Thursday, June 4, 2026

Boffo! Disney’s “Inside Out 2” Scores $100 Mil 2nd Weekend, Biggest Movie of 2024!

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“Inside Out 2” has turned the box office inside out.

Disney’s Pixar sequel made $100 million this weekend. It’s now the highest grossing film of 2024, beating “Dune Two.”

Total US box office is now around $355 million. At this rate, $500 million is around the corner.

Audiences are going back and back to see the sequel to “Inside Out.” Everyone loves it, and there’s no sign of it slowing down.

“Inside Out 2” is good for movie theater business. Snacks are being sold, there’s foot traffic.

Meanwhile, “The Bikeriders” made $10 million in its debut. But the wheels may come off these bikes. Each day — Friday, Saturday, Sunday — showed a diminishing return. Beautifully made, but plot deprived, “Bikeriders” is perplexing to audiences. Who do you root for, and why? I didn’t get it. But I did love Tom Hardy’s performance.

“Thelma” opened nicely with $2.2 million for Magnolia. There are Best Actress and Screenplay noms lurking. June Squibb, age 93, is just lovely. Go see it, it’s a crowd pleaser.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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