Tuesday, May 19, 2026

“Secret Life of Pets” Eyeing $94Mil Weekend, Record Breaker for Original Animated Film

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It’s been an animated summer, that’s for sure. “The Secret Life of Pets” took in approximately $38 million last night. The film will beat “Inside Out” as the biggest weekend gross for an original animated film. Ever.

For Universal Pictures, “Pets” is a much needed jolt in a soft year– after their HUGE year in 2015. “Pets” cost $75 million and already has taken in $30 mil in foreign countries.

The total weekend should come to $94 million. “Inside Out” did $90 million.

And these “Pets” are a franchise. Universal can get two more out of the package at least, not to mention ancillary merchandise, rides, books. etc.

Director Chris Renaud already has “Despicable Me” and its sequel, plus “The Lorax” under his belt, all mega hits. He’s the biggest thing in animation outside of Disney-Pixar. He’s got it made since, according to the imdb, he also lives in Paris.

So far this year we’ve mega hits “Finding Dory” and “Zootopia,” not to mention lesser hits “Angry Birds Movie” and “Kung Fu Panda 3.”

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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