You’re asking, why did I wait to mention it until now? I just couldn’t do it. I thought about it, but it seemed like I needed more than a minute to think about Elaine, whom we miss so much.

A bunch of people did get together at Neary’s on December 3rd, organized by Peter Khoury of the New York Times. Neary’s is way east on 57th St. I was all the way downtown and west at some event. It was too hard to get there. So already you know what’s changed. Because back in the day, no matter where I was at 11pm, Second Avenue and East 88th St. was just a cab ride away.

Five months after Elaine died, the restaurant closed. The regulars know why it all happened, we discuss it regularly. There is a lot of anger. One day maybe the story will be told, how Elaine came to her demise. And then the restaurant, too. But truth be told, those months after her death were really weird. You’d sit there and kind of wait for her to come back through the doors.

And little by little, things started to disappear: the flat bread on the tables, the waiters. We were being sent a message.

But I digress.

Where do we go now? Nowhere. There is no way to recapture what Elaine gave us. She gave us home. And on New Year’s Eve, when dates didn’t work out and nothing you planned elsewhere clicked, you gravitated back to Elaine’s. The place was jazzed up with ornaments and lights and balloons. There was a golden cast over the mundane tables, and live music. People you saw all year were dressed up.

And there she was, Elaine in her tent dress, sparkling, holding out hope for the new year. “We’ve been waiting for you,” she’d say. “What took you so long?”

Happy New Year, Elaine.

Plenty of “Room” At Awards Shows for the Man Who Made Brie Larson an Oscar Contender

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We probably haven’t talked enough about the brilliant “Room,” a suspenseful and emotional film about a mother and son locked in a tiny room for years.

“Room” has been lauded by critics to say the least, landing on most Critics Top Ten Lists, as well as the AFI’s recent top ten films of the year.  Star Brie Larson is considered a frontrunner for the Oscar for Best Actress and newcomer Jacob Tremblay has earned raves as the Best Newcomer of the year, child actor of the year, and frankly, just one of the actors of any age this year.

Emma Donoghue’s screenplay has also been included in the huzzahs. Oddly though, the talented director, Dublin based Lenny Abrahamson, has been conspicuously absent from those lists.  I talked to Lenny recently at an event that Rob Reiner hosted. Rob told the VIP crowd that, “I admire this movie so much.  There are magicians that set up huge tricks, big extravaganzas like the Taj Mahal disappearing.  The ones that impress me are the ones that have their hands right in front of my eyes and I can’t figure out what they are doing.  That’s what Lenny has done.  He’s done an expert job.”

Reiner is right, the film is indeed brilliant and daunting. I asked Lenny if that was a challenge with audiences.

Lenny answered, “From the beginning, people have told me that they were afraid to see it.  But after they do, they become evangelists of sorts and tell all their friends, ‘Don’t’ be afraid, it’s okay.” So a big part of this conversation is telling people that this film is beautiful, hopeful, emotional and life affirming. “

Maybe he succeeded too well and made it look too easy?

“The film doesn’t appear to be wrought, or made, as opposed to seeing it just happening. I filmed it with a deep cohesion and truthfulness.  The film was so tricky, unbelievably hard to make this fly and to do what it does, to get the tone right all the way through. I’m getting such positive feedback from directors  and that’s truly gratifying. One said that it’s a seamless movie, because I sewed up the many seams to make it seem that way.  So I’m grateful.”

I told him that Brie’s performance is truly magnificent, and Jacob’s is so pure.  How did he know that combination was going to be so perfect?

Lenny answered,  “You place your bets as a director on all sorts of all things.  We were about three days into in when I realized how powerful it all was.  Brie is such a generous person. Working with a kid, I’d work in a non-linear way, just to keep it fresh.  Brie would often have to find that place and jump from moment to moment.  She’s extraordinary that she was able to do that.”

What’s up next for him?

Lenny said, “I’m working on a project about the boxer Emile Griffith who was a six-time world welterweight champion in the 1950s.  He was black man from the American Virgin Islands.  He comes to New York in the late 1950’s, worked in ladies hats; he was gay and active in that scene, lived a double life.  Then became this successful boxer, it’s a fascinating story. I’m still co-writing it and will direct.”

 I then asked if the plum part of Emile has been cast yet?

 He smiled, “Not even close.”

 

Remember Lady Gaga’s “Protege,” Maria Aragon? She’s 15 Now and Going Viral with “Ave Maria”

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Maria Aragon blew everyone away four years ago when– at age 11– she performed “Born this Way” on stage in Toronto with Lady Gaga.

She even got a shot on “Ellen”:

Well, Maria’s 15 now and has blossomed into quite the singer. She just performed “Ave Maria” with the Winnipeg Symphony Orchestra to a live audience of over 2000 people at Centennial Hall, and caused a sensation. Here’s the video:


You can download this track at welovefreemusic.com, an exciting, brand new music site described as “the first and only website in the history of the internet to deliver curated and produced content from it’s artists to the entire world, entirely free, in both streaming and download formats, without any advertising and without the requirement for personal information to access the content.”

As for Maria, I’m told she’s making her first album with Whitney Houston’s original producer, multiple Grammy Award winner Narada Michael Walden. So hold on. Before 2016 is out we may have a new teen superstar. Sure sounds like it.

Kennedy Center Fail: Ratings Drop From Last Year Despite “Star Wars” Tie-In with George Lucas Tribute

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It’s no fault of the new Kennedy Center Honors producers. But their ratings were down by 300,000 viewers in the key 18-49 demo last night, from last year’s show.

It was last year’s show that brought the ousting of George Stevens Jr, who started the show 37 years ago, and his son Michael.

The new major donor of the Kennedy Center, David Rubenstein of the Carlyle Group, decided he wanted new, hipper people presenting the program. So he got rid of the Stevenses unceremoniously. (Michael Stevens became gravely ill right after last year’s award show. He died a few weeks ago at age 48.)

Now the ratings are in for last night’s telecast. They are lower than the year before– a 0.9 vs. 1.2 in the demo. Last night show’s drew 7.5 million viewers total. Last year, the Kennedy Center Honors had a total of 9.25 million viewers. The show lost the lead in from an “NCIS” rerun of 10.4 million.

Think of this: the program featured George Lucas and “Star Wars,” a movie that is making $30 mil a day and has already crossed $1 billion worldwide. You’d think there would have been some interest– and certainly not a huge loss.

The show was very good, albeit for the weird non tribute to the Eagles. But something got lost in the translation.

 

Movies: Best of 2015 Includes Moving Michael Keaton into Lead Actor for “Spotlight,” Then it All Gets Easier

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Here’s the deal. A few years ago I wrote that Kate Winslet should be moved from Supporting to Lead for “The Reader.” She was listed on the Oscar ballot as supporting actress for “The Reader.” I discovered that a letter goes out with Academy Award ballots stating that you can move an actor or actress from one category to another. It worked. Kate won Best Actress for her startling work in “The Reader.”

Earlier this year Michael Keaton came within a whisker of winning Best Actor for “Birdman.” He had already won a lot of other awards. He lost the Oscar to Eddie Redmayne, whose portrayal of Stephen Hawking in “The Theory of Everything” is heartbreaking.

This year there’s a big movement to get Leonardo DiCaprio an Oscar for “The Revenant.” I’m not against that. But Michael Keaton is sensational in “Spotlight.” The actors from that movie all wanted to be in supporting. This is a mistake. Keaton is the leader of that ensemble. And his character, Walter “Robby” Robinson holds the key to how the Globe dealt with the “Spotlight” story. Move him, I say. Put Keaton in lead and let’s see what happens.

Ballots go out or can be downloaded on Wednesday. Keep refreshing…

Best Film: (no order) Carol, Room, Spotlight, Inside Out, The Big Short, Straight Outta Compton, The Martian, Steve Jobs, Joy, Bridge of Spies

Best Actor: Michael Keaton, Matt Damon, Michael Fassbender, Steve Carell, Samuel L. Jackson; special mention Eddie Redmayne (but he just won this past year)

Best Actress: Lily Tomlin, Cate Blanchett, Charlotte Rampling, Brie Larson, Jennifer Lawrence

Best Supporting Actor: Mark Ruffalo, Mark Rylance, Christian Bale, Michael Shannon, Idris Elba

Best Supporting Actress: Jane Fonda, Jennifer Jason Leigh, Rooney Mara, Rachel McAdams, Kate Winslet

Best Director: Ridley Scott, Tom McCarthy, Todd Haynes, Steven Spielberg, David O. Russell

Movies that were inexplicably blown: Youth, Suffragette, Love and Mercy, The Walk

Performances that fell by the wayside: Michael Caine and Harvey Keitel in Youth, Joseph Gordon Levitt in The Walk, Carey Mulligan in Suffragette.

Great performances but not enough there to merit awards action: Liev Schreiber, Parker Posey, Tom Courtenay, Jessica Chastain, Diane Ladd-Isabella Rossellini-Elisabeth Rohm in “Joy,” Joan Allen

Best song: Til It Happens to You, Diane Warren, from The Hunting Ground

Best score: I loved Howard Shore’s music for “Spotlight.” Ennio Morricone’s music from “The Hateful Eight” is epic. Also really dug “The Circus of Machines” from “Steve Jobs” by Daniel Pemberton. It was a good year for scores. John Williams again? I can’t hear the difference anymore. Does anyone know anything more than the original “Star Wars” theme? It’s like John Barry’s “007” music.

Best cinematography: it’s a toss up between Ed Lachman for “Carol,” and Emmanuel Uzbeki for “The Revenant.” But don’t count out Robert Richardson’s saturated colors that make beautiful tableaux in “The Hateful Eight,” Dariusz Wolski for “The Martian,” or the way Danny Cohen made the “Room” seem bigger than it was.

Bill Cosby Decision Day: Arraignment Today– Arrest Warrant Issued in 2004 Sex Assault Case

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Update: Bill Cosby will be arraigned later today in Pennsylvania after his official arrest. He committed aggravated indecent assault, says District Attorney.

Earlier:
An arrest warrant has been issued for entertainer Bill Cosby for allegedly drugging and sexually assaulting former Temple employee Andrea Constand at his Elkins Park, Pennsylvania mansion in January 2004, according to People magazine.

A press conference is imminent.

If Cosby is arrested and arraigned it will bring some satisfaction to the dozens of women who’ve come forward in the last year or more. The formerly beloved comedian has turned out to be a Jekyll and Hyde who has just about a life long history of drugging and assaulting women. Their stories by now are well known.

It’s a very sad ending to what was a heralded life and career for Cosby. He became a role model and educator, a paragon of virtue as a family man and father. For his long time fans, Cosby’s implosion came as a shock.

More to come…

Aretha Franklin Steals Kennedy Center Honors TV Show with “Natural Woman”

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Watch this: Aretha Franklin stole the Kennedy Center Honors last night singing Carole King and Gerry Goffin’s “You Make Me Feel Like a Natural Woman.” Wow. The show was very well produced by the new team of Ricky Kirshner and Glenn Weiss, who took over for George Stevens Jr. after 37 years. Kirshner must have been very happy since his dad, the late great Donnie Kirshner, was the music publisher who gave Goffin and King their careers.

Trivia: Seiji Ozawa was honored for his years at the Boston Symphony Orchestra. John Williams — composer of the “Star Wars” music– succeeded him at the BSO. Weirdest thing of the night: Miranda Lambert singing the Eagles “Desperado” for no reason. The Eagles were supposed to have been honored but bowed out because of Glenn Frey needing surgery. There was no explanation. Huh?

But here is the Queen of Soul in all her glory. This sublime performance is absolutely historic and amazing.

Believe it Or Not: A Michael Jackson Court Case Is Going on Right Now in Los Angeles

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It’s hard to believe, but six and a half years after his tragic death, yet another court case involving Michael Jackson is going on right now in Los Angeles.

The case is billed as Qadree El-Amin vs. Michael Jackson Estate (John Branca, John McClain). Although she’s not named as a plaintiff, the person lurking behind this effort to extrude money from the Estate is Michael’s former p.r. lady and “manager,” Miss Raymone Bain.

When Tom Mesereau, Michael’s criminal attorney, fired her right before the jury decision in June 2005 for Jackson’s child molestation case, she called me. I was driving back to L.A. after another week in wonderful Santa Maria, California. I turned right around. Raymone, who’d ruled the roost, was out.

Yet she returned a year later, after Jackson’s self-exile in Bahrain and other places. She was his manager now, and would be until Tohme Tohne ousted her in a coup. The Raymone Era could take up its own book. She sued Michael for $44 million after he died. Well come on, why not? Ah, Raymone. She is a legend. She should get points for tenacity and perseverance.

El-Amin et al’s complaint, filed in May 2013– almost four years after Michael’s death-alleges that back in 2006 he, someone named Broderick Morris, and Bain’s assistant all contracted with Jackson to start a new company that would house all his film and recording projects. They have documents to prove it, they say.

Who is Qadree El-Amin? I have no idea, really. But from 1997-2013 he has about 20 cases in civil court. They range from breach of contract to a domestic dispute to a divorce. There’s also a paternity case and several Small Claims cases. Whoever he is, Mr. El-Amin is no stranger to L.A. Superior Court.

The complaint El Amin filed is full of mistakes in its timeline and generalizations about Jackson. I’m sure Howard Weitzman– handling the trial himself, I hear– is going to town on this stuff, as well as the omission of how Tohme got rid of Bain and how she wouldn’t let go. (Then, of course, Tohme wouldn’t let go.)There’s no jury, but the trial judge must be getting an earful.

By the way: My favorite part of the complaint is an exhibit– in which El-Amin et al add on their June 1, 2006 contract with Jackson. The agreement claim that Michael intends for his son Prince to become Chairman of this new company they all started together when the boy “finishes scoool.” Yes, that’s the way it’s written, just above Michael’s floating signature. LOL.

Good luck!

Watch Lady Gaga Perform Diane Warren’s “Til it Happens to You” 2015’s Best Movie Song

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Diane Warren wrote this amazing song, produced and tweaked by Lady Gaga, who performed it at the Billboard Women in Music event earlier this year. Warren’s been nominated for Oscars six times, but this time I think she’ll win. The song is from the documentary “The Hunting Ground” about campus rape.

Here’s Lady Gaga. Wait til she plays this on the Oscars. Through the roof, as they say.

Miley Cyrus’s “Sad Christmas Song” Has A Beautiful Melody– And Suitably Off beat Lyrics

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Miley Cyrus, working with the Flaming Lips, is getting more and more interesting as a songwriter. As a singer, she’s tops, just listen to her sing “Silent Night” in Bill Murray’s “A Very Murray Xmas” on Netflix. Gorgeous.

Her “Sad Christmas Song” has echoes of Aimee Mann. The lyrics– well, Miley has a sense of humor. She shows Santa her tits. And then there’s this coupling: My little sister says I’m the Grinch/But my mom thinks I’m just a bitch.”

Hannah Montana, where are you? The truth is, Miley is putting everyone on. But a serious artist is blooming.

]miley cyrus xmas song

“My Sad Christmas Song”

This is my sad Christmas song
I’ve had it stuck in my head all day long
I wrote it in the car on my ride home
Cause I knew I’d walk in the door and I’d be alone
Why’d I even put up that fuckin’ tree?
If there’s no one here that’s gonna see
Just how pretty she looks on Christmas Eve
Cause there’s no one here next to me

This is my sad Christmas song
So I light another bong
I turn on the radio
I binge watch our favorite shows
This year feels kind of lame
But the last one was the same
But the holiday spirit they say
Is taking off on a plane
This is my sad Christmas song
Fa lalalala

I always thought that Santa was kind of cute
There’s something about his beard, big belly, and boots
I left Santa more than cookies this year
I thought he might appreciate a few beers
That’s why I’m always on the naughty list
He said cause when I get drunk, I’m always showing my tits
He leaned in for a kiss and he got real near
I had to stop Santa and say “My true love ain’t here”

This is my sad Christmas song
So I rip another bong
I never been good at making plans
Next year, I’m gonna be with my man
My little sister says I’m the Grinch
But my mom thinks I’m just a bitch
Why did you have to go?
We were under the mistletoe
This is my sad Christmas song
Fa lalalala
Fa lalala

Missing you on fuckin’ Christmas, why did you have to go?
Wishing you a Merry Christmas, know I miss you so
Missing you on fuckin’ Christmas, why did you have to go?
Wishing you a Merry Christmas, know I miss you so

Wishing you a Merry Christmas
(Fa lalalala
Fa lalala)
Wishing you a Merry Christmas
(Fa lalalala
Fa lalala)
Wishing you a Merry Christmas
(Fa lalalala
Fa lalala)
Wishing you a Merry Christmas