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Jennifer Hudson: “I’m Just Glad I Didn’t Forget the Words”

Roger Friedman
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You can watch all the music performances from last night’s telethon, Hope for Haiti Now, at MTV.com.

My personal favorites: Sting’s “Driven to Tears” featuring Chris Botti; Stevie Wonder’s “A Time to Love” combined with Paul Simon’s “Bridge Over Troubled Water” (a nice tribute to Stevie’s long time Grammy “rival” Simon), Bruce Springsteen’s “We Shall Overcome,” and’Alicia Keys‘ opening number.’ Wyclef Jean, just back from Haiti, provided just the right gravity with “Rivers of Babylon” and “Yele.”

Jennifer Hudson’s rendition of Paul McCartney’s “Let it Be” was simply stunning. She told me later, “I’m just glad I didn’t forget the words!” It hardly the case. She looked gorgeous, and her voice soared. She is poised to be’a superstar of’the new decade.

Most of the numbers were spot on. There were some interesting choices,’however: ‘Madonna’s reedy’”Like a Prayer” with a huge gospel choir, and Justin Timberlake’s “Hallelujah,” which required accompaniment with someone named Matt Morris on vocals and keyboards. Talk about “live aid.”

Beyonce’s rendition of “Halo” with Chris Martin was a great showcase for her to prove she’s more than just hip hop. Shakira singing Chrissie Hynde’s Pretenders hit, “I’ll Stand By You” was just weird enough to work. Chrissie must have been very amused.

And the big collaboration featuring Bono, The Edge, Rihanna, and Jay Z:on’inspired and catchy. And cool. It was brave of them to’debut it on live on international TV.

In the end, George Clooney did something rather remarkable. We announced the idea of this telethon on January 14th. Clooney had only Sting at that point. In eight days, he created a world. All kudos to him. Now let’s hope the money, food and supplies get to the Haitian people.

Redford Skips Politics At Sundance Opening

Roger Friedman
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robert redford Redford Skips Politics At Sundance OpeningRobert Redford was everywhere last night for the opening of the Sundance Film Festival. He made the 6 p.m. screening of “Howl,” the 8:30 screening of four short films including one by Spike Jonze, and then presumably introduced the documentary, “Respeto” at 9 p.m.

Redford never disappoints, but this is the first year in many that he didn’t use any of his podiums to make a political statement. It was actually disappointing considering what’s going on right now in this country and the world. Instead, Redford talked about the renewed vigor of the Sundance Film Festival. This year’s buzz word here is “Rebel” and it’s clear that the Sundance chiefs have decided to return to their indie roots. You can feel the change in the air, as well as the snow.

Redford did reminisce about his younger days, recalling that he and some pals, looking for jazz in San Francisco in the late 50s, early 60s, stumbled by accident into City Lights bookstore. There they met Lawrence Ferlinghetti and encountered for the first time the Beat Movement. It’s hard to imagine Robert Redford with bongo and beret!

More Sundance coverage

As for Sundance: there’s definitely a feeling that it’s been de-commercialized this year. There are fewer corporate sponsors, and less of the celebrity for celeb’s sake stuff going on. Main Street in Park City has not been overrun by New York nightclubs putting in pop up appearances. And over at the Stanfield Art Gallery, they’re incorporating the ASCAP Music Cafe with art work sales. It’s going to be a classy Sundance, after all!

James Franco Defended by Mad Man Jon Hamm

Roger Friedman
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122437 howl 422x218 James Franco Defended by Mad Man Jon HammIn “Howl,” the Sundance opening night feature this year, James Franco’s Allen Ginsberg is defended in court by Jon Hamm of “Mad Men.”

Each of the actors is superb, as is the rest of the cast including Bob Balaban, David Straithairn, Treat Williams, Mary Louise Parker, Jon Prescott, and Alessandro Nivola.

Directors Jeffrey Friedman and Rob Epstein started out making a documentary. But eventually the story of poet Ginsberg’s publication of the epic and great 1955 poem “Howl” took on a life of its own. All the characters of the time were fleshed out, and the story ‘ of Ginsberg being tried for obscenity ‘ was developed from court transcripts.

The result is a small but gem-like film that should have a nice life in art houses before being showcased on HBO or the like. For one thing, Franco could not be better. He is spot on brilliant as Ginsberg. Franco’s so good in fact that after listening to him for 90 minutes, you’re surprised it’s not him singing at the end of the film but Ginsberg himself. It’s a performance that will come back in awards season next fall.

Epstein and Friedman are doc makers, so “Howl” unfortunately never rises to the level of say, Bennett Miller’s “Capote.” It’s a single minded exploration, and that’s fine. They’ve cast it so well that the minor characters around Ginsberg stand out. Hamm is very Gregory Peck defending Ginsberg. He’s just minutes away from breaking out of “Man Men” as a movie star. Bob Balaban is quietly sensational as the judge who presided over the trial.

Meantime, Franco has a lot on his plate. He has a short film here in competition, and is hoping to take a couple of shorts to Cannes. In May he will film the final episode of his “General Hospital” stint at Jeffrey Deitch’s art gallery in New York before it shuts down. He’s also somehow still going to graduate school. There’s nothing like keeping busy!

Beyonce, Madonna, Bill Clinton Added to Telethon

Roger Friedman
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Here are the newest additions to tomorrow night’s George Clooney telethon, “Hope for Haiti Now.”

Madonna will perform from New York. (God only knows which of her numbers would be appropriate for this.)

Beyonce will join the London artists, where husband Jay Z was already scheduled to perform with U2.

Former President Bill Clinton will appear, as well as Ben Stiller, Brad Pitt, Chris Rock, Clint Eastwood, Denzel Washington, Halle Berry, Jon Stewart, Julia Roberts, Leonardo DiCaprio, Matt Damon, Meryl Streep, Morgan Freeman, Nicole Kidman,Robert Pattinson, Samuel L. Jackson, Tom Hanks, and Will Smith with Muhammad Ali, whom’the actor portrayed in an Oscar nominated performance.’

Add those names to Sting, Wyclef Jean, Bruce Springsteen, Alicia Keys, as well as Clooney, Anderson Cooper, and Haitian artist Emeline Michel. Two hours doesn’t seem like enough time, does it?

According to a press release, “Hope for HAiti Now” will be’taking donations as follows:

from’12:00 p.m. ET/9:00 a.m. PT on Friday, January 22 via:
”Online: www.hopeforhaitinow.org
”Phone: 877-99-HAITI
”Text: Text ‘GIVE’ to 50555
”Mail: Hope For Haiti Now Fund, Entertainment Industry Foundation,
1201 West 5th Street, Suite T-700, Los Angeles, CA 90017

George Clooney to Donate $1 Mil on Haiti Telethon

Roger Friedman
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George Clooney is going to put his money where his mouth is.

On Friday night’s telethon, sources tell me that the star of “Up in the Air” and “The Fantastic Mr. Fox” is planning to open the show by donating $1 million of his own money to Haiti relief.

This is in addition to, and separate from, the $1 million donation his group Not On Our Watch made last week.

Clooney’s rep didn’t return calls, but I’m told the plan is solid. A friend tells me that the actor is doing i to inspire others into action.

And who knows what will happen because of this? Clooney’s Hollywood pals like Brad Pitt and Leonardo DiCaprio will be taking calls from donors during the two hour telethon. They may also decide to step up and make big donations. Pitt has already made a large donation with Angelina Jolie to Doctors without Borders.

Other stars who’ve made big donations to Haiti Relief in the last week include Sandra Bullock, who put in $1 million herself, and Madonna, with $250,000. John Travolta offered a plane of supplies and Scientology ministers.

John Edwards Lied, Lied and Lied About Everything All the Time

Roger Friedman
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John Edwards Lied, Lied and Lied About Everything All the Time

I’ve been writing about John Edwards and Rielle Hunter since 2008. This much I knew from the beginning: Edwards and his wife, Elizabeth, lied, lied and lied.

Edwards lied from the beginning about having an affair with Hunter, then he lied about fathering her child. He lied to Bob Woodruff on ABC in the summer of 2008 during an interview in his own home. Elizabeth Edwards was not on camera, but as my’ sources said then, she knew the whole story, she orchestrated the interview, and told Edwards what to say.

At the end of the summer of 2008, I reported that Edwards had gone to the Beverly Hilton Hotel in June 2008 to see Hunter and discuss their situation. A former campaign worker spotted him entering surreptitiously through the hotel’s garage, and offered to have a drink with him. Edwards said yes, then disappeared into an elevator that bypassed the lobby.

Through the fall of 2008, I wrote about Hunter and baby Quinn. I was in touch with her friends. They told me the baby was Edwards’. When’Edwards’ friend Fred Baron died in October 2008, Hunter’s money was cut off. Baron had been underwriting her rented home in Santa Barbara, Calif. When the lease ran out, Hunter and Quinn went to live in New Jersey with a friend.

Edwards, I wrote then, kept calling Hunter and telling’her he couldn’t get her any money because Elizabeth controlled their checkbooks. She would know if a big chunk of money vanished, he told Hunter. He also kept telling Hunter he loved her.

At the end of February 2009 I published a picture of Hunter and Quinn on the child’s first birthday. You can still find it on the Internet. Quinn was looking more and more like Edwards, who was still publicly denying paternity. Then Elizabeth Edwards published a book called “Resilience,” went on “Oprah,” and was cagey about the paternity issue.

It’s a sad story. Elizabeth Edwards has incurable cancer. She is a smart woman with a lot of gifts, and she’s saddled with a rat. She is also a liar. She knew this whole story a long time ago. She published “Resilience,” launched a line of home furnishings, and bad-mouthed Hunter all the time. She is very likely the source of most of the National Enquirer items, she or one of her people. Hunter’s side knew that for a long time, too, because they weren’t talking to the press.

Rielle Hunter was born Lisa Druck. The name Hunter came from her first husband. The “Rielle” she changed later. She was not a fortune hunter or gold digger. She was simply available and interested.’Elizabeth Edwards has made it seem — in the Enquirer, and in the book “Game Changer” — that somehow Hunter targeted John in the Regency Hotel in New York. This is to suggest that John was somehow a victim. Hardly.

Edwards’knew what he was doing when he fell in love with Hunter. Like Tiger Woods, Republicans and Democrats,’and a lot of other powerful men, he was living a double life, compartmentalized. He exited suddenly from the presidential campaign on Jan. 31, 2008, because of this — two years ago next Sunday. Two years of lying. Many lives destroyed. Thank goodness he was never president.

Female Singers Dominate Top 10

Roger Friedman
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gaga Female Singers Dominate Top 10What happened to all the men?

This week, the Top 10 albums, with one exception, showcase the voices and attitudes of women.

The Top 10 includes Kesha, two albums by Lady Gaga, the Black Eyed Peas (their driving force: Fergie), Taylor Swift, Alicia Keys, Mary J. Blige, and Susan Boyle.

If it weren’t for the geeky Talking Heads-wannabes called Vampire Weekend, the Top 10 would just be a choir of female angels. Right behind these ladies on the charts: Rihanna, Carrie Underwood.

It’s kind of scary. Not even publicity hound John Mayer has made much of an impact with his latest collection.

Back in my day (pre-historic) we had everyone from James Taylor to Joe Walsh, with Elton, Stevie, Paul McCartney, Paul Simon, Al Green, Marvin Gaye, Pink Floyd, the Eagles, O’Jays, Spinners, etc.

Sure we had Joni, Carole and Carly. Even Linda Ronstadt. But the male voice was a constant on pop radio, and so was the male point of view.

Now that point of view is represented by teenagers — if at all — kids like the Jonas Brothers and Justin Bieber.

But the older generation has vanished. Justin Timberlake, for better or worse, seems to be in retirement. Robin Thicke, who’s great, isn’t getting enough of a push to break him out. His album is languishing. Rob Thomas should be in the Top 10, but Atlantic Records can’t seem to make it happen.

I guess the ladies rule for now. Did “American Idol” have something to do with this? I’m just sayin’….

‘We Are the World’ Sequel Set to Aid Haiti

Roger Friedman
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quincy We Are the World Sequel Set to Aid HaitiEXCLUSIVE: This column has learned that Quincy Jones and Lionel Richie are planning a massive 25th anniversary re-recording of “We Are the World.”

The timing couldn’t be better, sadly enough.

The duo is summoning lots and lots of talent from Grammy weekend to stay an extra night — Monday Feb. 1 — and come to the Nokia Theater in Los Angeles. There, they will celebrate a quarter century since Ken Kragen, Richie and Michael Jackson organized the original “We Are the World” with Quincy.

This time the artists invited include Usher, Natalie Cole, and John Legend. But you can bet that more names will be added shortly and that all the Grammy nominees and participants will be asked to come as well. Grammy producer Ken Ehrlich will produce the event, which will then be turned into a video and single just like it was in 1985. Don’t be surprised if Wyclef Jean joins in, along with Sting, Fergie, Alicia Keys, Justin Timberlake and other distinctive voices.

It’s hoped that as in 1985, everyone will “leave their egos at the door.”

Originally, this anniversary celebration was to be held on Jan. 28. But when the Haiti earthquake happened, sources tell me, the whole deal changed. Now proceeds will go to Haiti relief. In 1985, “We Are the World,” which begat Live Aid, raised money for Africa relief.

Plans are still sketchy, but one thing’s for sure: In some way, the song’s co-author Michael Jackson will be invoked. AEG is co-producing this event. They’re also putting together a 3D tribute to Michael for the Grammy show from elements Jackson was going to use for his tour. Jackson recorded “We Are the World” for what became “This Is It.” Surely he’ll be included here as well, which will make the whole project even more poignant.

Stay tuned. PS: Quincy Jones is about to release what has been described to me as a landmark new album that he’s made with contemporary R&B and hip hop artists. He was responsible for the original “We Are the World” and will guide the new one. He is not a member of the Rock and Roll Hall of Fame, in case you were wondering.

Elton John Waiting for Leon Russell to Record Together

Roger Friedman
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This November will mark 40 years since Elton John and Leon Russell performed together at the Fillmore East in New York on November 20, 1970. This was right after Elton’s landmark live album, “11-17-70.” (Thanks to a couple of readers who pointed this out.)

Soon the old friends will make a new CD together, if Russell’s health permits. I’m told Elton, collaborator Bernie Taupin, and Russell have composed about a dozen or so new tracks together. They’re planning on going into the studio together shortly to lay them down. T-Bone Burnett, on a roll right now with the score and soundtrack to “Crazy Heart” will be the producer.

The only hitch: Russell has been in the hospital for some time suffering from brain fluid leak. He’s had brain surgery, and doctors are now considering another procedure to relieve the pressure in his head.

But the prognosis is good, and Elton is looking forward to doing the project. He told me recently that Russell had been a huge influence on him’when he’was starting out. You can certainly hear’it in Elton’s early style of singing, and on tracks like “Honky Cat,” “Take’Me to the Pilot,” “Border Song,” and the remarkable “Tumbleweed Connection” album.

So here’s a fervent Get Well to Leon Russell for a fast recovery, and release of the new album before the next Grammy deadline. This is one recording we really need, and soon!

Will Oscar Voters Go Human, Reject Globe Winners?

Roger Friedman
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It’s January 19th. Oscar ballots are due back on the 23rd, on Saturday. That’s just four days.

Will Academy/Oscar voters reject the Golden Globe winners? In the past, the Academy has turned a deaf ear to the selections of the 80 or so mysterious Globe members. Oscar voters also like the human aspect of movie making.

119864 avatar duo human sully 3412 Will Oscar Voters Go Human, Reject Globe Winners?This year, the HFPA went wild for “Avatar” after a last minute viewing in December. They let the technology (and maybe the 3D glasses) obscure the facts that “Avatar” has a terrible screenplay and no real acting per se. It contains some of the worst dialogue in history. But it does have amazing effects. There’s no question that it’s a game changer in sci-fi.

But the top 5 real contenders for Best Picture are movies for actors: “Up in the Air,” “Inglourious Basterds,” “The Hurt Locker,” “Precious,” “An Education.” Movies are about people and they’re performed by people. “Computer generated” means that, created artificially. It’s a whole different category. “Avatar,” “Nine,” “A Single Man,” “Star Trek,” and “Up” are the back five.

There are no Best Actors or Actresses in “Avatar,” even though Sigourney Weaver is otherwise a very fine actress. The next time she has a “Gorillas in the Mist” or “Working Girl,” the Academy will swarm to her.

The Best Actresses this year were Meryl Streep, Marion Cotillard, Carey Mulligan, Gabby Sidibe, and Sandra Bullock simply because she’s cool and waited a long time for some recognition.

The Supporting Actresses are not just’Mo’Nique, who long ago I predicted would be the first Oscar nominee with an apostrophe in her name. Julianne Moore is absolutely sensational in “A Single Man.” Penelope’Cruz sets pacemakers off in “Nine.” Anna Kendrick is a lovely newcomer in “Up in the Air.” Vera Farmiga is also not to be overlooked from the same film.

The Best Actors are easy. Jeff Bridges cannot be denied. But George Clooney is just perfection in “Up in the Air.” Daniel Day-Lewis challenges himself and the audience once again in “Nine.” Colin Firth comes of age Oscar-wise in “A Single Man.” Morgan Freeman could not be better as Nelson Mandela in “Invictus.”

Supporting Actor is just as busy a category. Christoph Waltz is a slam dunk in “Inglourious Basterds.” But there’s also Matt Damon, Stanley Tucci, and two equally gifted actors from “The Hurt Locker”– Anthony Mackie and Jeremy Renner.

And Best Director? Kathryn Bigelow leads the way, but Quentin Tarantino has made his “masterpiece,” James Cameron has shown how to be PT Barnum, Lee Daniels made the searing “Precious,” and Jason Reitman’s third feature hits home on so many HUMAN levels.

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