Wednesday, June 17, 2026

Tom Cruise Faces “Oblivion” with A Raft of Bad Reviews for New Film

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“Oblivion” opens today in the US after hitting nearly every country in the world first. The reason for this was simple. As with some other recent duds, studios know to make their money abroad before bringing a turkey home for roasting. So far “Oblivion” has made $71 million around the world. It’s not a record by any means, but it gives Universal a head start should things not work out here.

Critic-wise, “Oblivion,” starring smiling Tom Cruise, is no one’s favorite. Panned by the three New York papers and USA Today, “Oblivion” has a 59% on Rotten Tomatoes. Keep refreshing because that number could change. And interestingly, some of the negative reviews still gave it a fresh tomato instead of a splat. (I’d love to hear the conversations between the publicists and the reviewers in those instances.)

“Oblivion” should have a strong Friday night. But after that, who knows? Only word of mouth will drive Saturday and Sunday attendance. And Cruise is coming off the sort of awful “Jack Reacher,” which barely made $80 mil domestically. And unlike “Minority Report,” in which legendary actress Lois Smith actually explained the movie half way through, no one does the same for “Oblivion.” The graphics are supposed to be top notch however.

Cruise is more and more inaccessible to newer generations of movie goers. His PR campaign was mostly abroad. Except for Kimmel and Fallon, he stayed away from major TV and any real interviews. Everything is scripted now, nothing is spontaneous. The so called real Tom Cruise, to under 30 year olds, is a Scientologist with many failed marriages who once jumped on Oprah’s couch. This weekend we’ll see if placing him in a sc-fi setting with lots of gadgets and explosions will lure audiences in anyway.

 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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