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20th Anniversary Flashback: How O.J. Simpson “Did It”

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Thursday June 12th, 2014 is the 20th anniversary of the murders of Nicole Brown Simpson and Ronald Goldman, here’s what I wrote back in 2006:

O.J. did indeed “do it.” He killed two people in cold blood on June 12, 1994. One of them was the mother of two of his children. Yes, he was acquitted by a jury in the criminal matter. But he was also found responsible for the murders by a more sensible civil jury in 1996.

I covered the O.J. Simpson trial for New York magazine and broke a lot of the stories surrounding that circus. For six months, from the day of the murder until the pretrial hearings kicked into gear, I followed every possible lead that would prove Simpson innocent. These included Nicole’s horrible little friend Faye Resnick, as well as many other similar murders in L.A. around that time.

 

And this is what came up: No one but O.J. Simpson could have killed Nicole Brown Simpson and Ron Goldman. His friends may have helped cover it up, but in the end, it was all O.J.

 

There were a lot of theories about how he did it and lived with himself afterward. Apparently, in the unpublished book he says he had a “black out” period — if he did it.

 

One theory that I came to subscribe to was supplied by a freelance writer and his brother, who was a Harvard forensic psychiatrist. To this day it makes the most sense: Simpson was having steroid rage. This wasn’t from being on steroids, but from getting off of them. He’d been addicted to them for years when he took a pounding in football and stuck with them later for rheumatoid arthritis.

 

A lot of different details added up to this conclusion. For weeks, Resnick’s boyfriend, Christian Reichardt, had been weaning Simpson off the steroids with a fruit drink that Simpson promoted in a TV infomercial. Reichardt told me this had begun in late March, early April 1994. By June 12, Simpson was probably not feeling too well. Erratic outbursts, extreme emotions — these were indications that his withdrawal was not a success.

 

In the infomercial, made March 31, 1994, which was entered into evidence but never pursued, Simpson recalls “They had me on — you name it — Naprosyn, Indocin, Motrin, I, I had so much Motrin you couldn’t believe it, you know.”

 

Then he talks about the miraculous turn around in his life from drinking Juice Plus: “And then before I knew it, I just start skippin’ the Naprosyn and skippin the Indocin and skippin the pain pills, uh, the Advil. I mean I was one of these guys who was on six or seven Advils a day, you know, until today when I don’t have to take anything.”

 

For some reason, no one bothered to ask the doctor what the effect would be of no longer taking all those drugs. And no one asked Dr. Robert Huizenga — a doctor whose specialty was steroids and athletes — one word on that subject as well.

 

Simpson, I learned from the FBI lab in Washington, had been tested for eight different kinds of drugs but not for steroids when he was arrested.

 

My sources’ claims, they say, were further emphasized by the Bronco “chase.” Al Cowlings, who’d been in the car with Simpson, described to a writer he’d hired for a book proposal that Simpson had been sweating like crazy in the car. His face had turned “golden,” Cowlings recalled. Sweat poured from him. Simpson was so incoherent that he let Cowlings do the talking for him.

 

The chase was on June 15. Three days earlier, Simpson had returned to L.A. from a visit to Chicago. Howard Weitzman had been his lawyer. Dr. Bertram Maltz , now deceased, had been his long-term physician.

 

When Weitzman handed over the reigns to Robert Shapiro, the first thing Shapiro did was get rid of Maltz and bring in Dr. Huizenga. Huizenga had just published a book on the subject, as physician for the L.A. Rams.

 

In his testimony at the criminal trial, Huizenga said that Simpson had given him “a one-month history of drenching night sweats so severe that he would have to get out of bed, towel himself off and go back and sleep in the dry portion of the bed.”

 

But nothing more was asked in this area by either side, and the words “steroid” or “rage” or “withdrawal” never again came up either in direct or cross-examination.

 

 

As I wrote then: “What was most alarming, Huizenga told me, was how prosecutors treated him. His direct questioning by the state was from Deputy District Attorney Brian Kelberg, who worked for Marcia Clark.

 

“I told them that Simpson appeared to be limping when he came into my office. Instead of asking me about that, they said, ‘He wasn’t limping, you’re lying, we have tape of him from two months before.’ It’s odd that the prosecutors didn’t even bother to ask about the sequelae,” he said, tossing some much-needed Latin into our conversation. In other words: Clark’s team never asked why Simpson had been limping, or what would have brought him to that point.”

 

Indeed, Clark and Chris Darden , who went on to have fame and make little fortunes off their horrendous loss in court, didn’t do a lot of things right.

 

A lot of people blamed Judith Regan for attempting to publish Simpson’s book “If I Did It.” But Clark and Darden are the real culprits here, and the reason why O.J. Simpson is still walking around and causing trouble.

Gladys Knight, Natalie Cole, Isley Brothers Celebrate Apollo Theater’s 80th Birthday

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What a night for the Apollo Theater! No less than Gladys Knight, Natalie Cole, the Isley Brothers, and more helped the world famous Apollo celebrate its 80th birthday last night. The Apollo, once almost shuttered during the worst times in the city’s economy, has become one of New York’s top 10 cultural institutions thanks in large part to former Time Warner chairman Dick Parsons, who was given the theater’s highest honor last night.

Of course, Parsons had to get through a funny, if f-word speckled speech from his good pal, Revlon chairman Ronald Perelman. The latter acknowledged how Parsons had saved Time Warner after Gerald Levin “f-ed” it up. The well dressed Apollo crowd gasped the first time they heard Perelman say that word. By the third time, they were over it.

And what about Wayne Brady? The host of “Let’s Make a Deal” is wasting his time on that game show. Brady sang Ray Charles’ “Georgia On My Mind” with the Ray Chew Orchestra, and was absolutely sublime. I’ve never understood why Brady is not on the level of say Hugh Jackman or Neil Patrick Harris– he should be the break out host of every awards show, or definitely on Broadway. CBS should move “Deal” to NYC for a while so Brady can be in a show like “After Midnight.”

Anyway, the Apollo birthday also included tributes to gospel music with Edwin Hawkins performing his classic “Oh Happy Day” and Savion Glover was a special guest with hot tap dance number. There was also a longish medley of soul tunes by a white Australian group called Human Nature.

But the other highlight was Joss Stone, still only 26, blasting the room with a sizzling take on James Brown’s “It’s a Man’s World.” Stone was Adele before there was Adele. She’s ready for a  career part 2 Renaissance.

me with gladys knight 6-10-14 at the apolloI ran into Stedman Graham, Sylvia Rhone, Tamara Tunie and Gregory Generet, and the Apollo’s super team– CEO Jonelle Procope and PR chief Nina Flowers– in the huge glamorous tent erected behind the theater on West 126th St. where the food included desserts from the Magnolia Bakery. Yowza.

And yes, for the first time ever– I’m running a picture of yours truly with Ms. Knight. She’s got a new album coming out in September. If you heard her sing jazz standards last night, she was breathtaking. It’s time for a Kennedy Center honor for Gladys Knight!

Michael Jackson Brand Damaged by Poor Sales of New CD and Books

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Considering all the people who write to me screaming about how they love Michael Jackson, etcetera, etcetera, here’s a question: where are you?

Jackson’s much touted CD of new, unreleased, and reconfigured material has been a bust. Forget proclamations that it’s “number 1 in 50 countries” or other such nonsense. In the United States, after four weeks of sales, “XScape” has sold just 286,000 copies.

That’s it, and it’s around number 25 on the album charts. It’s not coming back, either. “Xscape” had one marketing ploy and it’s over. That was the dancing “hologram” on the Billboard Music Awards.

Meantime, two new books about Jackson, pegged to the fifth anniversary of his death on June 25th, are also flops. “Michael Jackson Inc” by Zach O’Malley Greenburg, has done the worst. It’s ranked around number 16,000– sixteen thousand— on amazon.com. That’s pretty much no sales.

“Remember the Time,” an interesting memoir by two former Jackson bodyguards, has done a little better. Deservedly so. That book is up around number 1,320, which means it’s had some sales, good worth of mouth and online reviews. But it’s no best seller.

Maybe the authors of the books are waiting for the death anniversary to do some publicity. I think they should get going now. Those books are not going to revive themselves. Like the CD, they simply haven’t caught on.

The CD, of course, was a bad idea. Remixing and fiddling with Jackson’s unreleased music was a kind of heresy. It served no purpose. Just releasing the demos as they were would have been plenty.

As it is, many good unreleased  songs were thrown out because they’d already been included in the “Bad” 25th anniversary album. There isn’t that much left now in the vaults. Sony would be wise to issue a series of live CDs from concerts.

What do people want of Michael Jackson? The hits, the ones they love, and have ties to. “Billie Jean” and “Beat It” already outlasting the “new” stuff.

Meantime, TMZ has a LOL story about Jackson’s ex-wife and her purported engagement to gay pornographer Marc Schaffel. Apparently, he has a wife. Only on TMZ, my friends, only on TMZ.

 

Oliver Stone Will Make Movie Based on Novel by Edward Snowden’s Russian Lawyer

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Oliver Stone is making a movie sort of about Edward Snowden. He and producing partner Moritz Borman have bought the rights to a novelised version of the Snowden story written by the NSA leaker’s Russian lawyer. The book, to be published this fall, is called “Time of the Octopus,” written by Anatoly Kucherena.

from the press release: The novel tells the fictional story of an American whistleblower, Joshua Cold, who, threatened by his Government, and while waiting for a decision on his request for asylum from the Russian authorities, spends three weeks in limbo in the transit area of the Moscow airport.  He occupies his time there talking to a Russian lawyer about his life and what motivated him to expose a massive American surveillance program.

Said Kucherena: “The more I engaged in the Edward Snowden case, the more I was impressed by his story. To understand Edward and his actions, I had to ‘tune to his wavelength’ and try to balance between the rational and intuitive perception of his world. Having experienced these incredible sensations, I realized that I had to write about them, but only in the form of a novel that would not claim any sophisticated philosophical conclusions.”

Said Stone: “Anatoly has written a ‘grand inquisitor’ style Russian novel weighing the soul of his fictional whistleblower, Joshua Cold, against the gravity of a ‘1984’ tyranny that has achieved global proportions.  His meditations on the meaning of totalitarian power in the 21st century make for a chilling, prescient horror story.”

Stone will use Kucherena’s insights alongside Luke Harding’s book, ‘The Snowden Files: The Inside Story of the World’s Most Wanted Man’ as the sources for the screenplay of his untitled “Snowden” film, with production planned to start before the end of the year.

 

Clint Eastwood Brings Out the A Plus Crowd for a “Jersey Boys” Screening

Want to bring out the A plus crowd? Just say Clint Eastwood is showing “Jersey Boys.” That’s what Warner Bros. did last night, and the guests showed up in droves. From Clive Davis and Barbara Walters to Regis and Joy Philbin, plus Broadway stars like Andy Karl from “Rocky” and Reeve Carney aka “Spider Man,” and last year’s Tony nominee Billy Magnussen, not to mention Soon Yi Allen, Nancy Shevell McCartney, the great Bebe Neuwirth and Roger Rees (a little “Cheers” reunion). Whew!

The group convened at the swanky Angelo Galasso men’s store in the Plaza Hotel, dined in the Oak Room, and then proceeded to the Paris Theater. Talk about a mob scene! I ran into “Sopranos” creator David Chase and his wife, “Boardwalk Empire” creator Terry Winter, as well as Candice Bergen, Tommy Tune, Melissa Leo and Alan Cumming. Lena Hall, who won a Tony on Sunday night, was thrilled to meet Clint Eastwood, and vice versa.

Not only Clint was there, but “Jersey Boys” screenwriters Marshall Brickman and Rick Elice, plus the cast including John Lloyd Young, Kathrine Narducci, Renee Marino, Erich Bergen, and so on.

It’s been a while since I sat through a screening in which the audience applauded and cheered during the film. But they do in “Jersey Boys,” as the musical numbers generated also a lot of clapping and humming. And everyone got a big chuckle out of Clint’s “Hitchcock” moment in the film, which I wrote about yesterday.

I hope Frankie Valli is ready. Because the Four Seasons are going to get another big push this summer– some 50 years after first sang “Sherry Baby.” Their music just gets better and better.

Barbara Walters Didn’t Retire After All, Snags Interview with Assassin’s Dad

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Barbara Walters retired… from The View… on May 16th. Today is June 9th. She has come out of retirement. If she ever was in it. Walters will interview Peter Rodger, father of Elliot Rodger, who killed all those people in Santa Barbara. The interview will air on “20/20” when ABC doesn’t care how old the correspondents look. They just wanted her off The View, where young people buy stuff from ads. Barbara has not retired, and will not retire. She will interview people until she stops breathing, at which time an Avatar or Hologram will take over. ABC News does not know what they’re dealing with. Cue Jennifers Holliday and Hudson: “Am I telling you I’m not going.” Get it, Ben Sherwood? You know Putin is next.

Watch the Tony Awards “In Memoriam” Which CBS Cut from Broadcast

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CBS cut the In Memoriam segment last night from the Tony Awards. Dead People don’t get ratings! There was rapt applause in Radio City for all of these people, especially Philip Seymour Hoffman. I am particularly sad about him, and about Kathleen Raitt, a wonderful, elegant woman who worked with the Nederlander Organization was a sparkling presence at opening nights. She was married to John Raitt, and was Bonnie Raitt’s stepmother. Everyone here will be missed, except at CBS:

Charts: Rap is All But Dead as Led Zeppelin’s 40 Year Old Albums Sell 60,000 Copies

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What happened to rap? It’s off the charts with two minor exceptions: a sluggish new album from 50 Cent, and an oldish album at the bottom of the charts by SchoolBoyQ.

What’s in? Pop, Pop R&B, white kids, black kids who sound white. Led Zeppelin reisssued its first three albums from 196-1972. They are all in the new top 40 albums and sold a total more than 60,000 copies total. Yikes.

Is rock back? Heavy rock too?

Not selling: Mariah Carey’s “Me I Am Mariah” and Michael Jackson’s “Xscape.” The latter at least had a couple of good weeks. Mariah’s CD, with great reviews and terrific tracks, has gone nowhere.

Country albums take four of the top 10 spots this week: Miranda Lambert is number 1, followed by Brantley Gilbert and Lucy Hale. A country compilation, “Now Country 7,” is also in the top 10.

So is the soundtrack to “The Fault in Our Stars,” which will finish in 2nd place this week.

But real rap? It’s been on the downslide for a while. Jay Z had a hit only with Justin Timberlake singing around him last winter. No one knows how many copies Jay Z’s “Magna Carta” actually sold because it was given away with Samsung phones.

Kanye West’s “Yeezus” really yielded no actual hits, but was a loss leader for his tour.

Missy Elliott’s been missing a long time. Rappers like Lil Wayne have come and gone.

Maybe the rap audience tired of their stars singing about “Mo Money, Mo Problems” during a recession, no jobs, etc. It’s hard to sympathize with someone who’s complaining about their Bentley.

Next major sort of rap release: Common, the very talented actor and composer, on July 22nd.

 

Gladys Knight Rocks the Tony Awards, Next Stop: Apollo Theater 80th Anniversary

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Did you see and hear Gladys Knight last night? She rocked the Tony Awards with Patti LaBelle and Fantasia! Gladys joins the Broadway show “After Midnight” in mid July. Stars Dule Hill and Karine Plantadit  are very excited– not just about Gladys but about Patti, too. She starts with the show tonight.

Last night at Rick Miramontez’s swanky after party at the Carlyle Hotel, Karine– a wild one, maybe the best dancer on Broadway, a real unknown star–was so happy she nearly jumped out a 28th floor window! (Just kidding– but we were “worried”!)

TOMORROW night– Tuesday June 10th– the legendary Gladys headlines the Apollo’s 80th anniversary with Natalie Cole, the Isley Brothers, Wayne Brady emceeing, plus Joss Stone is coming from the UK, and Ray Chew’s band is playing. This is the night of nights in New York, the only place to be. I have no idea if there are still tickets, but call them up. Go to a scalper. Do what you must! The Apollo is the cornerstone of Harlem, one of the dozen or so most important institutions. Jonelle Procope knows what she’s doing up there!

And what a music week in NYC! Aretha Franklin plays Radio City on Saturday and Sunday nights. We are over the top in classic soul. Treasure it while you can !

Exclusive: Idina Menzel Used a TelePrompter to Sing “If/Then” Song on Tony Awards

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There were lots of performances last night on the Tony Awards, all live, none lip synched. Everyone sang songs from the shows they’re in for 8 shows a week. Some people sang songs they’d never sung before, like Jennifer Hudson introducing a number from the still cooking “Finding Neverland.”

Only one performer used a TelePrompter, however. Idina Menzel read the words to the turgid “Always Starting Over” as they scrolled by in HUGE letters. I know, because I was sitting just to the side of the TelePrompter, which was otherwise used to cue presenters and remind them of what they were doing.

Of course, the screechy “Always Starting Over” isn’t a song as much as it’s a filibuster, a speech, a declamation, and a bore in my opinion. Maybe Idina can’t remember all those words. Maybe she’s too busy getting ready for her one woman show next Monday at Radio City, which she’s fitting in between performances of the dreadful “If/Then” to capitalize on her “Frozen” success.