Sunday, June 7, 2026

Matthew Broderick Will Replace Harry Connick Jr. In Gershwin Musical

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One of the big topics last night at the Tony Awards: word that Matthew Broderick will replace Harry Connick, Jr. in a long planned “new” Gershwin musical. “Nice Work If You Can Get It” was announced a couple of years ago as a project for now newly minted Tony winner Kathleen Marshall, director of “Anything Goes.” Marshall left the project at one point, but now I’m told she may be back in. This is considered a “new” Gershwin musical because, like “Crazy for You,” it’s assembled from Gershwin songs with a new book. Originally Connick was going to play the lead. But I was told last night by several sources that Matthew Broderick, so great in “The Producers” (Tony nomination) and many other shows, is replacing him. More info as it comes, but expect “Nice Work” for next year’s Tony Awards….And one nice thing for Matthew: he was denied a Tony for “The Producers” because Nathan Lane was partnered with him and the more flamboyant role of Max Bialystock. Broderick was just as good. This time, he’ll have a clear shot.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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