An A list crowd turned out last night at the Whitby Hotel on West 56th St. for Avi Belkin‘s powerhouse documentary about “60 Minutes” legend Mike Wallace. The 90 minute film is as breathless as Mike was, revealing the crusading journalist’s many triumphs as well as his troubled times.

Despite his bravura public persona, Wallace suffered from depression in his later years. Belkin shows a stunning interview in which fellow “60 Minutes” correspondent Morley Safer asks Mike if he ever considered suicide. Wallace confesses that he actually tried it, with pills, and that he his wife, Mary, found him passed out and had to call an ambulance. (Wallace wrote about it in his memoir, but this was the first time he’d spoken about it.)

Belkin covers Wallace’s famed lawsuit with General William Westmoreland over his Vietnam story about the number of troops during the war (Wallace and CBS won when Westmoreland, who wouldn’t pull out of Vietnam, exited the suit in disgrace). The film also details Wallace’s famous lawsuit following a story about whistleblower Jeffrey Wigand (which became the great Michael Mann movie, “The Insider”).

Belkin misses some things to keep the movie at a reasonable length. But what he gets right is Wallace’s early career as a commercial pitchman, his landmark interview show “Night Beat” (including remarkable interviews with Frank Lloyd Wright, Salvador Dali. and Thomas Hart Benton, among others), his trips to Vietnam and extraordinary coverage of Watergate.

There’s also film of Wallace’s trip to Greece, where he led a group (including a film crew) to find his son, Peter’s, body after a hiking accident at age 19. Wallace, who’d by then interviewed everyone in the world with cameras following him, now became the subject of the story. It’s heartbreaking, and Mike says in the film it changed his life. (There is very little talk, however, of his four wives, or journalist son Chris Wallace of Fox News. But I’m told Chris approved the movie. It couldn’t have been easy for him.)

CNN’s Wolf Blitzer led a Q&A panel after the screening with ABC’s Bob Woodruff and Axios writer/superstar Alexi McCammond. (More about that in my next story.)

Tony Danza was one of many bold faced names who came to see Belkin’s film. (The stunning film, sure to be on the Oscar short list, opens the last week of July.) Danza told me he had two connections to Mike Wallace. One, he interviewed Mike in 2005 on his own talk show. And two, he and his “Taxi” co-star Carol Kane once had dinner with the one and only Bette Davis in Los Angeles. (The cantankerous Davis’s interview with Mike Wallace is featured in the documentary.) She was a hoot, Danza recalled.

Other guests at the Wallace screening and dinner at the snazzy Whitby Hotel included Clive Davis, Oscar winning filmmaker Barbara Kopple, “60 Minutes” star Steve Kroft, former “60 Minutes” producer Vicki Gordon, journalist Rikki Kleiman and husband Bill Bratton (our former police commish), plus another former police commish Ray Kelly and his wife Veronica, WOR radio star Mark Simone, and a host of media types who knew Wallace, worked with him, and so on.

Tony Danza is 69, is a grandfather (of a 14 year old!) still radiates charm and looks 20 years younger. The star of “Who’s the Boss” and “Taxi” told me he went to see the legendary, beloved Mel Brooks on Broadway this past Tuesday night. (Mel did two solo shows, I see nothing about it in the papers or even a photo on the wires.) While we were waiting for “Mike Wallace” to start, Tony told Regis and Joy Philbin (they let me eavesdrop) Mel was hilarious, of course, then went backstage where he ran into Alan and Arlene Alda, among others.

Danza positioned himself perfectly to greet the 93 year old legend. “I ran right into him,” Tony said with a devilish smile. Danza played Max Bialystock in “The Producers” musical, he reminded Mel, in New York and in Las Vegas. Mel cracked, “Great performance, wrong show!” One night, Tony remembers, he heard Mel was coming to see him in the show. Tony put a friend in the audience, sitting right next to Mel, unbeknownst to Brooks. The friend had a copy of the script, and he marked it each time Brooks laughed. Now, that’s smart thinking! 

It’s kind of amazing, when you watch this movie, you will realize how much Mike Wallace’s voice is ingrained in your memory. It’s almost like hearing great music you’d forgotten. He was the first TV journalist who went around kicking down doors, blowing up icons, looking for the truth, getting facts. He upset the placid apple cart at CBS News when he arrived, but then he and producer Don Hewitt made history in 1968 with “60 Minutes,” still the number 1 prime time news program after 51 years. Extraordinary.

PS My dear friend Liz Smith must be so pleased in heaven. She’s up there with Mike, whom he worked for in the 1950s before becoming the most famous gossip columnist. They were lifelong friends, and she promoted him (and Barbara Walters) in her columns endlessly. Their mutual admiration society was a media power bloc never to be rivaled! 

Sean Penn should be directing a movie called “All in the Family,” from the looks of this story.

But his movie is “Flag Day,” written by new Tony Award winner Jez Butterworth, and starring Penn’s two kids, daughter Dylan and son Hopper, with actress Robin Wright. Dylan plays the lead. Butterworth won the Tony for “The Ferryman.”

This is a lot of pressure to put on a young actress who’s never carried a movie or had a large part in one other than an indie four years ago that escaped everyone’s attention (“Condemned”). Also, in this case, the actress’s father is the director. (See “Prizzi’s Honor.”) But Dylan certainly has the genes for it, and Sean wouldn’t put this together unless he trusted his gut. But it can be tricky (see “Godfather III”). The good news is that Jon Kilik is the producer, and we trust him, don’t we? (We do!)

There’s an all star cast including Penn himself, along with Josh Brolin (No Country For Old Men, Milk,  The Avengers franchise), two-time Tony Award winner Norbert Leo Butz (“Fosse/Verdon”, Fair Game), Dale Dickey (Hell or High Water, The Pledge), Eddie Marsan (Happy-Go-Lucky, 21 Grams), Bailey Noble (“True Blood”), Hopper Penn (War Machine), Miles  Teller  (Whiplash, Too Old To Die Young), and Katheryn Winnick (“Vikings”, The Dark Tower).

I’m actually surprised David Morse isn’t in the movie.

Flag Day is based on Jennifer Vogel’s 2005 memoir “Flim-Flam Man: The True Story of My Father’s Counterfeit Life.” The story centers around a daughter dealing with con man father. It sounds a little like “The Duke of Deception,” which should have been a major motion picture.

Funding is coming from Fernando Sulichin’s New Element Media, and from Ingenious Media. Sulichin has worked producing Oliver Stone movies and more recently Julian Schnabel’s “At Eternity’s Gate.” He was also executive producer of the ill-fated “London Fields,” one of the great disasters of all time.

All eyes in the film world are starting to look at the Venice Film Festival, which will not have Martin Scorsese’s “The Irishman” and likely will have James Gray’s “Ad Astra” with Brad Pitt. (This is going to be Brad Pitt’s year, trust me.)

But the big film in Venice, I am told, will be Roman Polanski’s epic take on the Dreyfus affair, “An Officer and a Spy.” Based on Robert Harris’s best selling novel, which itself was based on Emile Zola’s famous book, the movie stars Oscar winner Jean Dujardin as the French Army officer who works to uncover the truth about fellow officer Alfred Dreyfus circa 1894. Dreyfus was court-martialed for treason and sent to a prison. But was he guilty? Or was his conviction because of anti-Semitism?

The film already looks gorgeous from early photos. Polanski has pulled out all the stops including using the same cinematographer, Pawel Edelman, from his Oscar winning “The Pianist.” Louis Garrell — who ironically will star in Woody Allen’s new movie shooting in Spain this summer– plays Dreyfus. Polanski’s actress wife Emmannuelle Seigner, is featured, as well as Oscar nominee Mathieu Almaric.

It makes sense that the Polanski film will debut at Venice. It’s already set to open in France in November. Producers will be looking to make distribution deals by the end of August. Toronto would be too late. And also, Polanski– who can’t leave France– would at least be in the same time zone as Venice. Plus, the Venice audiences will go crazy for the film without involving Polanski’s annoying and endless American scandal. The Europeans don’t care, and recognize him as a major auteur,

The big question is what will happen in the US to “An Officer and a Spy.” The Motion Picture Academy revoked Polanski’s membership this year, even though they gave him an Oscar fifteen years after his scandal. If the film is as great as everyone hopes, will it just be ignored? Let’s hope not. Anyway, Venice will not ignore him. And Polanski will have a very happy 85th birthday.