Thursday, June 18, 2026

Broadway: Drama Critics Skip Best Musical Category in Disappointing Year, Gives Alden Ehrenreich Best Overall Performance

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It’s been a terrible year for original musicals on Broadway.

“Lost Boys,” “Beaches,” carrying the cake across Central Park, and so on barely hold a candle to last year’s Best Musical, “Maybe Happy Ending.”

“Titanique” and “Schmigadoon” are parody shows, like “Forever Broadway.”

So the Drama Critics Circle, a group of top critics, just dropped Best Musical altogether. The Tony Awards should do the same.

There’s no Best Musical this year. Makes sad sense.

The Drama Critics Circle chose the Scott Rudin produced “Little Bear Ridge Road” as Best Play, which also addresses the paucity in that category.

They gave Best Overall performance in any show to Alden Ehrenreich, who makes “Becky Shaw” so sensational. I’m so thrilled for Alden, who went from one sketchy movie to another in Hollywood. He could easily win the Tony this year.

The Drama Critics also gave Best Ensemble to Rudin’s “Death of a Salesman” revival. Is it deserved? Sure, even though I would have chosen “Becky Shaw.”

These people must really want to have dinner with Scott Rudin, who was canceled four years ago by the Broadway community for severely bad behavior toward his employees, actors in his shows, and people he encountered along the way.

As for the new musicals: something had better be done about the price of producing shows, and the tickets. It’s all gotten way out of control. One major investor told me she couldn’t put money into this year’s shows because it didn’t make sense financially. She was right.

PS “Beaches” will likely close long before the Tony Awards on June 7th,

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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