Monday, June 29, 2026

Saving Elizabeth Banks: Director’s “Cocaine Bear” Makes More in One Weekend than Her “Charlie’s Angels” Reboot Did in Total

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Elizabeth Banks is back, and it couldn’t be nicer.

The smart, attractive actress turned director had big hits with the “Pitch Perfect” trilogy. (She produced the first one, produced and directed the second and third.)

Then came the “Charlie’s Angels” reboot in 2019. It was a total bomb. I can’t even remember who was in it. The flop made just $17.8 million in its total run, $55 million worldwide.

Suddenly, Banks the director was cold as ice. And that’s a total female director thing. Male directors can have flop after flop and keep coming back. But not women. It’s a one strike ballgame.

So now comes “Cocaine Bear.” With a $23 million opening weekend, the Bear made more in one weekend than “Charlie’s Angels” did in its whole run! Not only did this Bear resurrect Banks’s directing career, it did a lot of good for all the actors involved starting with the late Ray Liotta. It’s nice that he goes out in a hit. Plus, Alden Ehrenreich, who was unfairly treated when he starred as a young Han Solo, begins his rebound campaign.

And let’s not forget the bear himself. Last time we saw a bear he was viciously humping Leonardo DiCaprio in “The Revenant.” No one liked him. Now he’s like Gloria Swanson in Sunset Boulevard. See how you can turn things around in Hollywood?

Bravo to Elizabeth Banks! And if you want to see her act, stream a little gem called “Call Jane.” She’s terrific!

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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