Sunday, December 21, 2025
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Report: Smoking Gun Uncovered, Trump in Tape Transcript Admitted He Didn’t Declassify “Secret Information…Look, look at this”

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You know that the 7 charge indictment brought against Donald Trump last night is not about any of the terrible things while in office.

No, the charges stem from him removing classified documents from the White House and storing them at Mar-a-Lago after he lost the 2020 election.

Trump insisted that all the documents he had in his possession were “declassified.”

But now Paula Reid on CNN has discovered a transcript of a 2021 tape recording in which Trump admits he didn’t declassify “secret” military information. It’s the smoking gun in this absurd saga that will lead to his conviction and imprisonment.

“As president, I could have declassified, but now I can’t,” Trump says, according to the transcript.

The bloviating buffoon is showing the document to people in his office. He says, according to CNN, “Secret. This is secret information. Look, look at this. This was done by the military and given to me.”

Congrats to Paula Reid, who valiantly sat through the pandemic in the press room for CBS News and was not appreciated by them.

Read her story at cnn.com

Mike Pence Gets Dismal CNN Town Hall Ratings, Follows Same for Nikki Haley, Shows Why Network Fired Its Chief for Tone Deafness

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Mike Pence was not a draw for CNN.

His Town Hall with Dana Bash on Wednesday night pulled just 632,000 viewers. That’s little more than CNN gets at that hour anyway.

Pence’s Bash-ing comes on the heels of last Sunday’s outing with Nikki Haley, which had 562,000 eyes.

Neither of these failed attempts to re-create the Trump Town Hall with 3 million viewers worked. Why? Trump is a circus act, a carnival barker, a real time train wreck. Fox News viewers came to see their guy take on CNN, and he did. He won. (Now, of course, this really means nothing after last night’s indictment.)

The failures of these attempts to showcase Republican candidates is part of the reason CNN drop kicked its chief, Chris Licht, this week. He had a tin ear for the CNN audience. He didn’t know what they didn’t want. And they didn’t want these people.

Chris Christie is next. The numbers should be about the same, maybe a little higher as he will be dumping on Trump. But will the moderator go after Christie for all the stupid and evil things he did in New Jersey? Or is that a bridge too far?

Sunday’s Tony Awards Must-Sees: Mass Singalong of “Sweet Caroline” with Neil Diamond (?), Lea Michele Knock Out “Funny Girl” Performance Even Though Not Nominated

The biggest moments on Sunday’s Tony Awards show may not come from nominated shows.

There will be a show stopping performance from Lea Michele and the cast of “Funny Girl.” This is ironic since “Funny Girl” received just one nomination when it was eligible last year. The show was a misfire. But Lea Michele arrived last September, the show became a hit, and there are standing ovations every night.

“Funny Girl” cannot be eligible again, and neither are actors who take over roles. But when Lea Michele hits that stage Sunday night, theater fans will sell out the rest of her run this summer.

Not nominated this year is the Neil Diamond musical, “A Beautiful Noise.” The book wasn’t good, and the score is made up of Diamond’s old hits. But the Tony are counting on Will Swenson bringing down the house as Diamond. There will undoubtedly be a medley of the big songs ending with a huge singalong to “Sweet Caroline.” Another showstopper. PS Will Neil Diamond attend?

The Tony will also play up the killer moment from last year’s show by having 2022 Best Actress in A Musical winner Joaquina Kalukango perform in a real spotlight. That should be amazing. And there will be performances from all the new nominated musicals including Camelot, Into The Woods, & Juliet, Kimberly Akimbo, New York New York, Parade, Shucked, Some Like It Hot and the best — Sweeney Todd with Josh Groban and Annaleigh Ashford.

To kick things off: Oscar winner Ariana DeBose will perform the opening, and we’ll see how she hosts the show beyond that without a script.

The Tonys are a little odd this year. The Writers Guild strike means there’s no script everyone will wing it. There’s no picket line but the WGA has asked its Tony nominees not to attend, including Tom Stoppard, the likely playwright of choice for his extraordinary “Leopoldstadt.” The speeches should be memorable.

And, of course, the venue: the United Palace Theater in Washington Heights. Not Radio City Music Hall. Maybe this was for Lin-Manuel Miranda, promoting the neighborhood. The theater has nothing to do with Broadway but it’s beautiful and historic. I hope they show all of its art and architecture on CBS beginning at 8pm on Sunday. (A pre show starts at 6:30pm on PlutoTV.)

Trump Spirals After 2nd Indictment, Calls Nixon “A Loser,” Misspells Words, Says “I Already Know in My Mind I Will Be President in 2024…They Will Pay!”

The era of Donald Trump — criminal, liar, fabulist, cretin — is coming to an end.

On his Truth Social he responded to his second criminal indictment by having a nervous breakdown. Trump knows his legacy now is First ex-President to be federally indicted twice, also found guilty of sexual abuse in a civil case, and impeached twice by Congress. That’s how his obituary will read. Also, that he buried his ex wife on a golf course. And that he paid off a sex worker not to reveal their affair while his wife was pregnant with their child. And…

This post screams

5150 Involuntary Psych Hold. Trump goes after Richard Nixon, of all things. His frantic top of the head typing misspells words. He writes about himself in the third person.
This is not a world leader. This a sadly demented old man who is going to prison.

Pop Off: Shawn Mendes Lacks Impulse Control, Exploits NYC Air Quality and Canada Fire To Market Spur of the Moment Song

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Pop star Shawn Mendes showed a lack of impulse control yesterday. His record label and manager must be quite alarmed.

Mendes dropped a new song onto social media that he literally wrote yesterday. He was obviously inspired by the orange haze over New York caused by the Canadian wildfires. The song is called “What the Hell Are We Dying For?” And Mendes used a picture of the city blanketed in the haze — which is having serious health and environment repercussions — as the image for the song.

I guess Shawn has never heard the expression, “Too early?”

He wrote on Twitter: “Started writing this song yesterday morning with my friends in upstate Newyork & finished it only a few hours ago..felt so important to me to share with you guys in real time”
Let’s be understanding. If you were 24 right now, you’ve had three years of the scare of a killing virus, lockdown, wearing masks, and this week’s air smelling and tasting like chemicals. No generation has ever gone through this before.
Still, again, maybe this is why you should wait and consider spur of the moment ideas.

Madonna, Seeking Relevance, Teams Up with Pop Fad Sam Smith to Get “Vulgar,” Barely An Actual Idea of a Song for the Dance Floor

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You’ve got to be kidding.

Madonna, almost 65 years old, is desperate for relevance.

So she teamed up with a bloated waterbug of a contemporary pop star, Sam Smith, and together they’ve produced a short dance track that just doesn’t live up to its name.

“Vulgar” sounds like a parody of a record Madonna would make from the 90s. The record which lasts just two minutes and thirty five seconds sounds like it’s sampling itself with beats found in a flea market.

Of course, the main audience for the single is the dance floor, where camp is welcome. Otherwise, the only reason for this record is so Smith and Madonna can have a lyric video that reads “S&M.”

Will “Vulgar” be a hit? This weekend, yes. And then it will fade into the dust of all unfinished records, a sample in the middle of dance mixes of other records. Its part is bigger than its whole.

Did I mention that this brief encounter of recycled disco has no less than seven authors including the two singers? Seven! Madonna likely takes 50%. Smith 25%, and the other five split the rest. And no one can ever boast they “wrote” anything original. It’s 2023.

Directors Guild Settlement in Jeopardy? Many Union Members Including “Seinfeld” Director Saying They’re Voting No on Deal with Studios

Will the the Directors Guild deal with the movie studios go through this weekend?

Many members of the DGA are saying on Twitter they are voting no, in solidarity with the striking Writers Guild. They also want to see what kind of deal SAG-AFTRA will make, or if they will strike. SAG-AFTRA members voted to approve a strike a few days ago. Their deal is up on June 30th.

One of the dissenters, who even made a video, is Larry Charles, famed director of “Seinfeld,” “Curb Your Enthusiasm,” and “Borat.” Another is Duncan Jones, son of late singer David Bowie, who directed “Moon” with Sam Rockwell and ‘Mute” with Alexander Skarsgard.

Jones wrote on Twitter: “I’d vote to NOT accept the DGA deal struck, and request that our guild’s acceptance of what was negotiated is conditional on the WGA and SAG deals are worked out first as well.”

Jones isn’t alone. There are threads all over Twitter from DGA members recommending a no vote. TV writer and producer Liz Benjamin notes: “Wow reading a lot of posts and talking to #DGA friends — seems possible the membership will reject the deal. Wouldn’t that be an interesting wrench for the #AMPTP?”

Steven DeKnight, with a long resume of directing, Tweeted: “I just voted NO on the 2023-2026 DGA Basic Agreement and Freelance Live & Tape Television Agreement Ratification ballot. I strongly urge all DGA members to do the same. This isn’t the time to accept table scraps and call them historic. Stand together. Stand Union Strong.”

Joe Russo (not Avengers, plenty of credits) says: “I don’t mean to be hyperbolic when I say the DGA negotiating committee seems to have given away the future of the entertainment industry when it comes to Artificial Intelligence and streaming transparency in exchange for clawing back a few creative TV rights from showrunners.”

Of course, there are always dissenters. The DGA technically approved the deal on June 7th pending ratification. But the responses, insiders say, indicate a lot of unhappiness, especially about the now dreaded and ubiquitous “AI.”

Stay tuned…any thoughts please email me at showbiz411@gmail.com

Pat Robertson is Dead at 93: A Force in Evangelical Republican Media Failed in Run for President 1988

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Pat Robertson is dead.

The 93 year old was perhaps the most famous Evangelical Christian ever on television. He tried to translate that popularity into politics as a very right wing Republican. In 1988, he even tried to run for President, but failed.

But he was no failure. Robertson’s decades-long run on his syndicated show, “The 700 Club,” is proof of that. There wasn’t a time before appointment TV that you didn’t flip past his talking head on the Christian Broadcasting Network. He was a constant presence until not that long ago, and it meant so much to a lot of people (and, conversely, nothing to the same amount of people).

His career instincts paid off for Robertson. A former Baptist minister, his net worth is estimated at around $100 million.

Sex in Another City: Sarah Jessica Parker, Matthew Broderick Taking Neil Simon’s “Plaza Suite” to London’s West End Next Winter

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London is about to get a taste of some sex in the city.

Sarah Jessica Parker and Matthew Broderick are taking their Broadway production of Neil Simon’s “Plaza Suite” to the West End.

Their production, directed by John Benjamin Hickey, will open on January 15, 2024 and play through the end of March.

The show was a big commercial hit in New York, finally getting a sold out run after being postponed because of the pandemic.

Parker will be making her West End debut. Broderick was already there in 2019 with “The Starry Messenger.”

On Parker’s famous TV show, her character’s fictional best friend (that’s Carrie and Samantha) has been living in London. Maybe she — Samantha — will go to opening night!

Emmy Winning “General Hospital” Actress Sarah Joy Brown Accuses James Bond Film Director of Sexual Assault in Emotional Twitter Spaces (UPDATED)

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UPDATED 6/9/23 8PM–Sarah Joy Brown is known to soap opera audiences for playing two roles, at different times, on ABC’s “General Hospital.” She won three Daytime Emmy Awards for her work (and received four other nominations).

Tonight on a Twitter Spaces, she has accused Martin Campbell, director of two James Bond movies (“Casino Royale” and “Golden Eye”), of sexual assault. It’s not rape. But she says Campbell, directing her on an ABC pilot in 2003 called “10 to 8,” violently shoved his tongue down her throat after requesting to see her privately when her work was done on the show. It left her shaken to her core.

Brown had recently left ABC’s “General Hospital” for the first time after winning her Emmy awards. She says she told her father as soon as it happened, and told her manager as well. The manager, a woman, advised her not to say anything. The pilot, “10 to 8,” went to series with Brown in a recurring role but was cancelled after 8 episodes. Brown worked on other soaps, and movies and eventually returned to “General Hospital” in a new role.

Brown also says she was “gaslit more than once” by former CBS chief Leslie Moonves. (That’s for another story.)

The actress also says that after she began talking her claim during the #MeToo movement she has not worked at all since 2018 except for a couple of freebies.

Campbell’s other credits include two “Zorro” movies and “The Green Lantern.” I’ve emailed Campbell’s attorney and will report any statement from him or the actor as soon as possible.

UPDATE I spoke to Brown this evening. I asked her why she didn’t report this incident right away. She wound up holding off until she returned to “General Hospital” a second time.

“I thought back, why didn’t I kick him in the balls? Because you’re stunned. The first thought that goes through your mind is, My career is over. One way or another, this man is going to hurt me.”

This happened long before Harvey Weinstein’s victims spoke up and told their stories about careers wrecked after their violent encounters with the movie mogul. “Everyone told me just to move on and not let it capsize my career,” Brown explains.

This sounds not different from what Weinstein’s victims said when they finally spoke up. Even Brown didn’t quite believe the stories she started hearing about Weinstein. “I thought if he was actually a rapist he wouldn’t be working at his capacity. But I was at the women’s march in 2017 through Hollywood. And there was a big billboard of Martin Campbell’s new movie. I had to go home.”

Brown spoke to Ronan Farrow at the time, about her dealings with Les Moonves. “CBS reached out to me and I provided them with information,” she tells me. But she didn’t tell Farrow about Campbell. “I told him I had a story, and met with Ronan’s producer. I detailed everything for him.” But nothing came of it. He didn’t have the resources for it. “I was disappointed.”

(More on Moonves later. Brown is a tremendous font of information about the sexual abuse of actresses in Hollywood.)

What made Brown speak up now? “Seeing that Clive Owen would take a role and Daisy Ridley, in a new movie directed by Campbell. And this was after I’d already spoken up about what happened on Twitter. I couldn’t believe it, particularly after #MeToo and everything that happened. It really stinks.”

What does Brown want now? “I’m not interested in suing. I want Martin to retire. I want women to know who these men are who think they can take women like me and treat us like we are nothing.”

Book publishers take note: Sarah Joy Brown has a great story to tell, maybe better than Rose McGowan. She could crack Hollywood wide open.