Sunday, December 21, 2025
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“Billions” Is Back In August for One Last Season That Sees the Return of Bobby Axelrod (Damian Lewis)

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“Billions” is coming back for one final season on August 11th. The show returns on that date on Paramount Plus and two nights later on Showtime.

Damian Lewis comes back as Bobby Axelrod. Lewis left two seasons ago when his actress wife, Helen McCrory, was ill with cancer. She eventually, sadly, passed. Since then Lewis has released an album of songs he wrote and plays guitar on.

How Bobby could be back is a good question. He fled the US rather than be prosecuted for his financial crimes. Both Lewis and Paul Giamatti should have gotten Emmys for every season but Showtime — which is about to expire — did little for this series.

Welcome back, “Billions”!

New York’s Famed (But Closed) Plaza Athenee Hotel to Become Ultra Chic, Expensive, Exclusive Nobu Hotel and Restaurant

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Nobu, the Hotel, is coming to New York.

The hotel and restaurant combo for the upscale wealthy and chic is taking over the famed but now closed Hotel Plaza Athenee on East 64th St.

Nobu, of course, is already a big hit restaurant in New York’s Tribeca and West 57th St. It’s also a mainstay of Hollywood and Malibu where there’s already a hotel. The new one will be called Plaza Athénée Nobu Hotel and Spa New York.

Now they will plant their flag on the Upper East Side in 2026. The remodel will take the once cozy hotel and turn it into something sleek and uncomfortable. There will be a rooftop terrace, a Japanese spa, and sushi for everyone starting at four hundred dollars!

I have such great memories of the Plaza Athenee. The manager, Bernard Lackner, was a superstar. We had my parents’ 50th anniversary dinner there. The hotel dining room also was home to many movie and theater premieres, press events for film after film. I took Nicole Kidman to lunch there years and years ago where she ate off my plate. (I was surprised by her appetite.) I also had lunch at the Plaza Athenee with Robert Wagner, where we talked about Natalie Wood. He was terrific. They had the best waiters and the nicest staff.

Life goes on!

Grammy Awards Cut Best Album Category to 8 Slots, Move Three Awards to General Field, Add Some “AI” Jargon

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The Grammy Awards have made some changes to the rules for the 2024 eligibility.

There will only be 8 slots for Album of the Year this time, down from 10. Why? I would say because there are many fewer choices, so why strain to come up with 10? Right now the leading candidates are Miley Cyrus’s “Endless Summer Vacation” and Taylor Swift’s “Midnights.”

Indeed, the song of the year is Miley’s “Flowers” without a doubt. Ed Sheeran will certainly be in the mix, too. Will Morgan Wallen, top seller of the year, be allowed back in the fold? Hard to say. Foo Fighters will be among the nominees, so will maybe Zach Bryan and/or Luke Combs.

For R&B, I think there’s going to be a lot of talk about Durand Jones’s album, “Wait Til I Get Over.” But where is everyone? I mean people like India.Arie? Aloe Blacc? John Legend with an album of cool covers? Where is the new Stevie Wonder? Marvin Gaye?

The second biggest song this year after “Flowers” is Tracy Chapman’s 1988 hit, “Fast Car.” Combs is having SMASH hit covering it, weeks on the charts, plus the original is selling, too. Why? Because it’s an actual song, written by one person, telling a story, evocative and catchy. Remember all that?

Other changes: Producer of the Year, Non-Classical, and Songwriter of the Year, Non-Classical, will be moved to the general field, allowing all Grammy voters to vote in these non-genre-specific categories.

There are also three new categories for the big afternoon cattle call:

Best African Music Performance: A track and singles category that recognizes recordings that utilize unique local expressions from across the African continent. Highlighting regional melodic, harmonic and rhythmic musical traditions, the category includes but is not limited to the Afrobeat, Afro-fusion, Afro Pop, Afrobeats, Alte, Amapiano, Bongo Flava, Genge, Kizomba, Chimurenga, High Life, Fuji, Kwassa, Ndombolo, Mapouka, Ghanaian Drill, Afro-House, South African Hip-Hop and Ethio Jazz genres.

Best Pop Dance Recording: Recognizes tracks and singles that feature up-tempo, danceable music that follows a pop arrangement. Eligible Pop Dance recordings also feature strong rhythmic beats and significant electronic-based instruments with an emphasis on the vocal performance, melody and hooks. Dance remixes are eligible in the Best Remixed Recording category only and may not be entered in Best Pop Dance Recording.

Best Alternative Jazz Album: This category recognizes artistic excellence in Alternative Jazz albums by individuals, duos and groups/ensembles, with or without vocals. Alternative Jazz may be defined as a genre-blending, envelope-pushing hybrid that mixes jazz (improvisation, interaction, harmony, rhythm, arrangements, composition and style) with other genres, including R&B, Hip-Hop, Classical, Contemporary Improvisation, Experimental, Pop, Rap, Electronic/Dance music and/or Spoken Word. It may also include the contemporary production techniques/instrumentation associated with other genres.

Box Office: “The Flash” Exceeds Expectations, Rushes to $9.7 Mil Preview Night Despite Fanboy Campaigns to Ruin It

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I really enjoyed “The Flash.” For some reason, say the fanboys on Twitter, I’m not supposed to. Apparently, there’s something called “Fan service,” which the self appointed purists don’t care for in their films. “Fan service” means the filmmakers made a film fans can enjoy and meets their expectations. I guess the fan boys want their comic book heroes to read Ibsen aloud in these movies!

Anyway. “The Flash” exceeded expectations last night in previews and made $9.7 million. That’s an excellent start to what should be a $70-$80 million weekend. Director Andy Muschietti pulled it off, and he gets to direct a Batman movie — although “The Flash” is already kind of a Batman movie.

“The Flash” is a big fun entertainment that wraps in Superman, Wonder Woman, Batman and the whole DC Universe. Ezra Miller is a knockout playing two characters at the same time — Barry Allen and The Flash. Michael Keaton returns as Bruce Wayne after decades and is most welcome Jeremy Irons is still Alfred. Ben Affleck also plays Bruce, they are in different universes. Michael Shannon is back as General Zod as Sasha Calle, who you may know from “The Young and the Restless,” is Supergirl (but they call her Kara).

There are lots of cameos, some cool clips toward the end, and a BIG surprise ending. Please, don’t give it away! (If you’re my age, the almost-ending will make you clap a lot!)

Don’t bash “The Flash.”

RIP Best Selling Mystery Author and Actress Carol Higgins Clark Dead at 66, Co-Authored Several Books with Her Mother

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This is heartbreaking. Carol Higgins Clark, the best selling mystery author and actress in many of the films made from her and her mother’s books, has died at age 66 in Los Angeles. She battled cancer of the appendix bravely and even made short PSA films to alert people about its dangers.

Carol’s mother was Mary Higgins Clark, who died three years at age 92. Carol took such good care of Mary the last few years, it’s really cruel that she was hit with this ailment. When I saw her in December at a reunion for Elaine’s customers — Carol was a popular regular for years — she told me about her condition without a hint of self pity. She was a fighter.

On her imdb page, Carol left a mini bio: “Born in New York, Carol Higgins Clark obtained her B.A. from Mt. Holyoke College. She then studied acting at the Beverly Hills Playhouse. She starred in “Who Killed Amy Lang?”, a mini-mystery aired on Good Morning America (1975) and performed in New York’s Carnegie Hall (Weill Recital Hall) in Wendy Wasserstein’s play “Uncommon Women and Others”, produced as part of the 21st Century Playwrights Festival. She was the lead in the film, A Cry in the Night (1992), based on the novel by Mary Higgins Clark. The film was shown at the Cannes TV Festival and the Montreal Film Festival and nationally on U.S. television….Jointly with her mother, novelist Mary Higgins Clark, she received the University of Scranton’s Distinguished Author Award in September 2000.”

Carol was a talented, accomplished writer, of course, but she could never have dreamed up a real life event that marked her: in 2006, New York Yankee Cory Lidle flew his plane into her apartment building on the Upper East Side. The plane hit the apartment above Carol’s, causing untold damage, and of course, Lidle died. It was a catastrophe you thought you’d only read in fiction. But Carol soldiered on with a good sense of humor despite causing her to move out for a long time.

She was prolific, which I think is what endeared to her Elaine Kaufman, our den mother. I count at least 15 of her solo books on Amazon, separate from several written with her famous mother, Carol. It didn’t hurt that she was also a knockout, ready with a smile, and a good story. I will miss her terribly as will everyone of her extended circle of friends.

In recent years, Carol had been dividing her time between New York and L.A. On the West Coast, she’d become a huge supporter of Project Angel Food, which distributes meals to those who are homeless or incapacitated. She was also involved with Catholic Charities, and ACPMP, an appendix cancer research foundation. She recently taped a video about appendix cancer on behalf of ACPMP, which funds doctors who conduct research on this very rare disease. Her family says she was also a loyal supporter of her alma mater Mount Holyoke.

Rest in peace, Carol. Elaine is waiting for you with a lot of our pals. You’re going to be a part of the greatest dinner party ever, but you will be sorely missed here.

MSNBC Paging Rachel Maddow: Network Would Have Won Ratings War Last Night if Star Had Been on Air

MSNBC is paging Rachel Maddow.

Last night, the left leaning news network would have won the prime time race if Maddow had been hosting her show.

Instead, Alex Wagner lost to Fox News’s Sean Hannity by about 300,000 viewers.

Before Wagner and Hannity, at 8pm, Chris Hayes beat the miscellaneous Fox News show by about 100,000 viewers– 1.6 mil vs. 1.5 million.

Later at 10pm, Lawrence O’Donnell took down Laura Ingraham once again, with 1.9 million vs her 1.7 million.

These numbers are crucial right as we are in the thick of Donald Trump’s disgraceful arrest and arraignment after his second indictment. MSNBC needs Maddow to get back in the saddle, so to speak. Wagner is fine, but she’s not yet a star.

Meantime, Trump has raised almost $7 million from clueless donors who seem to believe none of this is happeing. He has so bewitched the uneducated they’re sending him money hand over fist– money they don’t have, will never get back– and he’s laughing at them behind closed doors.

Proof of that? After the arraignment Trump stopped in Miami at a Cuban sandwich stop and announced he “buying food for everyone.” According to reports, he left soon after and never opened his wallet.

Trump followers are gullible members of a cult. It’s time to wake up!

The Weeknd Waves a White Flag on Season 2 of “The Idol”: Already Planting Items That He’s Out, It’s Over

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“The Idol” is going to go the way of all things when season 1 is over.

The Weeknd, whose idea this terrible show was, is waving the white flag on Page Six today.

Seeing the horrific response so far, and the low ratings, Abel Tesfaye has planted an item in the NY Post gossip column to the effect that he’s out, the show is cooked.

This is HBO’s way of letting us know this was a failed experiment. There’s no way otherwise that they would have let this item run, and one without a hint of support for them.

This past Sunday, viewership on the main HBO channel was a paltry 135,000 people. This Sunday could be worse.

In the Page Six item, an anonymous source says no one is watching TV anyway. Um, no. The 9pm Sunday slot just previously had “Succession” pulling 650,000 viewers per week. So who were they?

HBO for some reason cannot do a music show. They failed with “Vinyl,” which at least had characters and wasn’t offensive. But “The Idol” is a mistake. The cabler’s best best is to just let it run out and be done with it. They have bigger fish to fry.

As for The Weeknd, “The Idol” has done its damage. He has no singles on the charts, and no albums either. The single from “The Idol.” called “Popular,” is a stiff.

Two Time Oscar, Emmy Winner, Tony Winner Glenda Jackson Has Died at Age 87, Had Second Career in British Parliament

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Glenda Jackson has died at age 87 in England. The former MP in Parliament had a brilliant career as an actress, particularly in the 70s. She won two Oscars on four nominations. She won two Emmys for the same role in 1972. More recently, after leaving Parliament, she returned to Broadway twice and won a Tony Award for Edward Albee’s Three Tall Women. It was her fifth nomination since 1996.

Jackson was acerbic and eccentric, a character actress who played leads, which is why she was so good. She one more film coming up, with Michael Caine. A couple of years ago she was excellent as always in the little seen but very good “Mothering Sundays.”

She has a long, stellar resume. But my favorite of her films is Melvin Frank’s “A Touch of Class” with George Segal. The romantic comedy was like a well made souffle, and something no one seems to be able to do anymore. What a life!

Broadway Stars Line Up for Next Season: Leslie Odom, Jr. Coming This Fall in “Purlie Victorious,” Eddie Redmayne Next Spring in “Cabaret”

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Two big Broadway announcements.

Leslie Odom, Jr is returning this fall in his first new role since winning the Tony for “Hamilton.” Odom will star in “Purlie Victorious.” This is the play, not the musical, “Purlie,” unfortunately. But Odom will be a strong draw in the drama written by the late great Ossie Davis, Jr. Kenny Leon is directing and the cast features Vanessa Bell Calloway and Jay O. Sanders, so it can’t be bad. Do I wish Melba Moore was belting out the songs from the musical version with Odom? Yes. But we’ll take this in any case.

Next spring, Oscar winner Eddie Redmayne will re-create his role as the emcee in “Cabaret.” No word yet on who will play Sally Bowles. Jessie Buckley played the part in the West End version with Redmayne, but it’s unclear if she’ll do it here. “Cabaret” is always a hit when it’s revived. Alan Cummings made a big success of it with Michelle Williams, Emma Stone, and Sienna Miller each as Sally. None of them were “Broadway” people. If the producers could land Zendaya, that would be the box office explosion of all time.

Broadway always re-generates for a new season. The Tonys are over, some winners were cool, some were odd. “Kimberly Akimbo” wasn’t my choice for Best Musical, but “Strange Loop” wasn’t either the year before. That’s the way it goes. We’ll see on Tuesday next week if “KA” got a box office bump.

PS Rocker Melissa Etheridge, who I love, comes to Broadway in September with a one woman show called “My Window” is in “Come to My Window,” one of her great hits. She’ll tell stories of her life which include highs and lows. It should be very moving and show Etheridge as a very fine musician.

DOA: Madonna, Sam Smith Disco Duet “Vulgar” Already Off iTunes After 6 Days, Streaming Dud, YouTube Flop

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Well, that was fast.

The much hyped duet single from “S&M” — Sam Smith and Madonna — has made the Hindenburg look like a small explosion in mid air.

“Vulgar” was released a week ago tonight. It immediately went up to the top 10 on iTunes. But in reality, it failed to launch at all. By Monday the single was languishing on the middle part of the chart.

Today, “Vulgar” is gone from the iTunes Top 200. Just, vanished. Dead on arrival.

On YouTube, there are two videos — lyric and visual. The total plays come to just over 1 million, which sounds like a lot but is actually nothing.

Over at Spotify, “Vulgar” was streamed 4 million times, which is also the equivalent of nothing. That’s the equivalent of around $12,000 in revenue. It’s also gone from Apple Music’s streaming chart.

So what went wrong? “Vulgar” wasn’t a song, It wasn’t a whole record thought out, and you could hear it. At two minutes, thirty two seconds, it was maybe the chorus or hook of what could have been a song but it had no substance. There was no ‘there’ there.

So nice try, Madonna and Sam Smith. They’ve burned their credibility. Unless, of course, they return with “Vulgar: The Long Version.” But the song wasn’t even vulgar. It was more like bulgur. (Not really but it sounded good.)