EXCLUSIVE Lots of talk suddenly that Tom Hiddleston, so great in “The Night Manager” and famed as Loki from “Thor” and “The Avengers,” may play James Bond.

Of course, Daniel Craig still has the job, crabs a lot, gives nutty interviews as part of his negotiations, and usually comes back. So who knows?

My guess in Craig will return.

But Hiddleston is top of everyone’s list. In Cannes a couple of weeks ago I had a chat with the legendary and famed James Ivory of Merchant Ivory fame. Ivory has directed such great films as “Howard’s End,” “Remains of the Day,” and “Surviving Picasso.”

Now a vibrant 88 years old, Ivory told me he’s talked to Hiddleston about playing Shakespeare’s Richard II in a new film. Ivory would direct. He hasn’t made a movie since 2009, although he’s producing a couple of new ones.

Hiddleston has the potential to be the reincarnation of Sir Laurence Olivier. Working with Ivory on Shakespeare sounds ideal. Will it happen? And will this Richard II drink his martinis shaken or stirred? We’ll have to wait and see…

Meantime “Howard’s End” will get a big 25th anniversary tribute in August with a remastered new disc and a theatrical run. Don’t we miss Merchant Ivory films? I know I do. They hold up beautifully, too.

Disney, with their children classics, usually hit all the right notes both with their signature style and substance. But they got the aforementioned substance majorly wrong in “Alice Through The Looking Glass. ” It’s been six years since Tim Burton’s quirky, fun and clever “Alice in Wonderland.” Alas, time hasn’t been kind to this sequel, which opens this Friday. Directed surprisingly haphazardly by “Muppets” director James Bobin, and written equally so by Linda Wolverton, the film is unfortunately devoid of charm and whimsy and never seems to quite come together.

The actors are certainly game, returning veterans include Johnny Depp as the Mad Hatter, Helena Bonham Carter as the Red Queen, Mia Wasikowska as Alice, Sacha Baron Cohen as the Chronosphere from Time and Anne Hathaway as the White Queen. It was also lovely to hear the late Alan Rickman as the voice of the butterfly Abolsem as well as Stephen Fry as the Cheshire cat and Michael Sheen as the White Rabbit.

But even with all that uber talent, the film bottom line doesn’t work on many levels. The plot is basically this: Alice, years after her Wonderland adventure, is now a liberated, saucy sea captain who has traveled worldwide, comes home and faces the danger of losing her beloved home and ship. The film then majorly stumbles, as she transports through the Looking Glass to figure out a way to fix her problems and herself. She winds up back in time to an ethereal, magical world filled with colors and magic. But other than the superbly engaging visuals, the boring and most times incoherent plot, not to mention truly scary at times with it’s zombie and death scenes for the young ones, well the film simply never clicks.

The actors all seem to be in their own movies. To be fair, Bonham Carter does stand out with her over the top relish and Depp does hit some poignant moments in the last part of the film. Sacha Baron Cohen is committed, but unfortunately his accent, as well as some of the other actors’ thick caricature like accents, make them hard to understand. Lewis Carroll would not be pleased at with his beloved stories being squandered like this. Maybe best if our beloved Alice should go on a way long break.

PS “Alice” has a 30 on Rotten Tomatoes, which doesn’t bode well. Expect a big Saturday afternoon but a lukewarm weekend at the box office.

There’s no amber alert for chimpanzees, but maybe there should be. Tommy, the chimp who was at the center of a much publicized lawsuit over his rights and “personhood” last year, is missing.

Tommy is featured in an Oscar worthy documentary opening today in New York called “Unlocking the Cage” by Oscar nominee Chris Hegedus and lifetime Oscar winner DA Pennebaker.

Last night the film was screened at HBO (which will air it once “ULC” has a theatrical run across the country over the next few months) for a bevy of impressive filmmakers including Joel Coen, Nancy Biurski (“The Loving Story”) and Oscar and Emmy winner Karen Goodman.

Florida based attorney Steven Wise, who teaches at Harvard Law School, has devoted himself now to animal rights. With his Nonhuman Rights Project, Wise has become internationally known as an animal rights advocate. He sued in 2013 to have Tommy moved from a horrible cage in upstate Gloversville, New York to the beautiful Save the Chimps sanctuary in Ft. Pierce, Florida. Wise got the case all the way up to State Supreme Court in New York.

In the interim, Tommy was moved from his Gloversville cage to a roadside zoo in the Upper Peninsula of Michigan. Tragically, reports now are that Tommy has disappeared altogether. So far, there’s been no report of his death– which must be reported. Wise and his staff are now on a furious mission to find Tommy.

“A wealthy benefactor has even offered to buy him and bring him to Save the Chimps,” Wise told me last night. “But there may be issues there, too.”

“Unlocking the Cage” traces Wise’s transformation from a lawyer with a large full time human practice to an advocate determined to secure “personhood” rights for all animals. He is not a animal fanatic– he just has a cute dog. But he is insistent that- so to speak– every dog have its day.

Like all Pennebaker Hegedus Films, access here is mesmerizing as the filmmakers managed to get into places like courtrooms where cameras are never allowed. You get to see surprising and disappointing examples of how an appeals court is run by justices who you hope you’ll never have to depend on for human rights.

And where is Tommy? The hunt is on. Believe me, once you see the chimps featured in this film you’ll want them all moved to Save the Chimps by federal decree.