Wednesday, July 8, 2026

Exclusive: Michael Jackson’s “Hologram” will be a “Slave to the Rhythm”

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I told you exclusively last week that Michael Jackson would appear in the form of a hologram on the Billboard Music Awards this Sunday.

Here’s an update: the Jacksonian projection will “sing” or perform to “Slave to the Rhythm,” a track from the “new” “Xscape” album released officially yesterday.

“Slave” is a fragment of music Jackson left behind, recorded in the 1980s. Last year, Justin Bieber put out a version with his vocal on it after Jackson’s kids gave him an MP3 file of it. That version was not used on “Xscape.”

The hologram is either 3D or 2D, a la the 2012 “Tupac Shakur” which shook up the Coachella Music Festival that year. That image was created by John Textor, the same man who is said to be putting together the new one. Textor is rather a controversial figure these days. His company, Digital Domain, went bankrupt soon after going public in 2012. Investors were left high and dry. He has a new firm now, and is aiming at making holograms out of any dead celebrity whose heirs or executors want to resurrect them. Elvis Presley may be next.

By the way, the people themselves, not just their careers, have to be dead. Mel Gibson wouldn’t count.

Ghoulish or foolish? I guess we’ll see what the reaction to this is on Sunday.

 

 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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