Monday, June 22, 2026

James Franco Agrees to Play Mapplethorpe (Maybe, Sorta)

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James Franco is hot as a pistol right now. His “127 Hours” played at the Hamptons Film Festival. So did a short film he directed called “The Clerk’s Tale.”

On Saturday he was helicoptered to Sag Harbor for a “Conversation With…” at the Bay Street Theater with the festival’s former programmer (now with the Museum of Modern Art), Raj Roy.

The theater was jammed, of course, and there were plenty of young people. Many of them got to take a group picture with Franco.

During the Q&A session, beautiful blond documentary filmmaker Ondi Timoner asked Franco if he’d like to play controversial late artist Robert Mapplethorpe on film. She said she had an “idea” for a film, but really she has a script. And Franco responded by saying “I’m your man.” Hey–stranger things have happened. Maybe this is the start of a great project.

Later, Timoner told me she does have a script, and also has an idea– a great one I think– of Charlotte Gainsbourg playing Patti Smith, who was Mapplethorpe’s girlfriend, companion and collaborator.

Later, Franco took in “Blue Valentine” to see a great performance by his peer, Ryan Gosling. They may each be in the running for Best Actor this year against Colin Firth. Franco was impressed.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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