Friday, July 3, 2026

Trump Is Blasting Pop Music Outside on New White House Plaza Like the Beatles and Lee Greenwood: He Needs A Broadcast License

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Few music stars like Donald Trump to play their music at his rallies. But they want to be paid for it.

It seems Trump is blasting music at the White House on the ugly new plaza where he’s paved over the beautiful Rose Garden.

We’ve seen clips of him playing “Let it Be” by the Beatles, and Lee Greenwood’s “I’m an American.”

But is he paying the music publishers? You need a broadcast license to play music outside.

He may think it’s his right as a dictator. But he’s wrong.

ASCAP, BMI, and other licensing entities may be asking questions this week. The White House is no different than a restaurant, drug store, mall or other places where you would hear music.

The White House is not a small business. As many as 6,000 people could be exposed to their new outdoor disco. A public performance license is necessary to keep that show going.

Trump would have to go by the copyright law of 1976.

Of course, it’s possible the White House is tuned to Spotify or Pandora, and they would still have to be paid. But it’s likely they’re using their own playlist and not just a prepackaged station.

Greenwood won’t care if he’s ripped off by the White House. They have a mutual understanding for his faux patriotic anthem. But the Beatles are another story. They’re pretty litigious. Apple (not the computers) might be the only company gutsy enough to go after Trump for their dough.

Again: ASCAP, BMI, Sesac– who’s gonna make the call?

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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