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Lindsay Lohan’s Benefactor Revealed: Chinese Billionaire Behind “Mr Pink” Drink, Major Obama Backer and Celebrity Chaser

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EXCLUSIVE Lindsay Lohan — and some other B list celebs like LaToya Jackson– has found a new source of money from a China billionaire transplanted to Los Angeles. On Monday morning, Lohan Tweeted a thank you to  “Mr Pink” for getting her a private plane from New York to her court date in Los Angeles. Mr. Pink is a California-only distributed ginseng drink that is owned, sources tell me, by a Chinese billionaire and former entertainer who has money to burn.

My source says that last fall, Poe Qui Ying Wangsuo of Monterey Park, California– alleged to be the enigmatic owner of Mr Pink–threw a lavish promotional party in Beverly Hills for the product just because he could. Mr Pink, my source says, paid Lohan over $75,000 to come to the product presentation. The company also paid $21,000 for her private plane to LA. That’s also what he paid on Monday morning to fly Lohan in for the court date.

All the money is negligible to Wangsuo. A source says: “He spent half a million dollars for the party, and $3 million to date to launch Mr Pink, and it’s only available in California. They just want to go out and party. [As far as marketing and selling a new drink] they have no idea what they’re doing.”

Mr. Pink is owned by Wangsuo but run by him and three men under the name Kings Investment Group LLC. They are all based in LA. Their names are Artur Arenyan, Kaine Wen, and Farhad Novanian. Arenyan, who works in the beverage business, got Wang Sou into Mr Pink, I am told.

mr-pink-wangsou and monica gaborWangsuo  loves celebrities, my sources say. To rub shoulders with the rich and famous, he donated $35,800to the Obama Victory Fund in 2011 at a Hollywood fundraiser. But Wangsou keeps a low profile. He leaves the high life to his Romanian girlfriend, known as Monica Gabor. But he counts among his pals Hockey legend Wayne Gretzky, with whom Wangsuo hoped to launch Mr Pink in Canada.

Lohan’s involvement is key.  With little work and bills to pay, she must rely on her notoriety to make money. Mr Pink doesn’t seem to mind. It gets his brand attention even if you can only buy it on the west coast. “It’s a vanity product,” says a source, “It’s not meant to be a success. Wangsuo has $2.7 billion. He wants to party and be with celebrities.”

After Lohan arrived in LA this morning, she Tweeted both Mr Pink and WangSou’s party planner, Sheeraz Hasan.

Hasan has a couple of websites including one called www.hollywood.tv. (Hasan didn’t respond to my emails.)  However, one look at the website and you see that Hasan has had his picture taken with every living celebrity and famous politician. Most of the shots look like standard set ups– he waits on lines, has a standard picture taken with Barack Obama, Hillary Clinton and then posts the pictures to make it seem like he’s their best friend. Maybe he is, who knows? I won’t deny him those relationships.

According to his website, Sheeraz Hasan’s customized services include: Creating the coolness factor for your brand, something called Paparazzi On Call, and Celebrity Booking for Private Engagements, parties, events, etc. He also gives Investment Advice. You’ll be happy to know that:

“Sheeraz, Inc. has the Hollywood paparazzi on direct dial any time of the day. Whether you happen to be in Los Angeles, London, or Miami, we are able to create a paparazzi media frenzy to highlight and publicize your profile to the mass media. This service is available 24 hours a day.”
And Hollywood.tv– it’s sort of a lower rent version of TMZ (that’s like penny slots vs. nickel slots).

Prince, Paris, and Blanket probably didn’t realize when they endorsed Mr. Pink that it’s tied to Hollywood.tv, and that the site keeps up a famous amateur video of their father being removed by ambulance from their house after he died.

Preview: Tom Hanks, With 2 Oscars, Will Make Stunning Transition to Broadway

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Nora Ephron did a lot of things but she didn’t write plays. She did write, with her sister Delia, the omnibus “Love, Loss and What I Wore.” It was spoken, with scripts, by five women who sat on stools and didn’t really have characters or interaction. Nora wrote screenplays, of course, and a funny, funny novel (“Heartburn’), but never a proper two act piece of drama so polished it could just appear on Broadway.

But that’s what “Lucky Guy” is. I did get to see a preview of “Lucky Guy”– which opens on April 1st– on Friday night at the Broadhurst Theater. Tom Hanks, star of Ephron’s two greatest movies– “Sleepless in Seattle” and “You’ve Got Mail”– simply steals the Broadway season as late New York tabloid reporter Mike McAlary. I can’t think of any other movie actor in recent history who makes a Broadway debut like this one. And the playwright: Nothing Nora ever did prepares you for this as her last act, or maybe everything does. All her close friends talk about the perfect little gifts she used to give them. This is one of those gifts.

First of all, the play is unexpectedly greater than just “great.” To think that Ephron wrote this play when she was so ill makes you pause right there. It’s not jokey or constructed of memorable one liners. It’s actually an honest, beautifully wrought tragicomedy about a larger than life guy who burned too brightly. Some of it has been dramatized or condensed from McAlary’s life. But believe me, you get the important stuff.

There’s a person-for-person breathtaking cast that includes Peter Scolari, Maura Tierney, Peter Gerety, and Richard Masur. Then there’s George C. Wolfe, who stages this piece. I can’t get out of my mind at least two scenes where he rises above his already vaunted career highs.

McAlary wrote and reported for the Daily News, the New York Post, and New York Newsday, In the mid 90s, his career turned into a frenzy of headlines — and some were about him. There was still no internet, and the three tabs were in a deathcage match. Editors and reporters went back and forth among the papers as loyalties kept changing. So did the papers’ owners. There was a strike at the News, and then a public showdown at the Post. It was a wild time. At the Intelligencer column in New York magazine, circa 1994-1995, Pat Wechsler and I wrote a lot of stories just about the daily New York media games. A lot of them took place in bars. And at Elaine’s. And it’s all here.

Ephron, who’d worked at the Post in the 70s, and had written for New York, lays all of this out in “Lucky Guy.” I felt like I was watching a hologram of history. And then into this comes McAlary– his successes, failures, his famous car crash, and his cancer. And all those stories, not the least of which was Abner Louima, who was sodomized with a broomstick by rogue cops. McAlary broke that story and won the Pulitzer. And then he died.

Ephron, Hanks and Wolfe really capture what would be the last great hurrah of New York newspapering. This isn’t “The Front Page” and Hanks knows it. Somehow, even though he never knew McAlary, he gets the whole gestalt of what was going on. With his mustache he somehow looks like McAlary on stage.

I don’t know how all the people who will want to see “Lucky Guy” with Hanks will get in there before he’s supposed to leave on May 26. Maybe he’ll extend into the summer. Also Hanks should try and make it past the Tony Awards. With some luck the play will keep going for a while with a replacement. It’s too good not to let it not have a real life in the theater.

And as for Tonys, as much as I love Chris Durang’s “Vanya, Sonia, Masha and Spike,” “Lucky Guy” is headed to Best Drama, Actor, Director, and several supporting acting nods. It’s going to be a bittersweet experience, I imagine, for everyone involved.

Justin Timberlake Has A SECOND Album Ready for Fall, But His Faux Soul Sparks Debate

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So: Justin Timberlake has 1o more songs, a “20/20 Experience, Pt. 2,” ready for fall release. On a web forum, Questlove of the Roots made the announcement today in response to criticism that’s come up about Timberlake’s “faux soul.” Indeed, this whole marketing scheme of Timberlake’s for “The 20/20 Experience” is a mixed cultural reference. He either sees himself as a Rat Packer– Dean Martin?– singing 70s soul with a 16 piece band. Or, I don’t know what. Because no soul singer, not even Marvin Gaye, or Jackie Wilson, performed like this. Maybe Nat King Cole, who was dead before the 70s soul revival.

The hit single from “20/20” is “Suit and Tie.” It’s largely sampled and reworked from a 70s track by a group called Sly, Slick and Wicked. The record was called “Sho Nuff.” Here’s a weird story. There were two Sly, Slick and Wicked groups. One was from Los Angeles, the other from Cleveland. The LA group was first. The Cleveland group came after them, and had the hits like “Sho Nuff.” The Cleveland group actually sued the LA group over the name and lost. Still, they have to be paid for the “Sho Nuff” sample, which now called an “interpolation”– haha–Timberlake and co. just rewrote the song. Nevertheless, good job.

This whole excavation and archeology project of ripping off obscure songs started more than 25 years ago. At first it was called sampling. Now, as the songs have become whole “tributes” to a sound, it’s “interpolation.” Alicia Keys has been in the forefront of this, which always surprised me since she was capable of writing new songs. This past year Bruno Mars made a whole “tribute” to Sting and the Police from his “Locked Out of Heaven.” Some people may actually call these things “rip off.” Even John Legend did it, renaming the 60s hit “Spooky” by Dennis Yost and the Classics IV as his “Save Time.”

“The 20/20 Experience” is clearly a tribute to Philly Soul, Gamble and Huff. And it has tons more “interpolations” and samples than just “Suit and Tie.” We can only guess how many more will be lodged in Part Deux.

 

TV: One “Real Housewife” Says She Knows Who Will Go and Who Will Stay

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One of the Real Housewives of New York–women who are not and never have been housewives– says she knows which ones will go and which will stay when filming for their next season commences. Mind you, I have never written a word ever about any of the Real Housewives shows. I have never seen a minute of any of the editions, even when I accidentally appeared in the first episode of the Beverly Hills show when Kelsey Grammer got filmed during his premiere of “La Cage aux Folles” on Broadway a couple of years ago.

But over the weekend, I did meet Sonja Tremont Morgan, who is on the New York show, and is trying to market a Toaster Oven. So far, the Toaster Oven has not appeared, and even though she explained to me all her marketing ideas, I’m still not sure why GE or DeLonghi or Sunbeam hasn’t come along and branded one of their existing Toaster Ovens with her name. It would make a lot of sense, no?

In my life I have actually known two women who became “housewives.” I knew Bethany Frankel, slightly, before she got on the show. And I’ve known the wonderful Carole Radziwill a long time– even though I’ve never seen her on the show. I would rather be forced to watch The Knitting Channel.

Anyway, Ms. Morgan was a delightful dinner companion. She told me she’d been married to the great great grandson of John Quincy Adams, who was also descended from J.P. Morgan. Right away, this is pretty amazing. She is, by checking, 50 years old this year. She looks 40. However, Mr. Morgan is 83. Their marriage produced a child, but was brief. “He had a car accident, almost died, was in a coma,” she told me. “When he woke up, he had amnesia and didn’t remember me or his daughter.”

Wow! Isn’t that a screenplay? Why hasn’t she produced that movie, or sold the rights, I wondered? It turns out she once did promise to produce a movie, didn’t do it, and was sued by the people involved. She lost millions.

Anyway, back to “Real Housewives.” I didn’t know who they were, but Sonja Morgan says she could guess who will be ‘out’ for the next season. “LuAnn and Heather,” she said. LuAnn is a Berlin, Connecticut girl who married a real life Count, named deLesseps. He divorced her, however. Now she is known as Countess LuAnn deLesseps.  And Heather is a woman who is suing the owner of Spanx, the form fitting underwear, for allegedly stealing her idea. Heather Thomson has a company called “Yummie Tummies.”

We are not at the Oscars anymore, you dig?

A friend of mine insists: “This is big, big news.” So I am telling you. It’s Sunday and the Yankees have already played. So I have time for this.

Please, someone, make this Toaster Oven. Sonja has whole lines of things she’s ready to license: aprons, napkins, blenders, etc. We are ready. John Quincy Adams is ready. So is J.P. Morgan.

 

One More Time: On “The View,” Brooke Shields Is In, Elisabeth Hasselbeck Is Out

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Either the folks at Page Six are talking to the wrong people, or they just don’t get it. Just so we’re all on the same page. As I told you last week, Elisabeth Hasselbeck will exit The View when the season ends for summer. Hasselbeck will make her announcement later this spring. Brooke Shields is set to take over one of the two open spots. Joy Behar is leaving, but it wasn’t because she was found “too polarizing.”

Behar told Barbara Walters and ABC “quite a while ago” that she wanted to go. As the lovable– and I think still to have another big talk success–Behar told friends recently: she had a great run, got her family settled, bought three houses, and got married. She wants to do other things. As for Hasselbeck, she’s out of step even with conservatives, she’s not bright (it’s not like they have Mary Matalin representing the right).

The View will need a journalist and someone a little more in the center to balance out the group, someone in her 30s. George Stephanopolous’s talented wife, Alexandra Wentworth, I am told does not want the job although she likes occassionally filling when someone is out. Hey–by next fall Nicki Minaj might be free!

Box Office Calamity: No Magic as “Burt Wonderstone” Crashes with Carrell-Carey-Arkin-Gandolfini

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SUNDAY UPDATE: Worse news than was thought: “Burt Wonderstone” comes in at $10.3 million for the weekend.

Earlier: This has not been a great winter for Warner Bros. This morning they’re waking up to their fourth box office disaster in a row. “The Incredible Burt Wonderstone” — with real stars Steve Carell, Jim Carrey, James Gandolfini, and Oscar winner Alan Arkin. The movie looks like it will make a very meager $11-$12 million. The official budget is listed as $30 million, but of course, that’s highly unlikely given just that quartet. The cast also includes Olivia Wilde, Jay Mohr, and actual magician David Copperfield. “Wonderstone” also sports 11 producers, 4 writers, and 1 director–Don Scardino, a highly regarded television director and former actor.

“Burt Wonderstone” caps a long, bleak stretch that started with “Gangster Squad,” “Beautiful Creatures,” “Bullet to the Head,” and “Jack the Giant Slayer.” Every studio has its run of back luck. Warners is also coming off a mega success with “The Hobbit” and a Best Picture Oscar for the hit “Argo.” Last year “The Dark Knight Rises” was a monster success. And the studio is looking forward to a glittery opening for “The Great Gatsby” in May including the Cannes Film Festival premiere. Also about to be unleashed: “The Hangover Part III,” “Man of Steel,” a promising comedy called “We’re the Millers,” and “Gravity” with George Clooney and Sandra Bullock.

This film, though, is a puzzlement. Why it was allowed to butt up against “Oz the Great and Powerful,” another family film with magic that had “The Wizard of Oz” marketing edge? And the mixed to poor reviews didn’t help. Neither did the very tacky looking posters. Oh well. This, too, shall pass.

Bon Jovi Will Beat Bowie For Number 1, Driven by $5 Amazon Promotion

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Well, well. The music charts haven’t been so good in ages. Bon Jovi, Bowie, Pink, Jimi Hendrix. There’s too much to listen to! Plus, if so inclined, Justin Timberlake is streaming on iTunes. (“20/20” isn’t officially released until Tuesday.) For this week, which ends on Sunday, the race to number 1 is close, close, close.  David Bowie’s excellent  “The Next Day” looked like it would be at the top– quite an accomplishment considering it’s Bowie’s first album in 10 years. But Bon Jovi’s “What About Now”– terminally catchy, fun rock and roll– now seems to be edging Bowie out.

There are two mitigating factors here– well, maybe three. Bon Jovi is on tour. They appeared on “Katie” on Friday, and “American Idol” on Thursday. Plus amazon.com is just about giving away the download of the album for five bucks. The Bowie album is $9.99. Unfair advantage? Well, it’s a dog eat dog world out there right now.

But how rewarding to have so much good music after a long, long drought. The Jimi Hendrix album, “People, Hell and Angels” has barely left my CD player or devices. Eric Clapton has “Old Sock.” I am addicted to the Pink song, “Try” from her current hit album. And if you’re not listening to Aaron Neville’s “My True Story” produced by Keith Richards, you’re missing the first best new release of 2013. Bravo!

Ashton Kutcher as Steve Jobs: Film Is Pulled Off its Opening Date

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“Jobs” or “jOBS” or however you want to spell it, will not be coming to a theater on April 19th. The movie about Steve Jobs, starring Ashton Kutcher, has been yanked from its April 19th opening date. Open Road Films says it needs more time to market the film. But “Jobs” received lukewarm reviews from its opening at Sundance. And now Apple is having stock problems. They’re also being pelted by Samsung and other companies. Suddenly, Apple — hard to believe — is getting baked. Open Road says it chose April 19th because it’s the Apple anniversary date. But if they wait until May, they’ll be butting up against summer releases. Until August, the schedule is not that conducive to releasing a middling movie with a so so TV actor. We may not see “jOBS” for a while. Maybe they should time it to the release of the iPhone 6. Or 7.

“American Idol”: Ratings Tank to Lowest Low After Nicki’s Late-Show and Histrionics

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Thursday’s “American Idol” sank to a 3.0 rating with just 11.63 million people watching the show. It was the fourth most watched show of the night. But it was almost the FIFTH. A show called “Elementary” was behind it by a whisker– 11.63 to 11.49 million. This is very troubling. “Idol” had a 3.8 on Wednesday, revised up. Even if this number is revised up, it still means that the carryover from Wednesday to Thursday was dismal.

And on this episode, Nicki Minaj got up and stomped around when she didn’t get her away over her favorite contestant leaving the show. This was after she showed up 20 minutes late on Wednesday and looked like a hot mess. Her explanation was that she had been caught in traffic– yes, a first for live TV considering she’s paid millions to be in that studio on time. If it wasn’t a PR stunt, then Nicki’s got problems. And so does the show.

The fact is, Thursday has become a disaster for “Idol.” The CBS comedies “Big Bang Theory” and “Two and A Half Men” just roll over it. “Person of Interest” picks up steam from those shows at 9p, giving CBS a blockbuster evening. But now “Elementary,” which follows “PoI,” is just on the verge of making it a CBS night. “Idol” is also facing the return of “The Voice” on NBC Monday, March 25th–with hot hot hot Adam Levine and lots of young stars.

So many things are wrong. Why, for example, didn’t Mariah Carey perform her “Oz” song, “Almost Home,” this week? “Oz” opened to $80 million over the weekend? This would have been the perfect moment for that. Why aren’t we seeing Keith Urban perform a song? He is hot hot hot. The “Idol” audience loves him.  It’s enough with Phillip Phillips.

Exclusive: Gerard Depardieu “DSK” Movie Calls For “Full Nudity” and “Simulated Sex” for Orgy Scenes and “Sado Masochistic Tryst”

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EXCLUSIVE: An exhaustive casting call has gone out this morning for the thinly veiled movie about the “DSK” scandal that rocked New York, Paris and the world in 2011.  Dominique Strauss Kahn–the French politician and businessman– wwas arrested for allegedly raping a New York hotel maid on May 15, 2011. Gerard Depardieu stars as the renamed  “Devereaux” and is the co-producer of the film.

The descriptions of the needed cast call for “full nudity,” “simulated sex” and orgy scenes.And there seems to be a decided point of view: that the maid lied. There also seem plans to graphically re-create the alleged–but never legally proved –rape.

The maid, in the movie, is described: [MAID] Searching for African woman (Native African NOT African American) in her early to mid 30s. This maid seems impassive when Devereaux exits his shower in the nude. Later, disheveled and seemingly distraught, she falsely accuses Devereaux of sexual assault…no lines, at least 4 scenes MUST BE ABLE TO DO FULL NUDITY AND SIMULATED SEX SCENES. [Ed note: I have added bold faced type]

The story brought international headlines and was such a scandal that it destroyed DSK’s plans to run for the French presidency. At the time of his arrest, Kahn was Managing Director of the International Monetary Fund and had been  French Minister of the Economy, Finance and Industry. He resigned from the IMF on May 18. 20011.

DSK went into house arrest in downtown Manhattan with his wealthy French wife, Anne Sinclair, while the NYPD investigated the case. In the end, no charges were brought against him. But the maid, Nafissatou Diallo. sued him and the case was eventually settled. The Kahns returned to France, where they are now divorced.

Eccentric director Abel Ferrara announced plans last year to make the movie, with French legend Gerard Depardieu signed to play DSK and Isabelle Huppert to play his wife Anne Sinclair. In the casting sheet, there is no mention of Sinclair or Huppert. But the movie is set to begin shooting in NYC next month.

A whole group of characters is being cast in “docudrama” style. The call is for people with real life experience who’ve worked in law enforcement and for hotels.

The film’s summary: A former college professor, swept up into the fast-paced world of politics by his ambitious, wealthy wife, is an unabashed hedonist who is on the fast track to become the next president of France. However, an accusation of rape while in the U.S. derails his career and
makes him take a good, hard look at his marriage, his morals, his motives, and the alarming downward path he suddenly finds himself on — a trajectory that may ultimately lead to redemption…

The full casting call:

CAST: Devereaux (Gerard Depardieu)
[DAUGHTER] Devereaux’s daughter, she’s a beautiful, bright young woman in her mid 20’s who
gets along famously with her father, whose practicality and keen intellect she shares. She’s
accepting of her father’s hedonistic shenanigans, but her wealthy new American boyfriend may
not be as tolerant as she is…LEAD
[DESMOND DELACROIX] Searching for French man in his 40’s/50’s. Must speak fluent, native
French (NOT Quebecois French). In sharp contrast to his free-wheeling boss, Devereaux,
Delacroix is a buttoned-down and serious functionary, a former secret service officer and now the
head of Devereaux’s security team. He’s preparing his team to protect the next president of
France — but their expectations are derailed by scandal…3 speeches & 1 lines, at least 1 scene
[GEORGE, PHILLIPE, PIERRE] Searching for French Men in their 40’s/50’s. Must speak Fluent,
native French (NOT Quebecois French). Devereaux’s loyal “crew,” these men are accustomed to
the sexual escapades of their boss, and indeed, exuberantly join in his latest orgy in a New York
hotel suite…4 lines, 4 scenes; 2 lines, 3 scenes; 3 lines, 4 scenes respectively
[RENEE] Searching for French woman in her 30s. Must speak Fluent, native French (NOT
Quebecois French). Simone’s classy assistant, she takes a keen interest in Devereaux’s political
career, just like Simone, to whom she is fiercely loyal. She’s also appalled at the unraveling
scandal…2 speeches & 7 lines, 5 scenes
[JOSH] Josh is a wealthy blueblood from Kentucky in his mid to late 20’s whose family is into
manufacturing. Somewhat taken aback by Devereaux’s frank talk about sex, Josh may not be
able to handle the breaking scandal surrounding Devereaux…17 lines, 1 scene
[LIVIA] Searching for French woman in her 40s/50s. Must speak native, fluent French (NOT
Quebecois French). Simone’s close and trusted friend, this French socialite responds with
surprising sarcasm and venom to the scandal, denouncing Devereaux as a “peasant” whose guilt
is a foregone conclusion…5 speeches & 5 lines, 1 scene
[INMATE 1, 2 AND 3] Searching for African American and Latino men in their 20s/30s. Searching
for tough, urban, thug types. Men of color, these threatening and intimidating inmates share a
holding cell with Devereaux at the Tombs in New York. They treat Devereaux with hostility,
suspicion, and outright menace…3 speeches & 7 lines, 1 scene; 2 lines, 1 scene; 1 speech & 1
line, 1 scene respectively
[YOUNG MAN] Searching for African American and Latino man in his 20s. Searching for tough,
urban, thug types.This creepy young man is in the Tombs for beheading his best friend. Bright but
unhinged, he tells Devereaux that he still converses freely with his pal’s severed head, which he
has kept in his freezer…2 speeches & 5 lines, 1 scene

[ELENA] She is Devereaux’s striking aide, who warmly greets her boss upon his arrival in the
U.S. She later administers a massage and engages in a steamy public tryst with her boss…no
lines, at least 2 scenes MUST BE ABLE TO DO FULL NUDITY AND SIMULATED SEX SCENES
[SECURITY AGENT #2] A man in his 40s member of Devereaux’s security team, he’s extremely
uncomfortable when Devereaux starts publicly fondling his aide, Elena…1 line, 1 scene MUST
SPEAK NATIVE FLUENT FRENCH
[ROXANNE, BEBE, LILLY AND FIFI] SEARCHING FOR BEAUTIFUL EASTERN EUROPEAN,
FRENCH AND LATINA WOMEN. These gorgeous young prostitutes enthusiastically join
Devereaux and his crew in a sumptuous orgy in a New York hotel suite. They are all charmed by
the randy and rollicking Devereaux…3 lines, 3 scenes; 1 speech, 2 scenes; 2 lines, 2 scenes; 2
lines, 2 scenes respectively MUST BE ABLE TO DO FULL NUDITY AND SIMULATED SEX
SCENES
[DESIREE AND ELENA] SEARCHING FOR BEAUTIFUL RUSSIAN AND EASTERN
EUROPEAN WOMEN. These beautiful Russian prostitutes engage in a sado-masochistic tryst
with Devereaux that gets a bit out of hand…no lines, 3 scenes apiece MUST BE ABLE TO DO
FULL NUDITY AND SIMULATED SEX SCENES

[MAID] Searching for African woman (Native African NOT African American) in her early to mid
30s. This maid seems impassive when Devereaux exits his shower in the nude. Later, disheveled
and seemingly distraught, she falsely accuses Devereaux of sexual assault…no lines, at least 4
scenes MUST BE ABLE TO DO FULL NUDITY AND SIMULATED SEX SCENES.

[MAN] This mysterious man steals Devereaux’s Blackberry from his hotel suite…no lines, at least
1 scene SEARCHING FOR STRONG, IMPOSING, INTERESTING TYPES
[MAITRE D’] This maitre d’ at an upscale New York restaurant warmly greets Devereaux in
French…possible lines, 1 scene MUST SPEAK FLUENT, NATIVE FRENCH
[GENTLEMAN] This loud and obviously intoxicated older gentleman holds forth at a small
birthday party about Simone’s various charities and outreaches…2 speeches, 1 scene
SEARCHING FOR ELEGANT, SOCIALITE TYPE
[DINNER GUEST AND DINNER GUEST 2] These chic society types attend a small birthday party
at Simone’s Paris apartment…1 line, 1 scene apiece SEARCHING FOR CHIC, HIGH SOCIETY
MALE AND FEMALE TYPES
NOTE: IN DOCUDRAMA STYLE, FOR THE FOLLOWING ROLES WE ARE SEARCHING FOR
MEN AND WOMEN WITH REAL LIFE EXPERIENCE PERTAINING TO THE CHARACTERS.
PLEASE STATE EXPERIENCE IN SUBMISSIONS.
[HOTEL CLERK] This female manager at a New York hotel is being questioned by detectives
when she receives an urgent phone call from Devereaux, who is trying to find his missing
Blackberry…at least 1 speech, 1 scene SEARCHING FOR WOMEN WITH HOTEL
EXPERIENCE. PLEASE STATE EXPERIENCE IN SUBMISSION.
[DETECTIVE AND DETECTIVE PA] These detectives take Devereaux into custody at JFK, and
later interrogate him at the Port Authority precinct…2 speeches & 3 lines, 2 scenes; 1 speech & 2
lines, 2 scenes respectively SEARCHING FOR MEN WITH REAL POLICE DETECTIVE
EXPERIENCE. PLEASE STATE EXPERIENCE IN SUBMISSION.
[PAUL] This aging pop star is being feted by Simone at a small birthday party in Paris…no lines,
at least 2 scenes SEARCHING FOR FRENCH SINGER/MUSICIANS IN THEIR 40s/50s.
PLEASE STATE EXPERIENCE IN SUBMISSION.
[SGT. LANDANO] This detective informs Devereaux that the NYPD needs to speak to him about
an “incident’ in a local hotel…2 lines, 1 scene SEARCHING FOR MEN WITH REAL POLICE
EXPERIENCE. PLEASE STATE EXPERIENCE IN SUBMISSION.
[DETECTIVE ROSARIO] This NYPD detective tells the disconsolate Devereaux he will have to
wait until the other detectives come back to the unit…2 lines, 1 scene SEARCHING FOR MEN
WITH REAL POLICE DETECTIVE EXPERIENCE. PLEASE STATE EXPERIENCE IN
SUBMISSION.
[JUDGE] This unsympathetic female judge slaps Devereaux with a million dollar bail…1 speech &
4 lines, 1 scene SEARCHING FOR WOMEN WITH REAL LEGAL EXPERIENCE. PLEASE
STATE EXPERIENCE IN SUBMISSION.
[PROSECUTOR] This prosecutor tells the Judge that Devereaux constitutes a flight risk…1
speech & 1 line, 1 scene SEARCHING FOR MEN WITH REAL LEGAL EXPERIENCE. PLEASE
STATE EXPERIENCE IN SUBMISSION.
[GUARD] This prison guard transports Devereaux to Rikers Island…3 lines, 2 scenes
SEARCHING FOR MEN WITH REAL GUARD EXPERIENCE. PLEASE STATE EXPERIENCE IN
SUBMISSION.
[TRANSPORTATION CORRECTION OFFICER] This officer hands Devereaux’s papers to the
intake officer at Rikers…1 speech & 2 lines, 1 scene SEARCHING FOR MEN WITH
CORRECTIONS OFFICER EXPERIENCE. PLEASE STATE EXPERIENCE IN SUBMISSION.
[CORRECTIONS OFFICIAL] This official at Rikers processes Devereaux into the protective
custody unit…1 line, 1 scene SEARCHING FOR MEN WITH CORRECTIONS OFFICER
EXPERIENCE. PLEASE STATE EXPERIENCE IN SUBMISSION.
[HOUSEKEEPER] This housekeeper serves Devereaux coffee…1 line, 1 scene
[OFFICER] This officer escorts Devereaux out of Rikers after his bail is paid…1 speech, 1 scene
SEARCHING FOR MEN WITH CORRECTIONS OFFICER EXPERIENCE. PLEASE STATE
EXPERIENCE IN SUBMISSION.