Friday, May 22, 2026

Wes Anderson’s “The French Dispatch” Greeted with Scathing Reviews, Walk Outs at Telluride Screening

Share

UPDATE: Since I wrote the story below, I’ve heard of numerous walk outs at at least one screening including executives who “really hated it.”

EARLIER: I must say, I am shocked. But people who’ve seen Wes Anderson’s “The French Dispatch” in Telluride and elsewhere really don’t like it.

At least two reviewers for Rotten Tomatoes — where it’s held onto an 87 — used the word hate, as in hated it.

The movie stars Anderson’s usual repertory of A listers including Tilda Swinton, Bill Murray, and this time, Timothee Chalamet (yes, he’s the It Boy of 2021).

Richard Lawson of Vanity Fair wrote: “Anderson, who lives in Paris, is presumably writing a mash note to his adopted country. But he’s doing it in such a shallow, generalized way that it almost plays as a troll instead.”

The trade reviews are bizarre for their restraint in trying not to clobber Anderson. Todd McCarthy wrote in Deadline: “This is Anderson in full flower, one that only grows in a rarified altitude.” Peter DeBruge in Variety:  “Yes, there’s still an ironic distance between such elements and the audience, but “The French Dispatch” feels less safe than Anderson’s earlier work, and that’s a good thing.”

Yikes.

It gets worse. Scott Mantz, who’s always positive about everything, said: “THE FRENCH DISPATCH: It breaks my heart to say this, but I was really disappointed by Wes Anderson’s latest movie. It’s so disjointed, the narrative is hard to follow, the characters are too one-dimensional, and I just didn’t care what was going on”

Another viewer, from Canada, posted: “Damn. I was never confident in The French Dispatch‘s awards chances but damn. I wasn’t expecting flat out hate for it. I only had it in screenplay above the line and I will promptly remove it”

Blogger Scott Menzel wrote: ” I hated The French Dispatch. As a lifelong Wes Anderson fan, I didn’t think I would ever hate one of his films, but here we are.”

OK I mean you rarely see the word ‘hate’ in reviews. Wes Anderson has always made twee movies, but they were so fanciful and witty their sweetness was overcome by a keen intelligence. But this may be why Searchlight has made it so difficult to see in advance after a year and a half of delays. I’m going to keep an open mind, and hope that the naysayers are wrong! (Hoping to see it this week, and will report. The soundtrack is supposed to be terrific, by the way.)

PS Maybe this is why Searchlight chiefs Nancy Utley and Steve Gilula retired so unexpectedly last April. They wanted to go out on a high before the bad news hit.

 

Donate to Showbiz411.com

Showbiz411 is now in its 13th year of providing breaking and exclusive entertainment news. This is an independent site, unlike the many Hollywood trades that are owned by one company. To continue providing news that takes a fresh look at what's going on in movies, music, theater, etc, advertising is our basis. Reader donations would be greatly appreciated, too. They are just another facet of keeping fact based journalism alive.
Thank you


Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

Read more

In Other News