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Michael Jackson Lawyer On How He Got a Great Deal for Joe Pesci’s Ex-Wife

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Michael Jackson’s triumphant defense lawyer Thomas Mesereau is featured on NBC’s “Dateline” tonight. Maybe he’ll share some of his magic with the audience. Mesereau recently pulled off one of his better coups, managing to keep Joe Pesci’s ex wife from going to jail for the rest of her life. Claudia Haro was accused of trying to kill her ex husband (the one she had after Pesci), a stuntman named Garrett Warren. Someone shot Warren in the face after conspiring to kill him. Prosecutors decided it was Haro, who was in a highly contentious divorce and custody battle with Warren.

The government said that Haro had paid her brother to kill her ex. In the end, the brother–who had his own problems–went to prison for life. Haro got a mere 8 years in a settlement arrived at before the trial actually began, and had not had to make an admission of guilt. It was quite a coup for Mesereau, whose most famous case was the acquittal of Michael Jackson from child molestation and conspiracy back in 2005.  Pesci stood by his ex valiantly– letting her stay in his house during the trial, and — I am told by sources–paying for her defense.

Mesereau also continues to do amazing work in Alabama, where he works pro bono defending poor people accused of capital crimes but who are unable to get a fair defense.

Johnny Lewis: TV Actor, Landlady Killer, Cat Dismemberer, Scientologist

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Johnny Lewis, the actor from the F/X TV series “Sons of Anarchy,” strangled his landlady to death, dismembered her cat, and then fell to his death yesterday after a wild rampage in Hollywood. Now it turns out that he was a Scientologist who came from a Scientology family. His father, Michael Shelton Lewis, worked his way up to the higher echelons of Scientology beginning in 1980. The last course he took was in 2008 according to the website http://www.truthaboutscientology.com/stats/by-name/m/michael-shelton-lewis.html  Michael Lewis has gotten as far as OTVII, which means he speaks to aliens, and also did the course for drug counselors.

TMZ reports that Lewis’s son, the now infamous Johnny Lewis, had been in Narconon in 2004, and published a picture of Lewis from Narconon from that time. Johnny Lewis’s Scientology courses stop in 2004, according to http://www.truthaboutscientology.com/stats/by-name/j/johnny-lewis.html.

This has certainly been a tough summer for the religious cult. Aside from the Tom Cruise mess, Tony Ortega reported in the Village Voice about the mysterious death of Alexander Jentzsch, son of reclusive Scientology leader Heber Jentzsch. http://blogs.villagevoice.com/runninscared/2012/07/scientology_alexander_jentzsch_stan_gerson.php. I can’t wait to read Ortega’s book, which should detail all the missing and dead members of the cult, what happened to them and why. As for Lewis, there are still many unanswered questions.

Kramer’s Michael Richards on 2006 Comedy Club Incident: “I Busted Up After That”

Jerry Seinfeld and Kramer are back together, sort of. Seinfeld’s latest “Comedians in Cars Getting Coffee” features Jerry driving around Malibu in a beat up 1962 VW half bus. Richards is still getting over his calamity in a comedy club seven years ago when he got booed off stage at the West Hollywood Laugh Factory in 2006 for what can best be described as a racist outburst. He immediately apologized on “Letterman” and it was referenced again on “Curb Your Enthusiasm.” But Richards has pretty much been in self-exile ever since the incident.

Richards and Seinfeld have always been friends, since before “Seinfeld.” And Jerry has remained loyal, which Richards points out poignantly. Watch the video below in our video player. It’s extremely funny and touching. Richards tells Jerry about their hit show: “Sometimes I look back at the show and wish I had enjoyed myself more.” Seinfeld responds: “Michael, I could say the same thing myself.” More importantly, Richards talks about his scandal: “I busted up after that event seven years ago…It broke me down. It was a selfish response. I took it too personally. I should have said, You’re absolutely right, I’m not funny. Inside, it still kicks me around…”

http://www.youtube.com/watch?feature=player_embedded&v=Wriy3ICfF9U

On a personal note, I’ve talked to Michael Richards a couple of times since the scandal. He’s one of the nicest guys. Seven years seems like a long enough sentence.

By the way, if you haven’t seen Jerry’s series, it’s terrific. Don’t miss the episode with Carl Reiner and Mel Brooks. It’s brilliant. http://www.youtube.com/watch?v=4czusJ8YLCg&feature=relmfu

“GMA” Claims First Quarterly Win Over “Today” in 17 Years

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“Good Morning America” is claiming a huge victory over the “Today” show now in the ratings. “GMA” is claiming that for the first time in 17 years it has won a quarter–three months–in total ratings, and has also been number one for 28 straight days. How have they done it? I agree with “Today” show producer Jim Bell. “GMA” has taken a sharp turn into being a tabloid show without much substance. They took advantage of the confusion at the “Today” show and just went for the lowest common denominator. When they played a game show about Jessica Simpson on 9-11 that was the defining moment, I think. George Stephanopolous reduced to constant, giddy reminders that Simpson was on her way–that said it all.

So “GMA” is crowing. Their press release reads: “GMA” led “Today” (4.085 million and 1.676 million, respectively) by +884,000 Total Viewers and +237,000 Adults 25-54.  In the final week of the season, “GMA” scored its largest Total Viewer and Adults 25-54 advantages over the “Today “ in more than 18 years – since w/o 5/16/94 and w/o 8/8/94, respectively.”

More from the press release: “Good Morning America” won the 3rd Quarter 2012, ranking as the No. 1 morning newscast in Total Viewers (4.757 million) during a quarter for the first time in more than 17 years (since 2Q95), according to Nielsen Media ResearchImpressively, “GMA” outperformed NBC’s Olympics-fuel “Today Show” (4.588 million) by +169,000 viewers during 3Q12, finishing No. 1 in all 11 non-Olympic weeks of the 13-week 3rd quarter.

The “Today” show seems clueless about what has happened, especially with Ann Curry. They’ve got to plot a way back, some kind of truce with Curry that is real, and that the audience understands. Right now, the audience is furious, and they’re taking it out on the show. Such a weird series of events for “Today,” which is so much better than “GMA” in any iteration.

see also: www.tvbythenumbers.com

Yes, Nicole Kidman Urinates on Zac Efron in Crazy Brilliant New Film

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People are either going to love Lee Daniels’ “The Paperboy” or hate it. And yes, Nicole Kidman does urinate on Zac Efron, and she’s not even pissed off. (It’s to save him from jellyfish poisoning.) The film is the centerpiece of the New York Film Festival next week, and I cannot wait to see people’s reactions. Lee Daniels, who directed “Precious” to six Oscar nominations, has made a crazy, kookoo, brilliant film in which Kidman absolutely shines, Efron is filmed like an ingenue, Matthew McConnaughey does his best work ever, and John Cusack looks worse than anyone in any movie in recent history.

I really like “The Paperboy,” a Southern Gothic thriller based on a Pete Dexter novel (he co-wrote the screenplay with Daniels). It’s “Body Heat” on acid, basically. What happens? What doesn’t happen? There’s a murder, it has to be solved, there’s a reporter, his brother, and a crazy woman who’s courted the killer from outside prison. But “The Paperboy” is not about the plot. It’s about the characters, the pacing, the attitude, and the innards of a crocodile.

The story takes place circa 1972-72, hence the soundtrack that features Al Wilson’s mega hit “Show and Tell,” and lots of other good R&B. The movie is st in the Florida swamps, so everyone sweats through this film. There isn’t one forehead that isn’t shiny.

And into all of this comes the wild card: singer Macy Gray, who doesn’t sing, but just about steals the movie as a housekeeper for the wealthy father (Scott Glenn, always great to see him) of Efron and McConnaughey. Between this performance and her covers album this year, Macy Gray has really had a triumphant 2012. God bless her. She’s MoNique and Mariah Carey rolled into one in this film. But she also has found something no one knew she had. Bravo to Lee Daniels. He knows his girls.

Kidman plays Charlotte, who’s become the pen-pal lover of Cusack, the crazy jailed killer whom McConnaughey thinks he can extricate with new evidence. Hair teased up in extensions and dyed blonde, Kidman is decked out from the 60s. She plays it for all she’s worth–which is plenty. I am continually impressed that Kidman takes chances like this–whether it’s with Lars von Trier, or as Diane Arbus, or twirling around naked on stage. She’s the rare mixture of actress and movie star. And when she goes to the edge, it’s that much more fun. (More: many sexually provocative scenes with Kidman, including a “Basic Instinct” moment.) This is absolutely a best supporting nomination.

“The Paperboy” is wild stuff, and as much set in the 70s as it a movie that recalls movies of that decade. Maybe it doesn’t all work, but the majority of it does, and if you ‘get’ it, you’ll like you’re on the inside. It’s compelling and passionate, which is unusual these days. And if you’re a Zac Efron fan, you can watch him walk the line between really acting and being photographed like Betty Grable. (It’s a little unsettling.)

 

Adele: James Bond “Skyfall” Song Written With “Rolling in the Deep” Writer

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So Adele’s collaborator on “Let the Sky Fall” is indeed Paul Epworth, the man who co-wrote her big bit “Rolling in the Deep” and most of “21.” That’s good news. The “Skyfall” song will make its debut around October 4th or 5th from Sony Music and Adele via social media, I am told. For Adele’s first new release since “21” Sony will pull out all the stops, you know.

The goal will be to make “Let the Sky Fall” the biggest selling digital single ever.

Meanwhile, I have more lyrics to add to what I gave you on Tuesday.

“Skyfall/Is where we start/A thousand miles and poles apart/Where worlds collide/and days are denied/You can take my name/But you’ll never take my heart”

A couple of readers chimed in that they didn’t like the lyrics, which I thought was funny. When you sign on to a Bond song, you have write it around the title you’re given. It’s like a game. Think of “Goldfinger,” or “Golden Eye.” Or “Live and Let Die.” The lyrics are not necessarily going to make sense. But if you convey the mood of danger, and romance, you’ve got it. I do think “Skyfall,” which has a great hook and obviously Adele’s cool vocal, will be very very popular.

PS thanks to everyone who gave credit to our first story. Please do back links and hyperlinks to this page. We’ll do them right back!

http://www.showbiz411.com/2012/09/25/exclusive-adele-james-bond-skyfall-song-is-classic-007

 

“Rebecca,” A Musical No One Should Have to Hear

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Great story in the New York Times: Broadway producer Ben Sprecher is still looking for $4.5 million to put his musical, “Rebecca,” on Broadway. It turns out his major backer disappeared, if he ever existed at all. Sprecher never met or spoke to the man; now it’s likely he never existed. It sounds like “The Producers.” http://artsbeat.blogs.nytimes.com/2012/09/21/rebecca-producer-claims-new-financing-is-lined-up-for-broadway-musical/

Well, remember, I actually saw a backers audition version of “Rebecca” about a year ago at Merkin Hall. It was dreadful. I’d gone as the guest of a possible major backer who, luckily, decided to stay out of the show after that afternoon.

“Rebecca” was like a bad Andrew Lloyd Webber fiasco. Maudlin, overstuffed, with anonymous terrible songs and a script that was contrived and unbelievable, “Rebecca” was at least polished. But it was also shrink wrapped. It reminded all of us of “The Scarlet Pimpernel” or “Jekyll and Hyde.” Those are not good memories.

The highlight of the afternoon was Carolee Carmelo, who has since go on to better things. If Sprecher is smart, he’ll cut his losses now. No one should invest in “Rebecca” unless they need to take a loss on their taxes. It’s just as well the mystery backer is gone.

Amazon Pretty Much Gives Away New Green Day, No Doubt Releases

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They bought ’em, they can what they want with ’em: Amazon.com is pretty much giving away downloads of the new albums by Green Day and No Doubt. You can pick ’em up, or pick ’em out for five bucks. That’s the equivalent of free, kids. (The so called deluxe version of No Doubt’s “Push and Shove” are $7.99.)

Well, Amazon paid the freight to Warner Bros and to Interscope, so they can do what they want. With music sales very shaky, they probably figure it’s the only way to stimulate sales.

But at five bucks, Amazon is taking a hair cut, that’s for sure. And it means that the two albums will do much better in the charts next week for debuts than they might have otherwise.

Was it necessary? For Green Day, maybe. Band leader Billie Joe Armstrong is in rehab, and the group has two more albums coming this fall. “Uno,” the first, is very enjoyable lite punk rock, just in the vein of “American Idiot” and Green Day’s past efforts. Warner Bros. is desperate for a hit with their name on it given their current situation.

The new regime finally ousted Lyor Cohen. With Edgar Bronfman, Jr., Cohen turned WB into the company without hits. This week, as Cohen leaves with millions of dollars, new houses, and lots of prizes, WB has just a few scattered CDs on Atlantic. But the Warner Bros. name is, as usual, nowhere to be found at the top of the charts. Oh, yes: and James Taylor is suing them.

As for “Push and Shove,” it’s No Doubt’s first album in 11 years. Don’t speak! Yes, it’s true. Gwen Stefani had a couple of solo albums, launched fashion lines and had kids. Now the group is back. No Doubt, like matchbox twenty, has become a dependable brand. (I really love m20’s “She’s So Mean.”) Anyway, “Push and Shove” will do very well at this price point.

But in both cases, it’s a concession that no money can be made from actual album sales. The revenue has to come from live performances. For No Doubt, there’s little doubt that will happen. But with Armstrong’s problems, Green Day is now a big question mark. Still all the songs are catchy and hummable, ready for radio or what’s left of it. For my money, I’d rather have the matchboxtwenty, and definitely Aimee Mann.

The albums, by the way, are not getting good reviews. The No Doubt lacks passion and a reason, frankly. Nothing on it is equal to their cover of “It’s My Life” or “Don’t Speak.” And Green Day–three albums? How about one really good one?

Anyway, Bruce Springsteen, The Who, and the Rolling Stones are coming to town soon.

James Franco Commits a “Crime” with Smokey Robinson

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James Franco is now dabbling in R&B music. Luckily he enlisted Smokey Robinson, who Franco met on a plane for vocals. The song is called “Crime.” It’s the second video Franco’s released this week from the upcoming album, which is recorded under the name Daddy with a music student pal. I’ll take anything with Smokey’s voice on it. http://www.youtube.com/watch?v=xYSqEd5dVe0 Here’s the other single, called “Love in the Old Days”: http://www.youtube.com/watch?v=lL-BhJcdJaE. The truth is, the songs aren’t bad. Which is a surprise. Or maybe not. Franco continues his quest to conquer everything. Soap operas, graduate school, novels. short stories, poetry and now soul music. And he’s doing it.

Whitney Houston Gets Grammy TV Special with Usher, Jennifer Hudson

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I told you some weeks ago that Whitney Houston would get a memorial CBS special. Well, it’s just been announced officially. Jennifer Hudson and Usher are the first two stars announced. The show, We Will Always Love You, will tape on October 11th in Los Angeles at the Nokia Theater. The public can buy tickets in Ticketmaster. I expect R. Kelly will be added, as he’s featured on the new greatest hits package coming from RCA shortly. Kelly mixed up a new duet of the song he wrote for Whitney called “I Look to You.” The special will feature interviews and clips. They should really include Jermaine Jackson, Narada Michael Walden, and the original people from Arista who helped put together the first couple of Whitney Houston albums. The special will air in December on CBS.