Mel Gibson is done in Hollywood. Don’t let what anyone says fool ya.

His new release, “Dragged Across Concrete,” is in stealth mode. It’s playing in a handful of cities, but not really. Check your local listings. You won’t be able to find it. Even if you did, could you sit through it? “DAC” is 2 hours, 40 minutes. That’s THREE Hours in the theater including bathroom and soda breaks.

“DAC” has a 75 on Rotten Tomatoes, it’s described as a violent pulp thriller. Vince Vaughn co-stars. Summit, which used to be a real company and is now just an arm of LionsGate, isn’t reporting box office statistics. That’s because there aren’t any.

“DAC” is in one theater in Manhattan, one in Chicago, two in Dallas, one in LA. It’s not playing in most places, including all of Detroit.

The plan is to get it to video on demand services within the month. And pretend like it never happened. Maybe there’s a market for it abroad.

But Summit knows, very few people want to see a Mel Gibson movie, and certainly not one that’s violent. Also, according to reviews, Gibson and Vaughn’s characters aren’t sparing when it comes to spewing vitriol.  Here’s the official description:  “The script centers on two policemen, one an old-timer, the other his volatile younger partner, who find themselves suspended when a video of their strong-arm tactics become the media’s cause du jour. Low on cash and with no other options, these two embittered soldiers descend into the criminal underworld to gain their just due, but instead find far more than they wanted awaiting them in the shadows.”

Three hours of that? No thanks.

Jordan Peele is on a roll. UPDATE

His horror satire, “Us,” scored $7.4 million last night in previews. It’s on track for a $60 million weekend.

Peele’s last movie was “Get Out,” which made $176 million and garnered Oscar nominations. It won a lot of awards as well.

Peele has tapped into a market no one knew existed: social satire served in frighteningly scary movies. Everyone who’s seen “Us” says a lot of the movie has to be watched with hands over face.

If the box office soars above $60 million, the response is going to be insane from the press. I’d get tickets now, just to be safe.

French TV audiences didn’t clamor for “Leaving Neverland.”

According to reports from Paris, the controversial documentary scored 1.8 million viewers its first part, and 1.1 million in its second part.

That’s about equal to what it did in the US. Audiences have not been excited to hear stories about Jackson as an alleged pedophile. There have also been reports of the documentary being edited for foreign territories as more and more discrepancies are noted by fans.

One such fact problem is when Mrs. Safechuck declares that she “danced” when she heard Michael Jackson was dead. She was thrilled he couldn’t harm any more children. But Jackson died in 2009, and the Safechucks say Jimmy only realized he’d been molested in 2013. So that doesn’t work at all.

Fan sites and Twitter accounts are brimming with such information. Many of Wade Robson and Jimmy Safehuck’s stories don’t line up with actual events they say they attended.