Thursday, December 18, 2025
Home Blog Page 1663

Grammy Trustees Award Goes to Richard Perry, Most Successful Pop Producer of 70s and 80s

0

Carly Simon’s “You’re So Vain”? Ringo Starr’s “Photograph”? Leo Sayer’s “When I Need You”? How about Rod Stewart’s resurgence over five volumes of American song classics? What do they all have in common? Richard Perry. The producer of most of Carly and Ringo’s hits, not to mention the Pointer Sisters’ huge run in the late 70s and early 80s. Add in Barbra Streisand’s one rock hit, “Stoney End,” as well as a classic Fats Domino album called “Fats Is Back.”

Perry has made a lot of hits– Julio Iglesias and Willie Nelson’s “To All the Girls I’ve Loved Before,” DeBarge’s “Rhythm of the Night,” Art Garfunkel’s “All I Know,” Ray Charles’s top 10 version of “A Song for You”– but I like a lot of the album cuts he did for these famous artists. Check out Harry Nilsson’s “Lottery Song” from the album Son of Schmilsson– Richard had already had a monster hit with Nilsson Schmilsson and three big hits including “Without You,” “Coconut,” and “Jump into the Fire.”

The Lottery Song – by Harry Nilsson from Hip Quotient on Vimeo.

Perry is also the only producer who can say he staged a quasi Beatles reunion. It happened on the “Ringo” album in 1972 when John Lennon, George Harrison, and Paul McCartney all wrote songs for what would become a landmark collection. Every Beatles fan has the “Ringo” album as a cherished landmark. It was also Perry who convinced Mick Jagger to put backing vocals on Carly Simon’s “You’re So Vain.” It was quite a coup in 1972, and the record has become one of Simon’s and Perry’s lasting classics for 42 years.

Perry will get his Trustees Award tomorrow in L.A. along with famed songwriters Barry Mann and Cynthia Weil, and richard-perryradio legend George Wein. He’s also hard at work on his memoirs, full of juicy anecdotes about all the artists he’s put on the charts, and his long history as top of the pops. I’ve read some of it and it’s both funny and intimate. Some smart publisher should be scooping it up soon!

Will he divulge his secret recipe for the rich cushiony sound of all his hits? I don’t think so. A couple of years ago I was listening to Richard record Carly Simon singing a cover of “So Into You” for an album that may come out one day. I sort of haphazardly asked, when I heard his trademark production, “How does he do that?” Simon replied: “Oh don’t you know? He–…” Perry cut her right off. “Don’t tell him!” I had to laugh. These are trademark secrets. (And we thought we had no secrets.)

Congratulations, Richard. Here’s a video of my favorite Perry production, one of the very best radio singles ever produced. The dynamics of Harry Nilsson’s “Without You” are so warm and dramatic, and musical, nothing stands up to them even to this day:

Cover photo of Richard with long time significant other, Jane Fonda.

SCANDAL! InStyle Magazine Alters Kerry Washington’s Color, Features For Cover

0

Call it Fifty Shades of Black! When Kerry Washington was on the cover of InStyle’s Weddings issue, she looked like her beautiful self. Gorgeous, as usual. And black. Now she’s on the cover of the magazine’s regular March issue. She’s white, with completely different features. It’s a scandal. Someone call Olivia Pope.

The InStyle editors are blaming it on “lighting.” And that’s a joke since the magazine prides itself on their photos. Didn’t they approve the cover? (Yes.) Couldn’t they have re-shot it once they saw the prints? (Yes.)
unknown
Most magazines don’t put black actresses on their cover. It’s an unwritten rule in publishing. Believe it or not, Vogue is one of the few that goes against the grain all the time. Anna Wintour gets kudos for regularly featuring black models, as well as singers like Beyonce.

The rule against blacks on the cover is the unsaid reason that Oprah Winfrey has always appeared on the over of her O Magazine. Most months she’s the only African American face on a newsstand.

On InStyle’s cover, Washington’s features are completely altered. She’s unrecognizable. What would Olivia Pope, her super PR star character on “Scandal” do about this? Kick some ass I’d say. Fortunately, InStyle has no Olivia Pope. On Instagram, Washington’s fans are furious. There’s no way to spin out of that.

“The Dude” Gives Julianne Moore Oscar Advice: “Surf that big wave!”

0

“Seventh Son” is on the brink of failure– its Rotten Tomatoes score is pretty much nil– but we still love Julianne Moore and Jeff Bridges. PAULA SCHWARTZ interviewed them last week:

Black magic, witches and “The Dude” dominated the conversation at the press conference to promote “Seventh Son,” the supernatural fantasy adventure starring Jeff Bridges and Julianne Moore, which opens Friday.

Helmed by Russian director Sergei Bodrov, the Universal Pictures’ epic is based on Joseph Delaney’s popular children’s book series, “The Last Apprentice.”

All “The Dude” talk at the press event was natural since many journalist questions revolved around the stars reteaming for the first time since “The Big Lebowski,” the 1998 Coen brothers comedy that has a huge cult following.

“It’s been 17 years and I have a little Lebowski to prove it,” Moore laughed. She played avant-garde artist and feminist, Maude, in the cult film. “I was pregnant, and I actually got pregnant – it was not Jeff’s – on ‘The Big Lebowski.” My son is 17 years old, and so that’s how we noticed 17 years (had gone by). Isn’t it crazy?”

Bridges cracked, “Not many people know this, but I think we can let this out of the bag, that this film is actually a prequel to that.”

Moore added that it was great to be with Bridges on the screen together again and that they knew audiences brought that familiarity and resonance with them when they viewed “Seventh Son.”

“There’s that sense of, ‘Oh, I know those guys, they were in a movie together before,’” Moore mused, “so that kind of comes along with you and it was something I hadn’t really anticipated. And it’s a really cool thing.”

The supernatural story of “Seventh Son” revolves around Bridges as Master Gregory, the last warrior of a mystical order, who fights dark forces, primarily in the form of an evil witch Queen, Mother Malkin (Moore). Gregory and Mother have a history – they were once lovers – but he dumped her for another woman who he married. Malkin murdered Gregory’s wife, and the grizzly warrior vanquished the dark Queen and threw her down a dark hole, supposedly for eternity. Mother Malkin escaped and is hellbent on revenge. She kills Gregory’s apprentice (Kit Harrington, on screen for about five minutes), so Gregory travels the kingdom to find the prophesized hero born with mystical powers (Ben Barnes) who will help him battle the dark Queen and her army of supernatural henchmen, led by Radu, played by Djimon Hounsou. One of the more nifty special effects is how Moore’s character shape changes into a fire-breathing dragon with a spiny back and rapier-sharp talons.

Bridges said he didn’t blame Moore’s character for wanting revenge. “After all, she had every right to be pissed off. Her boyfriend, the one that she loved, locked her in a hole for many years.”

“Well, yeah!,” Moore echoed.

Bridges responded to wacky press questions with zen-like calm in Dude mode.
Asked about the role of fate and destiny in his life, Bridges replied, “As the Dude might say, this is just my opinion, man. You got the universe, right? You got all that black holes and the whole deal, and all that stuff we don’t know about. Yet here we are, right? And somehow the universe has, we’ve come out of the universe. I’m thinking of (philosopher) Alan Watts, that guy… He said apple trees make apples, right? And the universe people. We just come out of this, so it’s kind of destiny I guess, or fate that here we are. And this comes out of the Big Bang. It resulted in all this happening. And here we are. And all of our challenges and our dilemmas are fate. And all of those dilemmas can be wonderful or lessons for us, to teach us.”

Asked to compare The Dude of “The Big Lebowski” with his character of the mystical warrior in “Seventh Son,” Bridges riffed, “There are some weird parallels. I think of Maude flying at me like her dragon. The Dude liked to smoke it, drink it, and you know Gregory, I’m sure, has some kind of smoking mixture that he probably would light up on. There are probably some similarities. I haven’t really thought too much about it.”

Explaining his slurred speech as Master Gregory, which again sounds eerily like The Dude, Bridges explained that it was his idea to wear weird rotten-looking teeth, a good concept, but somewhat overshadowed by a straggly wig.

“I’m thinking, ‘We’re in the Dark Ages, you’re not going to have good teeth,” Bridges explained, “so I wore these teeth, which you couldn’t see at all cause of all of that hair,” he laughed. “But that probably made me slur a little bit, so that’s the truthful answer I guess.”
>Asked how she prepared for the red carpets, especially now she’s headed for the Oscars for “Still Alice,” and whether Bridges, who won a gold statuette for “Crazy Heart,” gave her any advice, Moore, who is a five-time Oscar nominee, playfully replied, “Well first I take a bath. And then I tie my tail up.” Everyone laughed.

Moore added that she was still amazed at her nomination for “Still Alice.” She mused, “Half the time you make little movies and no one ever sees them, so I feel very, very grateful.”

As for awards advice, Bridges said he and Moore talked about all the emotions involved. “That appreciation that comes at you like that is pretty wonderful,” Bridges said. Then he turned to Moore and enthused. “Hang on babe! It’s a little bit of a ride. Surf that big wave!”

Kanye and Kim Will Rock Clive Davis’s All Star Pre-Grammy Dinner

0

I can tell you exclusively that the Beverly Hilton is going to be agog on Saturday night: Kanye West and his wife, Kim Kardashian, are going to Clive Davis’s all star annual pre Grammy dinner. The couple– he’s a famous musician, she’s famous– will head up a list of stars that should have the paparazzi in shouting matches all night!

Who else is coming? Everyone from rockers to movie stars to politicians and society types (hello Barbara Davis). Sony ATV Music Publisher Marty Bandier is honored with the NARAS Legacy Award. Trustees Award winners Barry Gibb of the Bee Gees and famed producer Richard Perry will be on hand, as well as Perry’s lady friend Jane Fonda and his music pal Joni Mitchell.

Politicians include former VP Al Gore, and minority leader Nancy Pelosi.

I can tell you exclusively that Jennifer Hudson and Iggy Azalea are singing together. So are Pharrell Williams and Carole King. The immortal legend Johnny Mathis will croon for the audience. (If he doesn’t sing “Chances Are,” there’s going to be trouble.) Today, Hudson and Azalea rehearsed at the Hilton. Rita Orr was a no show, but she still has tomorrow to check in.

What makes the Clive Davis party so special? It’s the total crossroads of all celebrity in Hollywood on Grammy weekend. It’s bookended by the MusiCares Person of the Year dinner on Friday (this year honoring Bob Dylan) and the actual Grammys. Clive’s party is to the Grammys what the Vanity Fair party is to the Oscars. It’s the most coveted ticket. People clamor for it, offer body parts. And it’s presided over by this 82 years young legend, and king of cool.

Some more guests expected: Irving Azoff, Tyra Banks, Jackie Collins, Joan Collins, Apple CEO Tim Cook, Apple and iTunes’ Eddie Cue, Brian Grazer, Magic Johnson, Napster and Facebook’s Sean Parker, Melissa Rivers, Jon Voight, Mary J. Blige, Toni Braxton, Puffy Combs, Chick Corea, Sheryl Crow, Miley Cyrus, Earth, Wind & Fire, Missy Elliott, Herbie Hancock, Beck, Gladys Knight, John Legend, Barry Manilow, Ricky Martin, Matthew Morrison, Usher, Smokey Robinson, Russell Simmons, Sam Smith, Taylor Swift, TI, Will.i.am, and Neil Young.

Grammy Week: Nile Rodgers Gets a Night Off, Jams with Flea (Who’s Asked to Keep it Down)

0

Tuesday night, Village Studios, West L.A.: incomparable 3 time Grammy winner Nile Rodgers was honored by the Producers and Engineers Wing of NARAS. It’s a big deal. Nile created the group Chic, had a bunch of classic hits that reverberate to this day. His career stretches from the 70s to right now with Daft Punk.

I asked Nile right before he received the award how he felt being the object of such sincere adoration. He quipped, “Weird because I’m always nervous about awards, they make me uncomfortable. But at least I get a night off, I’m not in the studio for a change.” We asked him what was coming up for him. “The Chic album, the first in 25 years, is coming out soon, and the very first single, ‘I’ll Be There,’ which has everyone that sang on the first album should be coming out in March.”

Who does he like now?

“I work with Sam Smith, who is amazing, look at Bruno Mars and Mark Ronson are killing it now. Its not just cause I’m working with them, they are extraordinary. What’s great for me is that talent is staying in the game. It’s not people who don’t deserve it. It’s people that are good and getting better. Hopefully that will change to make the audience understand that we make art and not throwaway pop.”

While we were walking together, the crowd was coming up to him with such reverence. How does that feel?

“I don’t think about being so loved, I love the biz, I love making music, that’s why I do it. “

The crowd included esteemed producer Jimmy Jam Harris, Slash, The Cars’ Rick Ocasek, Flea of the Red Hot Chili Peppers, and Academy Award nominated songwriter Diane Warren– all of whom were among the elite hanging out in the greenroom. Funniest moment was Flea, still in greenroom, playing his guitar as the show started, and was asked to lower the volume. He laughed and happily did, but he still kept on playing. Ocasek was bopping along.

The one big no show of the night? Rick Rubin, of course. The Mountain Man of rock music rarely leaves his bed, and last night was no exception.

Grammy President Neil Portnow introduced Nile to the adoring crowd with one of his famouslyeloquent speeches. Rodgers then went on to hold a ‘salon’ of sorts, playing his guitar and recounting his storied career with warts and all. Flea came up and jammed to classic Chic hits. Kathy Sledge then joined for “We Are Family.” Nile will present at the Grammys and then he’s back to perform at Elton John’s annual Oscar bash for his AIDS Foundation on February 22nd. LA can’t ever get enough of this musical genius.

Jimmy Fallon’s Big Night: Brings Back Doc Severinsen, Duets with Neil Young

0

What a great night on the Tonight show last night from Los Angeles. Jimmy, torch bearer of the show’s history, welcomed trumpeter Doc Severinsen who led the Tonight show band from 1962 to 1992. And Doc, who’s 87 years young, played like it was yesterday. He was also resplendentin one of his famous floral sportcoats. Doc’s on tour! Good for him. He led the Roots through the real Tonight show theme song, written by Paul Anka. What a swell surprise.

Then watch Jimmy with Neil Young as Neil Young singing “Old Man.” Genius! Fallon’s 1st anniversary is upon us and there’s reason to celebrate. He and Seth Meyers have really catalyzed late night. I’m looking forward to James Corden’s arrival on CBS soon, too.

Doc Severinsen at the 8 minute mark

Taylor Swift: Likely Not Performing on Grammys Because She Did American Music Awards

0

Taylor Swift is nominated for three Grammy awards. But she won’t be performing on Sunday’s show. She sent out a message to her fans that she was too consumed with the planning of her upcoming 1989 tour. That may be true, but the more likely reason is that back in November, Swift performed “Blank Space” on the American Music Awards. And performers who choose the AMAs are generally not allowed on the following Grammys.

Pierre Cossette introduced that edict years ago to make the Grammys special. Producer Ken Ehrlich has stuck to the rule, and it’s served him well. Performers have to decide in the early fall if they need the publicity hit then from being on the AMAs rather than wait until February. At the time last November, Taylor was launching her “1989” album and the “Blank Space” single. Her presentation on the AMAs was pretty extensive, not just a stand up with a guitar. It was a full on Taylor Swift production.

The idea that she couldn’t out together one of her diorama type settings for “Shake it Off” for the Grammys doesn’t really fly. Swift’s company could put on a Broadway show if they wanted to. Instead, she’ll present Best New Artist and have a dance party in the Staples Center audience.

Two performers who were on the AMAs will perform on the Grammys– Sam Smith, and Ariana Grande. But on the AMAs they performed with others, not by themselves. And Ehrlich may have plans to include them in other numbers to diminish their roles. Smith is a separate problem. On the AMAs he performed “I’m Not the Only One.” He’s nominated for “Stay with Me” for the Grammys. But now there’s been an issue with Tom Petty and Jeff Lynne claiming songwriting royalties for the song. Knowing Ehrlich, he’ll get the two rockers to do a medley of their song “I Won’t Back Down” with “Stay with Me.”

Meantime, there’s a rumor of Beyonce joining Common and John Legend to sing “Glory” from the movie “Selma.” Paul McCartney is performing with Rihanna and Kanye West, there’s Lady Gaga and Tony Bennett, and a ton of other unique moments. I’m looking forward to watching the Grammys on TV for a change this year. It’s going to be a great show!

Lawyer: Bobbi Kristina Was Never Married– Whitney Houston Estate Battle Looms

0

Whitney Houston’s daughter, Bobbi Kristina, was never legally married to Nick Gordon. That statement, which the lawyer for Bobby Brown, Bobbi Kristina’s father, delivered this afternoon, is a bombshell. “Access Hollywood” got the statement. If true, it means Gordon has no access to Whitney Houston’s estate if Bobbi Kristina doesn’t wake up from her induced coma. But it also suggests a war is on the horizon.

No one knows yet if Bobbi Kristina signed her own last will and testament. She is the sole beneficiary of Whitney’s estate. That means $20 million now, with the possibility over time of royalties that lead up to $100 million. Because Whitney wasn’t a songwriter, she doesn’t have much in the way of songwriting royalties. But some of her records will always sell, whether it’s physical product or digital. And her likeness will have a huge value over time.

The question would be: who is Bobbi Kristina’s next of kin? Is it her father, Bobby Brown? Remember, it’s Bobby’s attorney who jumped right in with the information that Bobbi Kristina and Nick were not married.

Or could Bobbi Kristina’s grandmother, Cissy Houston, raise the issue? She and the Houstons won’t want Bobby Brown whom Whitney divorced, to suddenly reap the benefits of her career. If Bobby Brown decides to fight for Whitney’s estate, will Whitney’s brothers fight him? After all, Pat Houston, wife of brother Gary, is the executor of Whitney’s estate and the singer’s former manager. And Pat has proven to be no pushover. When Whitney died, Cissy was the named executor. But within days, Cissy relinquished that role to Pat.

So hold on, because this could nasty.

“To Kill a Mockingbird” Sequel to Be Published — 2nd Ever Book by Harper Lee

0

Harper Lee,88, and a recluse, has agreed to publish the sequel to “To Kill a Mockingbird.” HarperCollins (no relation to the author) will bring out “Go Set a Watchman” on July 14th in what will be the publishing event of the century. “To Kill a Mockingbird” was published in July 1960 and went on to become an American classic. Lee says in a statement that she actually finished “Watchman” in the 1950s.

“In the mid-1950s, I completed a novel called ‘Go Set a Watchman,'” the 88-year-old Lee said in a statement issued by Harper. “It features the character known as Scout as an adult woman, and I thought it a pretty decent effort. My editor, who was taken by the flashbacks to Scout’s childhood, persuaded me to write a novel (what became ‘To Kill a Mockingbird’) from the point of view of the young Scout.

“I was a first-time writer, so I did as I was told. I hadn’t realized it (the original book) had survived, so was surprised and delighted when my dear friend and lawyer Tonja Carter discovered it. After much thought and hesitation, I shared it with a handful of people I trust and was pleased to hear that they considered it worthy of publication. I am humbled and amazed that this will now be published after all these years.”

Harper Collins will print 2 million copies, not to mention, I’m sure, another huge printing of “Mockingbird.”

“To Kill A Mockingbird” became a famous movie with Gregory Peck, as we all know,with  a young Robert Duvall, Alice Ghostley, Rosemary Murphy, and Brock Peters (pictured). The clamor for these parts, as well as director and writer, will be overwhelming. People we don’t want to see in these roles: DiCaprio (Peck), and either Tate Taylor or Robert Harling directing or writing.

Paul McCartney to Play Grammy Awards with Rihanna, Kanye West

Talk about a band on the run. Paul McCartney will appear on the Grammy Awards this Sunday with Rihanna and Kanye West. They’ll play their  single, “Fourfive Seconds,” which is really Rihanna’s single– she’s the main singer. McCartney plays guitar and presumably wrote the song since it’s the rare single these days with a complete melody and structure.

A few weeks ago, another single called “Only One” was released with Kanye “singing” via Auto Tune  but also featuring a melody and composition that wasn’t sampled from something else. A Twitter joke started immediately thereafter asking who was this Paul McCartney?

But McCartney, who’s 72 and the greatest songwriter of the modern era, has always reached to new and younger musicians in order stay current. He’s had excellent collaborations with Elvis Costello and Dave Grohl. He’s also released experimental albums as the Fireman.

 

The Grammy Awards will be full of off combinations of eclectic acts, and this is the first time I can remember when they’ve promoted it so strenuously. Pierre Cossette, the late great producer of the Grammys for over 30 years invented this idea of unusual pairings. His successor, Ken Ehrlich, picked up the baton and has carried on the tradition.