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Forest Whitaker Producing New York 80s Hip Hop Feature “Roxanne Roxanne”

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The Real Roxanne? In the 1980s she was everywhere.

Now Forest Whitaker is a co-producer of “Roxanne Roxanne,” a feature about the Roxanne hip hop wars of the 1980s in New York.

Michael Larnell will direct, and Whitaker is joined by Nina Yang Bongiovi, Mimi Valdés, and Erica Brady.

The story is all about 14 year old Roxanne Shante, who become a hip hop superstar. In her circle, and in the movie, will be actors playing Kurtis Blow, Biz Markie, a young Nas, and many other hip hop pioneers.

The real Roxanne was a girl named Lolita Shante Gooden, who became Roxanne Shante and recorded a response record to UTFO’s famous B side rap single “Roxanne Roxanne.” A bunch of answer records followed SHante’s “Roxanne’s Revenge” including another single called “The Real Roxanne” by a girl singer named Adelaide.

None of this had anything to do with the Police hit, “Roxanne.” But it did spawn an industry in early hip hop. Some say there were around 100 Roxanne response records. Done properly, this could be a funny, clever movie about the pioneer days of hip hop. It could be the “Straight outta Compton” for New York.

Micky Dolenz on The Monkees Hitting Number 1 50 Years Later: “Fooled ’em again!”

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Micky Dolenz, Peter Tork, and Rhino Records are flabbergasted to say the least. The Monkees’ new album “Good Times!” is still number 1 on amazon.com’s CD chart six days after its release. It’s also a respectable number 22 on iTunes.

The Monkees are in high resurgence. They sold out Town Hall in Manhattan last night, attracting fellow 60s stars Gene Cornish of the Rascals and Mike Love of the Beach Boys. The crowd skewed older but there were plenty of young people. Earlier, my 25 year old waitress at Joe’s Pub (where I saw Bebe Buell rock the crowd at Women of Letters) said to me: “The Monkees? I love the Monkees!” Huh?

If only Davy Jones were alive to see all of this. Mike Nesmith Skyped into the show last night, which he may do on future dates. (His mother invented Liquid Paper– say no more. He doesn’t have to tour.) But Micky and Peter have a terrific band, their videos are totally fun running behind them, and the boys– 70 years old now– don’t lack for energy. Micky’s sister Coco is the main back up singer, making it family affair.

The Monkees were really active from 1967-69. They had a two season TV hit, churned out a dozen top 40 songs, and then hit the wall with a dud movie and album each called “Head.” They were AWOL for the 70s and had a brief Renaissance in the 80s with a hit called “That Was Then, This is Now.” Micky and Davy each performed on Broadway and in touring stage shows. Davy died in 2012 at the young age of 66 from a heart attack. It looked like the Monkees were over.

Not so fast. Last fall, Adam Schlesinger of the Fountains of Wayne was approached by Rhino Records, where the Monkees catalog is parked. It was their 50th anniversary. Schlesinger rounded up some contemporary songwriters who echoed the Monkees’ songwriting bench from the 1960s– like Carole King and Gerry Goffin, Neil Diamond, Harry Nilsson, and Tommy Boyce and Bobby Hart. The new songwriters gave hits– short, punchy, full of hooks. And Schlesinger dressed them up to sound like modern Monkees.

Now the album is a hit. The Monkees will be touring all year and then go to Australia. In the show they do all the old hits, some new songs, and play along with Davy’s famous video for “Daydream Believer.” The audience sails out on a cloud of pop nostalgia. The set is 30 songs– THIRTY– with an intermission, and it never feels long.

I still love “Randy Scouse Git”:

Viva Monkees!

PS Yes we had drinks with Micky after the show– legendary DJ Jim Kerr was there too. Micky is shocked, the Rhino people are shocked, they don’t know what to say. Micky told me: “If we make the top 40 this week, I’ll be happy.” When the numbers are counted on Friday, “Good Times!” should be top 20. Wait and see…

 

 

Broadway: Barbra Streisand Presenting at Tony Awards– First Time On Show in 46 Years

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She’s back. After 46 years Barbra Streisand is coming to the Tony Awards. She’s going to be a presenter. But don’t be fooled. She’ll be presented Best Musical to “Hamilton.” She won’t be giving Best Scenic Design, that’s for sure.

Why is Barbra back? She’s trying to reconnect with the Broadway crowd in advance of making her movie of “Gypsy,” no doubt. Streisand is planning to make that Barry Levinson-directed project her piece de resistance next year. She wants the backing of the legit stage world. It’s a smart idea.

And “Hamilton”? It’s the biggest show since maybe “A Chorus Line.” Winner of countless awards. So the Queen returns and bestows the crowd. It’s a nice touch.

Johnny Depp’s “Alice” Falls Shocking $90 Million Behind Original 2010 Movie in First 4 Days

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The Johnny Depp disaster at the box office is much bigger than anyone thought.

“Alice Through the Looking Glass” has taken in just $33.5 million domestically since Friday.

That’s a whopping $90 million behind the 2010 original– “Alice in Wonderland.” By Monday of Memorial Day weekend, that movie had banked $125 million.

Let’s face it– the movie was a goner before news of Depp’s divorce and temporary restraining order from wife Amber Heard were known. It was a dog. But the studio expected it to make at least $10 million a day and finish with $40 million on Monday.

But the scandal ended that notion. “Through the Looking Glass” is a wipe out for Disney, even abroad. Around the world the movie has made $69 million. It hasn’t been released everywhere, but that is ONE TENTH of the total foreign box office of the original film. The first “Alice” did $691 million apart from the U.S.

How many HUGE disasters can Depp absorb? “The Lone Ranger” was also a total wipe out. And there have been plenty of others. Maybe he could make the movie version of his TV show “21 Jump Street.” Oh no, wait. There’s always the “Further Adventures of Edward Scissorhands.”

“Through the Looking Glass” looks like it will be a write off. All eyes will be on what’s certainly the last “Pirates” movie.

 

Cate Blanchett Making Her Broadway Debut This Winter in Husband’s Chekhov Adaptation

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Stop the presses. Cate Blanchett is finally coming to Broadway.

The two time Oscar winner will make her debut in an adaptation of Chekhov’s “Platonov” aka “Wild Honey” now titled “The Present.” Blanchett’s talented director husband, Andrew Upton, did the adaptation. John Crowley will direct. Stuart Thompson is the producer. The production comes from Upton and Blanchett’s Sydney Theater Company.

Blanchett plays Anna. The rest of the cast: Richard Roxburgh (Mikhail), Anna Bamford (Maria), Andrew Buchanan (Osip), David Downer (Yegor), Eamon Farren (Kirrill), Martin Jacobs (Alexei), Brandon McClelland (Dimitri), Jacqueline McKenzie (Sophia), Marshall Napier (Ivan), Susan Prior (Sasha), Chris Ryan (Sergei) and Toby Schmitz (Nikolai).

Previews begin on Saturday, December 17, 2016. The show opens on Sunday, January 8, 2017 at the Barrymore Theatre — the same night as the next Golden Globes. The limited engagement continues only until Sunday, March 19, 2017.

Tickets are going to sell out immediately. Some of us have been lucky enough to see Blanchett either at BAM (“Streetcar Named Desire”) or City Center (“The Maids”). She is just as good as she is on film if not better. So hold on. Big stuff for the New York stage!

 

 

Ringo Starr, Justin Timberlake Among Cameo’s in Bieber-Like Andy Samberg “Popstar”

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Funny guys Andy Samberg, Jorma Taccone and Akiva Schaffer talked up their new film, “Popstar: Never Stop Never Stopping,” with a small number of selected press last week.

The trio’s parody doc chronicles the saga of boy band the Style Boyz, and the ups-and-downs of lead singer Connor4Real (Samberg). An outsized ego, Connor strikes out on his own, rupturing relationships with his childhood pals and fellow boy band members (Taccone and Schaffer), while at the same time contending with a career that takes a nosedive as his sophomore solo album tanks and fans turn on him.

Produced by Judd Apatow, Taccone and Schaffer wrote and directed the movie parody, which is also co-written by Samberg. Samberg brandishes Justin Bieber-like tattoos and outfits, and the film is obviously inspired by the similarly named Bieber doc, “Never Say Never.”

The Lonely Island parody rappers are Berkeley natives and pals since roomies in their 20’s. Career-wise they collaborated on many successful shorts, including “D**k In a Box” with Justin Timberlake (who makes a notable appearance in “Popstar”), “Lazy Sunday” and “I Just Had Sex.”

The opening and undiplomatic question from a reporter was whether as roommates it was obvious Andy was going to be the star of the group?

 Also, when they decided to do the movie about the music business what they felt they could contribute that hadn’t necessarily been done before?

 To the first question, Samberg said, “Thank you for asking that.”

“The first question is very easy,” said Taccone.

“Absolutely, I mean, look at him, he’s gorgeous and multitalented,” added Schaffer, pointing to Samberg.

“We couldn’t walk down the street without strangers stopping us, ‘who is your friend? Who is this handsome hunk of a man, this Fabio-type, beautiful singing voice?’” Taccone said.

Noted Schaffer, “We were 21, 22 years old in L.A. like everybody else, and weren’t expecting anybody to be the star.”

As to what made “Popstar” added to what’s out there about the music industry, Samberg replied, “We felt like was fun to sort of play around with is how much social media and media and the number of outlets that exist nowadays has changed the landscape of the music industry. And from like what is expected of an artist, or what they give up of their own personal life, or how real that is, and the sort of relationship that musicians in the pop world have with their fans now, and how genuine or for the sake of career that is, and how it affects their actual friendships and relationships in their lives.”

Asked whether they favored New Kids on the Block or Beastie Boys in how they portrayed Style Boyz, and who they actually listened to, Schaffer said, “None of us can actually sing, so we’re always gonna favor Beastie Boys, but that’s our personal preference, that’s what we grew up with.”

“That’s definitely what we listen to, also,” said Samberg. “Nothing against New Kids OTB, Joey McIntyre’s got the voice of an angel, we all know that.”

On another track, a reporter asked what was key to their long-lasting friendship?

 “We’re gonna let Kiv handle this one,” Jorma replied

“Honesty. Communication” – and all three said in unison – “keep it interesting in the bedroom. You have to.”

“Put on a wig, put on a little teddy,” said Andy.

Jorma: “Whatever works.”

Akiva: “So to speak.”

Jorma: “And safe words are very important.”

Asked about Justin Bieber and how he comes to mind when viewing the Connor character, someone noted the movie actually gives you empathy for Bieber and how he has to deal with fame and media. How do they think he would feel about the film?

“We definitely empathize with Justin,” Samberg said, “and are friendly with him. We’ve worked with him a few times and think he’s a good guy, and we respect his music a lot actually. There are a couple direct references, obviously, to his documentary, because we just felt like they were funny jumping off points for a crazier joke. And the title of the movie obviously feels of kind of like his title, which makes it seem like it’s a lot more about him than we intended, I think, but yeah. We hope he likes it, and we feel like the character of Conner is really an amalgam of everything that’s going on in the world of pop music and rap music for that matter.”

“Popstar” features a notable roll call of cameos by big-name pop stars, including Mariah Carey, Ringo Starr, Justin Timberlake and a few that the trio asked reporters not to reveal. How did they get them onboard?

“All kind of ways,” said Samberg. “Some of them were people we worked with before so we would just call them, or email them. Some we did through reps, some people like Ringo Starr, Judd Apatow was the one who called.”

Jorma added, “We don’t have his number.”

“Yeah, we don’t have Ringo on speed dial,” Samberg said. “But yeah, we just sort of cast a really wide net and had a huge list of people we would love to be a part of it and we were actually really fortunate, a lot of them said yes – clearly, a ton of people.”

Since 2013 Samberg has been married to musician Joanna Newsom. Asked whether they ever considered doing a musical collaboration, Jorma cracked, “Oh yeah, why don’t you ruin her career?”

“ I think that her fan base would probably be pretty disappointed in that. And Rightfully,” said Samberg dolefully.

“As fans of her work, I’d say that we would also be pretty disappointed,” Jorma added.

So is there going to be a follow up to Popstar, I asked Samberg after the press conference?

“We’ll see,” he told me.

Jorma added, “That’s up to America.”

The Universal Pictures feature opens June 3.

Photo c2016 Showbiz411 by Paula Schwartz

Donald Trump: Until Today, He Gave Only $21,000 to Veterans Groups in Last Three Years

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Until this mishegos today with a press conference and buffoonery, Donald Trump was not a supporter of veterans groups.

As I wrote several times this winter: in the last three years, Trump donated only twenty one thousand dollars to vet groups.

Only in the last few months with his presidential run did Trump come up with this scheme to raise $5.6 million for vets. And today he finally had to give details.

But prior to this: nothing. And The Eric Trump Foundation: nothing.

Until today, most of the money for the Trump Foundation came from a ticket scalper.

He slashed his charitable giving in 2014.

Read the stories. These are facts based on numbers supplied by the Trump Foundation.

Jay Z’s Tidal: Pay for Nicki Minaj “Movie” That’s Already Officially Free on Vevo

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Jay Z’s Tidal service is offering a Nicki Minaj “movie” today. To see it, you have to get a Tidal subscription.

But Nicki’s “Pinkprint Movie” is on the web for free on Vimeo. It’s already had over 11 million views. You can watch it here:

Mia Farrow Once Defended Roman Polanski as “Loyal Friend, Brave…Brilliant” Says Woody Allen Defender

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Robert Weide is defending Woody Allen this morning against the ridiculous essay published by his biological son, Ronan Farrow, a couple of weeks ago. Weide is the award winning director of Larry David’s “Curb Your Enthusiasm.” He also directed a two part documentary about Woody for PBS and wrote a defense of him for The Daily Beast. 

His letter is called “Hard Questions for Ronan Farrow.”

Weide is properly outraged by Farrow’s ambush of Allen in the Hollywood Reporter on the day “Cafe Society” opened in Cannes back on May 13th.

Weide notes that Farrow’s mother, actress Mia Farrow, defended Roman Polanski when he was arrested for rape of an underage girl in 1978.

Mia– Weide notes– wrote: “[He’s] a loyal friend, important to me, a distinguished director, important to the motion picture industry, and a brave and brilliant man, important to all people.”

Mia Farrow, Weide points out, never reached out to Polanski’s victim, Samantha Geimer. She’s also never spoken about her own brother, who is in jail serving time for molestation of young boys. Weide also points out that Moses Farrow, Ronan’s brother, accused Mia of beating him.

Weide is also outraged that Ronan Farrow dragged Bill Cosby into the argument. Cosby has 50 or more accusers. Woody Allen has only had one, and the court decided that there wasn’t enough evidence to proceed in a case. Woody was never charged with or tried for any crime– because the crime didn’t exist.

Weide writes: I read your recent article for the Hollywood Reporter, in which you hold the media accountable for giving your father a pass, and not asking him “the hard questions.” I found the piece to be disingenuous, irresponsible, and even dangerous. You and your mother have both asked that the press continue to hold Woody Allen’s feet to the fire in the name of “women everywhere” and “all abuse survivors.” But there is plenty of evidence to suggest this isn’t really your primary concern.

Good work by Weide. It’s time to gain a little sanity here.

Jane Fonda on Relationships: “It took me 72 years to realize kindness is a good thing to look for”

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Emmy season is upon us, which means Jane Fonda and Lily Tomlin are back in the mix with season 2 of “Grace and Frankie” on Netflix. The dramedy was in the Emmy comedy section last year, but it’s a hybrid for sure. In the first episode of the new season, Fonda and Tomlin have a priceless scene with a rabbi (one of the funniest things on TV this year) followed by a wedding scene that is heartbreakingly poignant. All four leads– Fonda, Tomlin, Sam Waterston, Martin Sheen– are at the top of their games.

To recap: Tomlin was nominated for an Emmy last year. Fonda was then nominated for a Golden Globe in for her role as an aging actress in Paolo Sorrentino’s “Youth.” Tomlin also had a hit movie last year with “Grandma” and two Globe nominations. Fonda has two Oscars. Whew! With “Grace and Frankie” already slated for its third season, she and Tomlin will be working for a long time.

In April, Fonda and Tomlin premiered the first episode (the whole season is on a par with the best of “Brothers and Sisters” or “The Good Wife) at the Tribeca Film Festival in a Q&A moderated by Gayle King.

Chatting, bickering, japing, with one another, the stars fielded questions on aging, women in the industry, careers, lovers. “This is how it is on the set,” they assured a packed audience. 

 

The episodes screened featured the two women coping with Martin Sheen’s character having a heart attack on the eve of his wedding to Sam Waterston’s character. To catch you up, the two men had been married to Grace and Frankie, so they’re all family, so to speak.

Episode 1, Season 2 features a pre-op wedding officiated by none other than Frankie. Speaking about how they got this going, the show runners came and asked them how they felt about working with each other. After all, they co-starred in “9 to 5.” There was no script. They wrote the script after. “We live the scripts,” said Tomlin. “If it says we get friendly, we get friendly.”

“I didn’t get it at first,” said Jane. “Yeah, she thought she was an aging Barbarella,” quipped Lily, and so it went for the next hour. “Grace could not have ended up with someone as perfect as what she needed as Frankie,” said Jane.

What about age? Gayle King is 61, Jane says, “Those of us who have celebrity should just say it. I’m 78. I’m 76, said Lily.”

Lily: We’re on the dark side of 70. You get to play love scenes. I don’t get to have a love scene, said Lily. We get to have DVO, what’s that? Deep Vaginal Orgasm.

Jane: There were no good old days. It’s right now.

Lily, looking back: “Laugh-In” I got famous. Ernestine.

Sam came out to say he thought the women are being cheated as far as pay. They all get the same. But Jane pointed out, we get the back end, which I don’t think the men do.

Gayle asked Jane: What made you come out of retirement?

Lily: That has to do with your marriage to Ted Turner. I was at the nuptial party where you made that speech.

Fonda: It is unusual coming back when you are 65.

Gayle to Fonda: Uou still feel nervous?

Jane: Yes at the end of season one I got an acting coach and went into therapy. If we’re screwed up, it is really hard to act well.

Lily: She doesn’t think she’s funny. I told her we are not doing comedy. We are doing dramatic life.

Fonda: I come from a long line of really depressed people. This one [pointing to Tomlin] has a funny bone. I like to hang around her so I can see through her eyes.

Lily: I feel that about Jane. I got a Klute hairdo well after she let hers grow.

Fonda: Martin is a diplomat, very Hispanic. Sam is very erudite, not since Gregory Peck have I seen that.

Gayle: Jane, how is your love life? [Lily has been with partner/wife Jane Wagner for 45 years.]

Jane: It took me 72 years to realize kindness is a good thing to look for. I am extremely grateful. [Fonda has lived with famed record producer Richard Perry for six years.]

Lily: I had to make up characters. Jane was a star at 19, with pressure on women to have a certain sensibility. I did not have the same kind of battles because I was a comedian. Bob Altman gave me the part in “Nashville” [for which she was Oscar nominated in 1975].

Gayle: Where would you like to see these characters over time? They seem co-dependent. We’d love you to be lovers.

Jane: I’m told she’s a really good kisser. I would like to see Grace not need a man in her life, capable of intimacy, maybe with one of her children. And take care of Frankie.