Saturday, June 13, 2026

Ballroom Blitz: Trump Turns Shooter Incident into Campaign for $400 Million Bunker Even Though Dinner Would Never Be Held There

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“Well, it’s been getting so hard
Living with the things you did to me, ah-ha
My dreams are getting so strange
I’d like to tell you everything I see
Oh, I see a man at the back
As a matter of fact, his eyes are as red as a sun
And the girl in the corner, let no one ignore her
‘Cause she thinks she’s the passionate one”

Donald Trump turned last night’s shooter incident into his own “Ballroom Blitz.”

He capitalized on the chaos in the Washington Hilton ballroom to campaign for his unnecessary $400 million military bunker and dance hall.

Trump, of course, didn’t mention a glaring fact: the White House Correspondents Dinner isn’t a state occasion, or hosted by the government. It’s a private dinner to which he’s an invited guest. Even if his ballroom existed, the party at the Hilton would have gone as ever.

But that fact means nothing to Trump or his followers. They don’t care about anything but hyperbole.

Not surprisingly, the ballroom issue has become hot on social media. It unleashed Trump’s social media army immediately. They’re out in droves, parroting Trump’s claims that the ballroom is necessary.

None of these people — or bots — has processed the irony of last night’s event. All it took to get into the party was a ticket. No ID necessary. Isn’t the whole ID issue what Trump and his voter suppressors keep carping about? In the movie world, we need to show ID to get a screening ticket! Apparently, you don’t need to one to eat dinner with the president.

 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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