Thursday, July 16, 2026

Beach Boys Movie “Love and Mercy” Sputters to An Ignominious End

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So much for “Love and Mercy,” Bill Pohlad’s fine film about the life and times of Brian Wilson. After four sleepy weeks, the John Cusack-Paul Dano starrer concludes most of its run with just under $11 million in the bank. What could have been a real hit, with awards potential, now sinks into the horizon just beyond the Sloop John B.

Roadside Attractions, which I like to call “Roadkill,” blew this film just the way they did Robert Redford in “All Is Lost” directed by JC Chandor. They will argue that “Love and Mercy” is their biggest hit so far, but that’s a left-handed compliment. All of their movies would have benefited from actual publicity and marketing.

“Love and Mercy” never really capitalized on Brian Wilson and his music. Where was Brian Wilson Week on Jimmy Fallon, for example? Or the Today show? Where was the big live launch in NY with a concert, even three or four songs?

Strangely enough back in April the movie hosted a private advanced screening with the stars– and no press. Does a tree make a noise when it falls in the forest if no one is around? That whole episode cinched the deal, and was typical of Roadside’s deafness when it comes to press.

None of it made sense. The Beach Boys are still a huge touring presence on the road. Their music is incredibly popular. So much more could have been done for “Love and Mercy.” But that ship has sailed.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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