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Will Smith, Johnny Depp, More Stars Partied at Saudi Film Festival, Vanity Fair Sponsored It Despite Lack of Women’s Rights, Khashoggi Murder

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Johnny Depp, Will Smith and a dozen or more female stars didn’t mind getting a free trip to Saudi Arabia in the last week.

They were flown in for the third annual Red Sea Film Festival, held in Jeddah and approved by the Saudi royal family. That includes MBS aka Prince Mohammed bin Salman. The murder in 2018 of US journalist Jamal Khashoggi has been forgotten apparently. (It’s so five years ago!)

Vanity Fair sponsored a lavish Women in Cinema gala, too, despite Saudi Arabia still not granting women most human rights (except for driving). There’s also the matter of same sex relationships and marriage being officially outlawed. The magazine’s owner, Conde Nast, has just been hit with National Labor Relations Board complaint by the News Guild concerning surveillance of employees prior to a mass lay off last week.

Smith, who is persona non grata in Hollywood after his 2022 Oscars slap, posted jolly videos from the Red Sea Film Festival. He even conducted a master class. Other stars who put aside damning international headlines about human rights in Saudi Arabia included Frieda Pinto, Joel Kinnaman, Sharon Stone, Diane Kruger, Paz Vega, Maiwenn, Zoe Saldana, Michelle Williams, Lucas Bravo, Alessandra Ambrosio, Ed Westwick, Amy Jackson, Rita Ora, as well as jury president Baz Luhrmann and his wife, costume designer Catherine Martin.

JEDDAH, SAUDI ARABIA – DECEMBER 01: Zoe Saldana and Jury Member Freida Pinto attend the Women In Cinema Gala during the Red Sea International Film Festival 2023 on December 01, 2023 in Jeddah, Saudi Arabia. (Photo by Daniele Venturelli/Getty Images for The Red Sea International Film Festival)

Since the gruesome 2018 murder of Khashoggi at the Saudi embassy in Turkey, Saudi Arabia has spent millions — mostly through international firm Publicis — to convince the world they are now a free and happy place. But watchdogs like Amnesty International and The New York Times would disagree. According to Amnesty, a Personal Standards Law passed in 2022, “codifies many of the informal yet widespread problematic practices inherent in the male guardianship system and entrenches a system of gender-based discrimination in most aspects of family life, including in marriage, divorce, and child custody.”

You may recall my encounter with the Red Sea folks at opening night of this year’s Cannes Film Festival. The Saudis, in addition to the PR campaign, are spending like crazy underwriting other film festivals as well.

Alicia Keys Off Broadway Musical “Hell’s Kitchen” Coming to Broadway in March 2024

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Alicia Keys becomes the latest pop star to debut a musical on Broadway.

Keys’s “Hell’s Kitchen,” currently at the Public Theater, will open on Saturday, April 20, 2024 at the Shubert Theater. The autobiographical show features Keys’s hits plus four new songs.

Reviewers raved about the first act at the Public but had trouble with the second act. Hopefully that situation will be remedied with the move uptown.

The “Hell’s Kitchen” transfer was pretty much a known factor from the get go. Michael Greif is the director and Kristoffer Diaz wrote the book based on Keys’s teen years turning into a pop star.

The cast at the Public included The cast at The Public Theater includes Shoshana Bean, Chad Carstarphen, Reid Clarke, Chloe Davis, Nico DeJesus, and Brandon Victor Dixon. It’s unclear who will make the transfer to Broadway.

I haven’t seen this show. I’m told some liberties are taken with Keys’s ascent to stardom. But she owes her career to Clive Davis and Peter Edge, who made her a star at J Records after Columbia Records let her go. The launch of Alicia Keys was an exciting time in the record business. I hope this is conveyed in the show. I’m sure it will be.

No Stephen Colbert Tonight And Likely This Whole Week as Host Continues to Recuperate from Appendix

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One day Stephen Colbert will write a book with an appendix.

But he has no more appendix after it ruptured following Thanksgiving.

The result was all of last week’s shows were cancelled.

Now it looks like this week’s aren’t happening either. There’s no show tonight and likely none until next Monday.

Colbert said on Threads that he was following doctor’s order and would see us all soon. But not right now.

So talk show hosts are human! What a surprise!

Scheduled guests this week were to include Sarah Paulson, Jason Isbell, Mark Ruffalo, Nicki Minaj, Sara Bareilles and former congresswoman Liz Cheney. They will all have to stand outside Jimmy Fallon’s studio and see if they can get on stage!

Speedy recovery to Colbert. You know he’s not feeling well because he always shows up for the Kennedy Center Honors, but was absent yesterday when the show taped in DC.

Isn’t it weird that Colbert’s appendix ruptured right after having David Letterman as a guest? I’m just sayin’…

“Barbie” Parties on Two Coasts: Rolling Out the Red Carpet for Greta Gerwig and the Year’s Biggest Movie

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Note: “Barbie” is getting the red carpet roll out finally after all the strikes prevented promoting movies. The Oscar machine is powering up. If “Barbie” doesn’t make the Oscar Top 10, it will at least win the popular vote for Best Box Office movie. In Los Angeles, Warner Bros. took over the rooftop at the Pendry Hotel, packed it with entertainment press, and brought Greta Gerwig and the cast as well as Billie Eilish, brother Finneas, and music producer Mark Ronson. 

I watched “Barbie” on the flight home from LA last night. It is Gerwig’s singular vision, exploding with color and politics served like a strong pill mashed into apple sauce. Some of it is outstanding. A few things annoyed me, but that’s a guy-thing. Overall, I was much more impressed by Margot Robbie and Ryan Gosling the second time around. And the production is insanely good. Gosling’s Ken song and Billie’s song “What Was I Made For?” are certainly going to get Best Song nominations. And Rhea Perlman is lovely.–RF

In the doll metaverse, Barbie is queen. A party at New York’s posh Peninsula Hotel brought together her movie creators with members of the Academy to anoint her with awards. The movie about her has had world domination in sales. Even in Morocco — where I saw it when it was released in July along with “Oppenheimer”—famously creating the “Barbenheimer” unit—it was a hit. I was happy to report this to producer/star Margot Robbie, who spear-headed the collaboration with Mattel and starred, and Noah Baumbach and Greta Gerwig, scriptwriters with Gerwig directing. The phenomenon spoke of girl power, and what men have to do to measure up. So where was the movie’s primary Ken, Ryan Gosling?

Ryan Gosling made the movie a musical, his song and dance numbers major entertainment a la “La La Land.” Mark Ronson filled me in on creating the movie’s sound: he just followed Greta’s script. There wasn’t even supposed to be music, but fortunately she, a major music maven, and fan, was keen on creating a sound. Eschewing the pink cocktail of the evening—a Prosecco with cotton candy —  Ronson said he was overstuffed from Thanksgiving with family, and following a routine, waking at 7am to write and invent music. How do you follow up on Barbie? Ronson is writing a book on DJing in the ‘90’s.

“What would I do without acting?” exclaimed Oscar winner F. Murray Abraham agreeing, his “White Lotus” character should be continued into the next season. “Didn’t you love the writing?” he asked. I would follow Mike White’s writing anywhere, he said, so happy to be working. Next up: he’s the husband in the Broadway production of “The Queen of Versailles,” based on Lauren Greenfield’s 2012 excellent riches-to-rags documentary, with Kristin Chenoweth as his wife.

Neil de Grasse Tyson, Katie Couric, Carol Kane, Sandra Bernhard, and many others made the scene celebrating “Barbie.” When I asked Robbie how she would follow up, she said, “You tell me,” even as requests for a sequel swirl. Baumbach quipped, “We’re looking for another doll.”

Brenda Lee’s “Rockin’ Around the Christmas Tree” Hits Billboard Number 1, But She Gets Zilch from Radio Play

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If you believe in Santa Claus, you believe in the Billboard pop charts. It can’t hurt, right?

So Billboard as anointed Brenda Lee’s 1960 hit, “Rockin’ Around the Christmas Tree,” as its number 1 song this week. Congrats, Brenda Lee!

Of course, this makes no sense. On iTunes, “Rockin'” is number 6 right now, one notch below Mariah Carey’s “All I Want for Christmas.” Last week, “Rockin” was number 8 on Billboard, which means it suddenly vaulted to number 1 out of nowhere.

But again, no one gets hurt. And it’s a nice holiday treat for Brenda, who didn’t write “Rock” and gets no royalties from the radio play. Those sheckels go to the late, legendary Johnny Marks’s estate. So when you hear “Rockin'” on the radio and in supermarkets, it’s Marks being paid, not Brenda Lee.

Brenda Lee is not as old as you think. At 78, she’s in the realm of the Beatles and Stones, a tad younger actually. She had a bunch of hits starting around age 14, with “Rockin” coming at age 16. (She recorded “Rockin” when she was 13.) Her run on the charts ended around 1966. She still made records, but was pretty much done on the top 40.

Because she gets no publishing royalties, Brenda has made her money from concerts, shows, and tours. She’s got a Tik Tok account with 84,000 followers and hopefully she’s making some money from that.

Merry Xmas, Brenda!

@brendaleeofficial My message to you this holiday season. 💌 Thank YOU for all your support this time of year and always. -Brenda #ARockinChristmas #BrendaLee ♬ Rockin’ Around The Christmas Tree – Brenda Lee

Trump — Four Indictments, One Rape, Two Impeachment Votes– Attacks Top Six News Site, Drudge Report, And Double Oscar Winner Robert De Niro as “Failures”

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What a fool believes:

Donald Trump is under four indictments and is currently standing trial in New York. He was found guilty of sexual assault which the judge in the case equated with rape. Trump also had two votes of impeachment while in office.

Nevertheless, he describes The Drudge Report and Robert De Niro as failures on his social media today.

De Niro has won 2 Oscars, on eight nominations, and is currently starring in “Killers of The Flower Moon,” for which he deserves another nomination. He’s extremely wealth and successful from movies, restaurants, and real estate.

Trump is upset, of course, because De Niro has been sharply critical of him in public. He spoke about against him in a widely publicized speech last week at the Gotham Awards in New York.

The Drudge Report is the sixth highest read news site on the internet. It averages 661 million views per month. Drudge is a center-right politico who Trump feels is critical of him also. But Drudge’s readers have agreed with him, and Drudge has his finger on the pulse of the electorate.

But this is how Trump sees the world. And when he’s scared, he spews epithets and deingrates like a third grader. A demented one.

Happy 50th Anniversary to “Band on the Run,” The Paul McCartney Album That Pushed the Ex Beatle into High Gear

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Paul McCartney and Wings released “Band on the Run” 50 years ago today. This means I am 166 years old!

“Band on the Run” is probably most McCartney fans’ favorite “solo” or non Beatles album. It is mine, despite my love for “Ram” and “Flowers in the Dirt.”

When “BOTR” arrived McCartney had had some scattershot singles hits with “Uncle Albert” and “My Love.” His first “McCartney” album was clutched to fans’ breasts because it was the first record after the Beatles broke up, and had several beloved tracks like “Maybe I’m Amazed” and “Every Night.”

But BOTR was leaps and bounds past all the previous solo efforts. It was McCartney’s favorite thing– a concept album. It had a beginning, middle, and end. It also had massive hits including the title track, “Jet,” and the single “Helen Wheels” which wasn’t supposed to be on the album but was added because it was a rocker and a previous chart hit. The final track, “Nineteen Hundred and Eighty Five” — then a dozen years away — ended with a refrain of the title song. How cool!

The story was about a literal band on the run, on tour, escaping fans, breaking out of “jail” so to speak. It’s so consistently good you can listen to it straight through without skipping a track. The deep tracks, “Like Me Roll It” and “No Words” — are gems. The Beatles’ engineer, Geoff Emerick, produced it with McCartney, giving the album a lush feel underpinning even the rock tracks. When McCartney’s live audiences heard the intros to “Band” and “Jet,” a roar went up in stadiums. It’s still echoing through time.

There was a very good 40th anniversary box set of BOTR, but you know there has to be a 50th. So it will come on February 2, 2024 in various formats with extras– the unmixed demos of the songs. They will also be streaming which, at this point, is fine for me. But fanatics will want them.

SiriusXM 18, the Beatles’ channel, plays an excellent live version of the album’s tracks, as well.

BOTR is the linchpin of the whole McCartney solo career. A lot of terrific things came afterward, but this is high water mark. McCartney could have stopped right there, that’s how good it is, a masterwork by an already established master of popular music.

https://youtube.com/watch?v=PCZuCgyqLDs%3Fsi%3D3A5rPdXTlNwiHOW5

Round Up: Wild “Saltburn” Coming to Amazon Prime Dec 22, Spotify Laying Off 1,500 People — Daniel Ek Calls Staffers “Bandmates”

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Morning roundup:

“Saltburn” is coming to Amazon Prime on December 22nd. Emerald Fennell’s wild ride of a “Bridehead Revisited” update — as if Charles Ryder went to Brideshead and had sex with then killed all the family members — has been doing well in theaters. So this is a little bit of a surprise. “Saltburn” stars Barry Keoghan, Jacob Elordi, Rosamund Pike, Richard E. Grant, and Carey Mulligan in an extended cameo. Fennell is a unique filmmaker, and this movie proves it. More on “Saltburn” coming including a review…

SPOTIFY is laying of 1,500 employees before Christmas. Even though their subscription prices keep going up, and they’ve cut back royalties to all artists except superstars, the company says it’s not making money. All, everyone you know has an account.

This layoff, their third this year, represents 17% of their workforce.

Owner and CEO Daniel Ek posted a long note to staff today on their website. The note follows. Ek calls his staffers bandmates. Surreal.

DANIEL EK NOTE TO STAFF, er, BANDMATES

Team, 

Over the last two years, we’ve put significant emphasis on building Spotify into a truly great and sustainable business – one designed to achieve our goal of being the world’s leading audio company and one that will consistently drive profitability and growth into the future. While we’ve made worthy strides, as I’ve shared many times, we still have work to do. Economic growth has slowed dramatically and capital has become more expensive. Spotify is not an exception to these realities.

This brings me to a decision that will mean a significant step change for our company. To align Spotify with our future goals and ensure we are right-sized for the challenges ahead, I have made the difficult decision to reduce our total headcount by approximately 17% across the company. I recognize this will impact a number of individuals who have made valuable contributions. To be blunt, many smart, talented and hard-working people will be departing us.

For those leaving, we’re a better company because of your dedication and hard work. Thank you for sharing your talents with us. I hope you know that your contributions have impacted more than half a billion people and millions of artists, creators, and authors around the world in profound ways. 

I realize that for many, a reduction of this size will feel surprisingly large given the recent positive earnings report and our performance. We debated making smaller reductions throughout 2024 and 2025. Yet, considering the gap between our financial goal state and our current operational costs, I decided that a substantial action to rightsize our costs was the best option to accomplish our objectives. While I am convinced this is the right action for our company, I also understand it will be incredibly painful for our team. 

To understand this decision, I think it is important to assess Spotify with a clear, objective lens. In 2020 and 2021, we took advantage of the opportunity presented by lower-cost capital and invested significantly in team expansion, content enhancement, marketing, and new verticals. These investments generally worked, contributing to Spotify’s increased output and the platform’s robust growth this past year. However, we now find ourselves in a very different environment. And despite our efforts to reduce costs this past year, our cost structure for where we need to be is still too big.

When we look back on 2022 and 2023, it has truly been impressive what we have accomplished. But, at the same time, the reality is much of this output was linked to having more resources. By most metrics, we were more productive but less efficient. We need to be both. While we have done some work to mitigate this challenge and become more efficient in 2023, we still have a ways to go before we are both productive and efficient. Today, we still have too many people dedicated to supporting work and even doing work around the work rather than contributing to opportunities with real impact. More people need to be focused on delivering for our key stakeholders – creators and consumers. In two words, we have to become relentlessly resourceful.

I know you will all be anxious to hear the next steps about how this process will work. If you are an impacted employee, you will receive a calendar invite within the next two hours from HR for a one-on-one conversation. These meetings will take place before the end of the day on Tuesday, and while Katarina will provide more detail on all of the specifics, please know the following will apply to all of these bandmates:

  • Severance pay: We will start with a baseline for all employees, with the average employee receiving approximately five months of severance. This will be calculated based on local notice period requirements and employee tenure.
  • PTO: All accrued and unused vacation will be paid out to any departing employee.
  • Healthcare: We will continue to cover healthcare for employees during their severance period. 
  • Immigration support: For employees whose immigration status is connected with their employment, HRBPs are working with each impacted individual in concert with our mobility team. 
  • Career Support: All employees will be eligible for outplacement services for two months.

For the team that will remain at Spotify, I know this decision will be difficult for many. Please know we are focused on treating our impacted colleagues with the respect and compassion they deserve.

Looking Ahead

The decision to reduce our team size is a hard but crucial step towards forging a stronger, more efficient Spotify for the future. But it also highlights that we need to change how we work. In Spotify’s early days, our success was hard won. We had limited resources and had to make the most of every asset. Our ingenuity and creativity were what set us apart. As we’ve grown, we’ve moved too far away from this core principle of resourcefulness. 

The Spotify of tomorrow must be defined by being relentlessly resourceful in the ways we operate, innovate, and tackle problems. This kind of resourcefulness transcends the basic definition – it’s about preparing for our next phase, where being lean is not just an option but a necessity.

Embracing this leaner structure will also allow us to invest our profits more strategically back into the business. With a more targeted approach, every investment and initiative becomes more impactful, offering greater opportunities for success. This is not a step back; it’s a strategic reorientation. We’re still committed to investing and making bold bets, but now, with a more focused approach, ensuring Spotify’s continued profitability and ability to innovate. Lean doesn’t mean small ambitions; it means smarter, more impactful paths to achieve them. 

Today is a difficult but important day for the company. To be very clear, my commitment to our mission and belief in our ability to achieve it has never been stronger. I hope you will join me on Wednesday for Unplugged to discuss how we move forward together. A reduction of this size will make it necessary to change the way we work, and we will share much more about what this will mean in the days and weeks ahead. Just as 2023 marked a new chapter for us, so will 2024 as we build an even stronger Spotify. 

– Daniel

Box Office: Beyonce’s Renaissance Tour Movie Has Under Estimate $21 Million Weekend, Holdovers Holds Over

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Beyonce’s Renaissance Tour movie was supposed to make between $22 million and $24 million. It came in at $21 million, which is $72 million less than Taylor Swift’s concert movie made in its opening weekend.

Just because Renaissance wasn’t a Swiftian hit doesn’t mean anything negative about her or the film. But the Swift release is a novelty that can’t be compared to anything else. Beyonce is still Queen of the Beehive.

Alexander Payne’s “The Holdovers” went to VOD and still made over $1 million this weekend in theaters. If it had not gone to VOD, that number would be doubled. With Critics Choice nominations and others coming soon, “The Holdovers” will get a lot of attention. It would have been the perfect holiday movie considering it’s set at Christmas. But there’s no patience on the part of studios anymore. Too bad.

Both “Wish” and “Napoleon” are pretty much dead. Only the morbidly curious are going to see them at this point. “Priscilla” is also the opposite of all shook up. It’s living in heartbreak hotel, with no room service.

The box office is a cold place these days. Even Taylor Swift’s Eras Tour movie is kinda over at $176 million. The audience has been saturated. I guess AMC wants to leave it in theaters through New Years but the hoped for $200 million line will not be crossed.

Exclusive: Barbie and Ken Will Reunite as Danny and Debbie Ocean’s Parents in New Heist Movie from the Director of the “Austin Powers” Movies

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UPDATED A couple of months ago it was revealed that “Austin Powers” director Jay Roach was going to make an “Ocean’s 11” prequel. Margot Robbie and Ryan Gosling — Barbie and Ken — would reunite for the heist movie.

Now I can tell you exclusively that the title of the planned film is “Oceans.” That’s because Gosling and Robbie will play the parents of Danny Ocean, the character played by George Clooney in Ocean’s 11, 12, and 13.

The Oceans (I don’t know their first names) will teach son Danny and daughter Debbie (Sandra Bullock) how to steal from the rich in this new caper. The Oceans will have a team to help them, of course.

The new movie will be set in the 60s, which is ironic since the original “Ocean’s 11” with Frank Sinatra, the Rat Pack, et al was released in 1960.

My sources say “Oceans” will set up the more modern “Ocean’s 11” trilogy, not to mention “Ocean’s 8” which starred Bullock and a team of women. (There’s still no “Ocean’s 9,” but who knows!) No word on who’s going to write the new film, but David Levien and Brian Koppelman would be excellent candidates after doing such a good job with “Ocean’s 13.”

The whole idea for “Oceans” comes from the great chemistry between Robbie and Gosling in “Barbie.” And while there is no “Barbie” sequel yet, I am assured that one is inevitable once director Greta Gerwig makes her “Chronicles of Narnia” film. We can count on it.

Meanwhile, Warner Bros. threw a swanky party last night for “Barbie’ in Hollywood at the rooftop restaurant of the Pendry Hotel. Guests of honor included Gerwig, co-writer (and husband) Noah Baumbach, stars Gosling and Robbie, plus singer Billie Eilish, her brother and co-writer Finneas, and soundtrack producer Mark Ronson.

Gerwig — I think — will be finally get a DGA nomination and or an Oscar nomination for directing after her extraordinary work on “Ladybird” and “Little Women.” The “Barbie” movie is a director’s film with a specific vision completed realized. “Barbie” is almost certainly headed to a Best Picture nomination, as well.

I asked Greta what her kids — who are 4 and 1 — think of mom as a moviemaker.

She said: “Harold, my 4 year old, said when Barbie was over, Is that it? Like, ‘you’re done with this filmmaking now, right?’ Little does he know!”