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Pop: Meat Loaf is Cooking Up a New Album for September with Jim Steinman

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First the Monkees, now Meat Loaf.

The 1970s King of Bombast, Meat Loaf, or as the New York Times called him “Mr. Loaf,” does not go away. He’s still looking for Paradise by the Dashboard Light.

Mr. Loaf and his composer, Jim Steinman, have a new album coming September 16th on 429/Savoy Records. It’s called “Braver Than We Are” and features a reunion of Ellen Foley and Karla DeVito, who sang on the original “Paradise” hit.

Steinman, of course, is also known for writing Bonnie Tyler’s great hit “Total Eclipse of the Heart” and Celine Dion’s “It’s All Coming Back to Me Now.” Meat Loaf is also famous for having been in the “Rocky Horror Picture Show.”

Here’s the track list.

  1. Who Needs The Young
  2. Going All The Way
  3. Speaking In Tongues
  4. Loving You Is A Dirty Job
  5. Souvenirs
  6. Only When I Feel
  7. More
  8. Godz
  9. Skull of Your Country
  10. Train of Love

NYC: What It’s Like to Witness an NYPD Office Humiliate a Young Black Professional

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You hear about it. You read about it. But you don’t always get to see it. Last night (Wednesday, June 22) I got to witness what it’s like when an NYPD officer humiliates, embarrasses, and I would say profiles a young black professional for no reason. It wasn’t pretty.

Time: a little after 11pm. Coming out of Du Jour magazine’s premiere party at the Top of the Standard on Gansevoort Street for the TV series “Power.” My friends I notice a scene coming together on the east side of the street. Two uniformed undercover cops have jumped out of a Crown Victoria yellow cab and are berating a young black man, maybe early 30s, dressed in a nice suit. He’s got a pretty young white woman with him. They have also come from the party.

What’s going on? The married couple– Nathan Francis, who has his own financial firm, and Caitlin McDonough, who works for the Plaza Hotel Sahara Group– were trying to get a cab. As McDonough told me later, they were split between calling Uber and hailing a cab. The taxi Francis wanted was blocked by another, and Francis waved that one away on the busy two-way block. McDonough says he yelled to the cab to “chill out” as they debated calling an Uber. He was standing in the street like most New Yorkers in the same situation.

The cops– whom Francis did not realize were undercover in the cab– jumped out. And that’s when the trouble started. Instead of comprehending everyone had made a mistake, the cops threaten to issue Francis a summons. For what exactly, we wanted to know?

McDonough told me later that the lead officer, named Mencarelli, badge 1113, told Francis he’d be cited for at least six things including public intoxication (like us, they’d each had a glass of Champagne at the party), being a public nuisance. and harassing his own wife. There was some talk of “jaywalking” (which to a New Yorker is the funniest word in the English language). McDonough said the cops told Francis, “Something could happen,” implying something serious. All this for trying to hail a cab. While being black.

This was the point where our group intervened, informing Officer Mencarelli and his partner that Francis had done nothing wrong, and that they ought to re-think their approach. This seemed like racism to me, and I said so. (I also told Mencarelli that I was a journalist and knew Commissioner Bratton– haha, all of this meant zip.) What it really seemed like was an unnecessary effort to humiliate or embarrass the only black professional on the block in front of his friends, colleagues, and wife.

Nothing we said to Mencarelli registered. Instead he drew Francis away from us to speak to him without witnesses. “He told Nathan he’d be investigated for 12 months,” McDonough told me on the phone later. “I know he didn’t issue him a summons in the end because you guys were there. His partner was freaking out.”

Mencarelli’s partner filmed the proceedings on a smart phone. I hope the NYPD takes a look at it this morning.

Francis is a native of Westchester County and a graduate of the University of Arizona. Not that that matters. He’s a law abiding American citizen. And he was treated shamefully by an officer of the NYPD last night, with plenty of people watching. The cop simply didn’t care.

They owe the Francises an apology. A public one.

HBO Cancels Mick Jagger Martin Scorsese Vinyl After 1 Season

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HBO has canceled Vinyl After one season. The Mick Jagger produced series with Martin Scorsese had been renewed for a second season early. But ratings were terrible and the show never came together. The hope was for a water cooler show like Game of Thrones. But characters and plots never developed. A few months ago head writer Terrence Winter w
as replaced. It was all downhill from there. I’m sorry for the cast particularly Bobby Cannavale and Ray Romano. They did great work.

Independence Day Movie Ad Site: Murdoch’s NY Post Attacks His 20th Century Fox Studio

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Maybe Rupert Murdoch needs to come back.

His New York Post just attacked his 20th Century Fox over an ad campaign site for “Independence Day: Resurgence.”

The Post feature, posted at 3:06pm this afternoon, is claiming the Fox site for “IDR” is insensitive because you can blow up buildings like the World Trade Center and other famous terrorist targets around the world.

The Post article says they reached out to 20th Century Fox publicists and got no comment. They’re in the same building!

Here’s_a_poorly_thought_out_ad_campaign_New_York_Post_-_2016-06-22_15.43.54Click on the picture to see most of the article, which was Tweeted out by Post film critic Lou Lumenick.

These ad execs clearly spaced out when they came up with this campaign.

A new interactive Web site for the movie “Independence Day: Resurgence,” out Friday, allows users to type in any world address and view the aftermath of apocalyptic alien attack.

Called “Independence Day: My Street,” the feature, which utilizes street-level images, seems harmless at first glance. An Entertainment Weekly headline says, “ ‘Independence Day’ Web site turns your street into a smoldering crater.”

That is true. Watching your tony suburban block be destroyed by space invaders is all good fun — until you discover the many careless holes in the program.

Type in “1 World Trade Center” and the user will be confronted with an upsetting image of a battered downtown New York City that resembles the 9/11 terrorist attacks.

While the World Trade Center, the site of the largest terrorist attack ever committed on American soil, got through the cracks, some spots have seemingly been blocked by the site’s creators.

Locations that elicited a “not found” so far in The Post’s searches include La Guardia Airport and Pulse Nightclub in Orlando, Fla., where 49 people were shot and killed on June 12.

Wow. If they didn’t like the ad campaign, they’re not going to like the movie. Fox/NewsCorp whatever it’s called could use a hit this weekend.  “IDR” is currently rating a 45 on Rotten Tomatoes.

Tony Awards: Reveal of Nominating Committee Members May Explain Annual Hollywood Star Boycott

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Now that the theater season is over. a new one must begin. And so the Tony Awards have announced the members of the nominating committee for 2016-17. New members include humorist and screenwriter Paul Rudnick, and writer-director Peter Hedges.

Funny: the actors on the committee are people you’ve never heard of– Adrian Bailey, Harvey Evans, Jessica Stone, Jessica Molaskey. The only one who’s got name recognition is Debra Monk. No wonder Hollywood names do so poorly at nominating time. Where are all the big Broadway stars? Why aren’t they on this list? With Sally Field and a boat load of new Hollywooders coming this fall and next winter, this should be interesting. 

The next announcement will be the name of William Ivey Long’s successor as head of the American Theater Wing.

The 2016-2017 Nominating Committee includes:

  • Adrian Bailey – Actor
  • Victoria Bailey – Executive Director, Theatre Development Fund
  • Luis Castro – Media and Entertainment Executive/Producer**
  • Hope Clarke – Choreographer
  • Paul Cremo – Dramaturg/Director of Opera Commissioning Program, The Metropolitan Opera
  • Patricia Cruz – Executive Director, Harlem Stage/Aaron Davis Hall, Inc.**
  • Trip Cullman – Director
  • Edgar Dobie – Executive Producer, Arena Stage – Washington, DC**
  • Scott Elliott – Director/Artistic Director, The New Group**
  • Harvey Evans – Actor
  • Sean Patrick Flahaven – Writer/ Composer/Orchestrator/ Conductor/Producer
  • Paul Gallo – Lighting Designer
  • Jenny Gersten – Former Executive Director, Friends of the High Line
  • Daniel Goldfarb – Playwright, Bookwriter
  • Sam Gonzalez – Dir. of Operations, Pfizer Medical/Board of Trustees, Playwrights Horizons
  • Adam Gwon – Composer/Lyricist
  • Roy Harris – Production Stage Manager
  • Peter Hedges – Writer**
  • Jack Hofsiss – Theatre, Film, Television Director
  • Mara Isaacs – Founder and Director, Octopus Theatricals, LLC**
  • Lou Jacob – Director at the New School for Drama
  • Anne Keefe – Associate Artist, Westport Country Playhouse**
  • Tom Kitt – Composer, Lyricist, Bookwriter
  • Fran Kumin – Consultant, Perf. Arts Organizations/Foundations/University Theatre Programs
  • Michael John LaChiusa – Composer, Lyricist, Librettist**
  • Kate Levin – Cultural Assets Management Principal, Bloomberg Associates
  • Reynold Levy – Former President of Lincoln Center for the Performing Arts
  • Patricia Marx – American Humorist and Writer, Former Television Writer
  • Jim McLaughlin – Former Producer, CBS News/TV Feature and Documentary Producer
  • Tony Meola – Sound Designer**
  • Jessica Molaskey – Actor**
  • Debra Monk – Actor
  • Roger Morgan – Lighting Designer, Theatre Designer
  • Laurence O’Keefe – Composer
  • Katherine Oliver – Media and Technology Principal, Bloomberg Associates
  • Christian Parker – Chair, Graduate Theatre Program, Columbia University
  • Paige Price – Actor/1st Vice President of AEA/Executive Artistic Director, Theatre Aspen
  • Ravi S. Rajan – Dean, School of the Arts – SUNY Purchase
  • Paul Rudnick – Playwright, Novelist, Screenwriter, Essayist**
  • Susan H. Schulman – Director/President, Stage Directors and Choreographers
  • Mikki Shepard – Executive Producer, The Apollo Theatre**
  • Warner Shook – Director
  • Ellen Sorrin – Director, The George Balanchine Trust**
  • Jessica Stone – Actor/ Director**
  • Edward Strong – Producer
  • Wynn Thomas – Production Designer
  • Jose Antonio Vargas – Journalist/Filmmaker/Founder of Define American **
  • Jennifer von Mayrhauser – Costume Designer
  • Tom Watson – Retired Executive, Television Advertising
  • Preston Whiteway – Executive Director, The Eugene O’Neill Theater Center
  • Evan Yionoulis – Director**

**Denotes new Nominating Committee Member

Pop Sales: Kanye West’s “Life of Pablo” Is Lowest Seller of the Year Thanks to Bad Decisions

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The numbers are out for the first half of 2016 on the pop charts. Drake is the leader so far in sales and sales-plus-streaming according to hitsdailydouble.com.

But the loser by far was Kanye West.  His “Life of Pablo” was so botched by bad decisions and marketing that he sold only 30,000 CDs and physical downloads. Ouch! Adding streaming to his total brought him only to 339,000. “Pablo” is the lowest selling album of the top 25 since January 1st.

Also of note: Prince had almost no streaming thanks to his own decision to pull out of it before his death. Once he died, he sold 1.3 million albums but still had no streaming. I guess since he’s dead and has no children or a wife it doesn’t matter now. But his siblings will no doubt ask the new administrators of his estate to fix that situation pronto.

Adele sold only 1.6 million albums since January 1st. Between mid November and the end of last year– the time from the release of “25”– the frenzy around her moved something upwards of 7 million units. Once things calmed down, the novelty was more subdued. And Adele also had very little streaming since wouldn’t put that album on Spotify and other services.

Taylor Swift also suffered from lack of streaming.

But poor Kanye. “Life of Pablo” was good. But he continues to hang himself from his own petard, as it were. A total mess. No wonder he’s complaining about financial problems. I hope his weird beige clothing is making him some money. 

 

TV: Showtime Series “Billions” Seeks First Ever Non-Binary Actor for Recurring Role

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EXCLUSIVE You know, I love “Billions” on Showtime. The Brian Koppelman-David Levien drama stars Paul Giamatti and Damian Lewis.

Now, for the second season, “Billions” breaks new ground. They’re looking for a non-binary actor.

A new character called, Taylor, I am told, is described in casting notices around town “as any ethnicity, Female-born Gender Non-binary (Please Google ‘Gender Non binary’ if you don’t know what it is). Early 20s. Brilliant grad student, smartest person in every room. Recurring Role. Multiple episode arc. Must be available and living in New York City.”

Where else would they be? When I read it fast I thought it said granary, and this was a gluten free thing. Alas, it’s something else.

According to the interweb:

Non-binary gender (see also genderqueer) describes any gender identity which does not fit within the binary of male and female. Those with non-binary genders can feel that they:

  • Have an androgynous (both masculine and feminine) gender identity, such as androgyne.
  • Have an identity between male and female, such as intergender.
  • Have a neutral or non-existant gender identity, such as agender or neutrois.
  • Have multiple gender identities, such as bigender or pangender.
  • Have a gender identity which varies over time, known as genderfluid.
  • Have a weak or partial connection to a gender identity, known as demigender.
  • Be intersex and identify as intersex, know as amalgagender
  • Have a culturally specific gender identity which exists only within the culture they or their ancestors belong to.
  • Otherwise feel that their gender is neither fully male nor fully female.

Well. It means neither female nor male. “Billions” is cutting edge, and I fully expect it to receive a lot of Emmy nominations. That last episode of season 1 is still seared in my memory. Can’t wait to see what’s next!

 

Reviews for “Independence Day: Resurgence” Trickling In, And They’re Not Good

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Believe me, I take no pleasure in this news. I loved the original “Independence Day.” I saw it like three times in one week with different people. But that was 20 years ago. In a far off galaxy…

Now the reviews are coming in for the $200 million sequel “Resurgence” and they are not good. They are indifferent to bad with a few
“mehs” as well. Rotten Tomatoes assigned a positive ranking to what seems like a pan from Time Out London, so we’ll have to take those numbers with a pinch of salt.

But the Guardian’s Peter Bradshaw says it’s a “planet-smashingly boring sci-fi sequel.” Most of the early reviews agree the cast is bland and undistinguished. No one can figure out how Brent Spiner’s character is alive when he clearly died in the original.

More reviews tomorrow. Look, there’s not much competition this weekend. “IDR” should be have a big launch. But it will have to make most of its money upfront, and pray that people in non English speaking countries will go for the action and special effects.

PS This may be the reason why there was never another “Starship Troopers,” also one of the great gems of sci fi kitsch.

Jeff Garlin: “Curb Your Enthusiasm” Won’t Be Ready to Shoot Until After New Year”

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Jeff Garlin of ABC’s “The Goldbergs” and HBO’s “Curb Your Enthusiasm” fame was just one of the celeb guests Monday night when the Museum of the Moving Image toasted NBC’s Seth Meyers and Netflix chief Ted Sarandos. I’ve been to dozens of events for the Museum over the years, and this had to be the best. Garlin did his stand up comedy routine and ‘killed’– he was Don Rickles level, side splitting old fashioned funny, using Meyers and good natured guest Ashton Kutcher as his foils, and he was sublime. I wish someone had taped it, it was that good.

Garlin did tell me after the show a couple of things about the recently announced 9th season of “Curb.” “It won’t start until after the new year,” he said. “Larry’s writing it now.” He also told me he has no idea who will be in it. “I’m not even signed for it,” he said, adding, “But I know I’ll be back.” Garlin has a clause in his “Goldbergs” contract that allows him to continue with “Curb” no matter what.

The annual dinner at the St. Regis Hotel small ballroom turned out to be a lot of laughs. For once the opening comic, this time Michelle Wolfe, was laugh out loud funny. And the shtick from the presenters– including Kutcher, who has a new show coming on Netflix, and Uzo Aduba, star of Netflix’s “Orange is the New Black,” was sensational.

Meantime, there were two TV show reunions in the room– Carol Kane of “Unbreakable Kimmy Schmidt” brought Tony Danza as her date– hence a “Taxi” reunion. And Laura Prepon, who came late (she’s on “Orange”) reunited with “That 70s Show” buddy Kutcher. There were also terrific speeches from CNN’s Jake Tapper and Sony Pictures Classics’ Michael Barker, who is the current co-chair of the museum.

There was a moment of silence for the Orlando victims, and Sarandos — who’s revolutionized TV with shows like “Orange,” “House of Cards,” “Grace & Frankie” — talked about Anton Yelchin, who died tragically yesterday. (Yelchin was working on Netflix’s “Trollhunter” animated series.)

But it was otherwise an upbeat evening and I got to hang with one of my favorite people, Nicole Avant, aka Mrs. Sarandos, daughter of famed Hollywood exec Clarence Avant, and a major West Coast Democratic supporter. She also has a whole family of characters named for her on CBS’s “Bold and the Beautiful.” How’s that for famous? I also met Charlie Cox (he plays Daredevil on Netflix but is off Broadway right now), and obsessed over the very cute Lea Delaria (among the many “Orange” cast who showed up).

Meyers, by the way, noted the absence of his friend and producer Lorne Michaels, who received the MMI Award several years ago. “But I’m younger now than he was when he got his,” Meyers cracked. “So now I can always say, you were how old when they finally gave that to you?”

PS Jeff Garlin joked that he’s never been invited on Seth’s late night show, which got a lot of laughs. But they made a date for next January, when Garlin’s Netflix series, “Handsome,” debuts.

 

 

 

Is Anna Wintour’s Super Expensive Met Ball Causing Job Losses, Cost Cutting at Museum?

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The Metropolitan Museum of Art has just announced it’s laying off three top execs. They are Cynthia Round, the museum’s senior vice president for marketing and external relations, and Susan Sellers, head of design, as well as chief digital officer, Sree Sreenivasan.

The museum is facing a $10 million deficit, they say.

And yet I reported back in May that Anna Wintour’s annual Met Ball for the Anna Wintour Costume Institute has costs that run close to $4 million a year— separate from tax deductible contributions to the museum.

I don’t know what the other two are paid, but according to the Museum’s 2014 Form 990 (the most recent available, which is really for 2013), Round was getting $225,000. That was nothing compared to Chief Investment Officer Suzanne Brenner ($1.4 mil) or Deputy Investment Officer Lauren Meserve ($1.1 million) or Director and CEO Thomas Campbell (about $1.2 million).

metball 2012But at least those people have something to do with art at the museum. The Met Ball– which was like a Halloween parade this year– has really become an act of ego. And the $3 million plus costs are certainly contributing to that $10 mil deficit.