Friday, December 19, 2025
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Tragedy: Broadway Great Jan Maxwell, Double Tony Award Nominee in 2010, Passes Away at 61

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Jan Maxwell, one of the great Broadway stars, has died at age 61 from cancer according to reports. Twitter is starting to fill with tributes. Maxwell was last seen on Broadway in 2012 in “Follies.” I fell in love with her in when she was in the great Cy Coleman musical “City of Angels” in the early 90s.

She was nominated for the Tony Award FIVE times. In the last few years she’d also had back to back successes in “The Royal Family” and “Lend Me a Tenor.” She was nominated for Best Actress in a Play AND in a Musical for those two shows in 2010. Elegant, glamorous, Maxwell was an effortless success in both musicals and plays.

In 2006, she left the off Broadway production of “Entertaining Mr. Sloane” when she couldn’t take Alec Baldwin’s behavior. Maxwell said Baldwin “created an unhealthy and oppressive situation [that made her fear for her] physical safety, mental health and artistic integrity.” Baldwin denied the behavior and asked her to return. She declined.

This is really terrible. I was counting on Jan Maxwell to take us into the next 20 years of Broadway. She was just great. Condolences to her family and friends and many, many fans.

 

NY Attorney General: “To work for Weinstein was to work under a persistent barrage of genderbased obscenities, vulgar name-calling, sexualized interactions, threats of violence, and a workplace generally hostile to women”

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NY State Attorney General has sued the Weinstein Company, Harvey and Bob Weinstein individually in a a large scale civil rights action that could impede the sale of the company– which was supposed to happen now.

The AG writes:  “To work for Harvey Weinstein was to work under a persistent barrage of genderbased
obscenities, vulgar name-calling, sexualized interactions, threats of violence, and a
workplace generally hostile to women. This conduct occurred throughout the relevant time
period. For instance, HW regularly berated women using gender-based obscenities and
stereotypes. He directed these comments to female employees and peppered ordinary
conversation with vulgarities and gendered insults.”

Harvey Weinstein responded through his lawyer:

“We believe that a fair investigation by Mr. Schneiderman will demonstrate that many of the allegations against Harvey Weinstein are without merit. While Mr. Weinstein’s behavior was not without fault, there certainly was no criminality, and at the end of the inquiry it will be clear that Harvey Weinstein promoted more women to key executive positions than any other industry leader and there was zero discrimination at either Miramax or TWC.

If the purpose of the inquiry is to encourage reform throughout the film industry, Mr. Weinstein will embrace the investigation. If the purpose however is to scapegoat Mr. Weinstein, he will vigorously defend himself”

The charges in the 39 page lawsuit are outlined on the AG’s website. Here are the highlights as they were provided. They include detailed descriptions of the AG’s accusations of sexual misconduct at the company:

Specific examples of HW’s harassment, intimidation, assault, and a hostile work environment alleged in the complaint include, among many others:

HW told several employees throughout the relevant time period that, in substance, “I will kill you,” “I will kill your family,” and “You don’t know what I can do,” or words to that effect. HW touted his connection to powerful political figures and asserted that he had contacts within the Secret Service that could take care of problems.

At HW’s direction, “TWC employed one group of female employees whose primary job it was to accompany HW to events and to facilitate HW’s sexual conquests…These women were described by some witnesses as members of HW’s TWC “roster” or his “wing women.” One of the members of this entourage was flown from London to New York to teach HW’s assistants how to dress and smell more attractive to HW…”

A second group of predominantly female employees served as his assistants. HW’s assistants were compelled to take various steps to further HW’s regular sexual activity, including by contacting “Friends of Harvey” and other prospective sexual partners via text message or phone at his direction and maintaining space on his calendar for sexual activity.

A third group of predominantly female TWC employees– a group of female executives – also were forced to facilitate HW’s sexual conquests. These female employees’ job responsibilities should have been confined to using their expertise to help TWC produce films and television projects. Yet despite their skills and stated job responsibilities, HW required them to meet with prospective sexual conquests in order to facilitate HW’s sexual activity, and to follow through on HW’s promise of employment opportunities to women who met with HW’s favor. This compelled service demeaned and humiliated them, contributing to the hostile work environment.”

As one [female] executive reported to TWC’s Human Resources department: “only female executives are put in these positions with actresses with whom HW has a ‘personal friendship,’ which to my understanding means he has either had or wants to have sexual relations with them. Female Weinstein employees are essentially used to facilitate his sexual conquests of vulnerable women who hope he will get them work.” TWC took no steps to investigate these allegations or to prevent future recurrence of such conduct.

HW made quid pro quo offers or demands of sexual favors in exchange for career advancement at TWC, or to avoid adverse employment consequences at TWC.

On one occasion in 2015, HW asked a female TWC employee to go to his hotel room at the end of the day to set up his phone and devices for the next day or some other alleged work reason (work that TWC employees referred to as “turndown service,” and that was generally assigned to female TWC employees). Upon her arrival at HW’s hotel room, HW appeared naked under a bathrobe and asked the employee for a massage. When the employee said no, HW cajoled, badgered, and insisted until she relented and, against her wishes, submitted to massaging him out of fear of employment-based retaliation by HW. The incident was reported to Human Resources and to executives and Board members of the company in November 2015, but TWC took no action to formally investigate the complaint, to protect employees from HW, or to prevent future recurrence of such conduct.

On other occasions in 2014 and 2015, HW exposed himself to a female employee and made her take dictation from him while he leered at her, naked on his bed. That same employee described how HW would insist that she sit next to him in the back seat of his chauffeured vehicle and would place his hand on her upper thigh and buttocks near her genitalia and rub her body without her consent. When she attempted to place bags or other barriers between them to make it harder for him to reach her, he moved the barriers or repositioned himself so that the unwelcome sexual contact could continue. This employee, and other TWC employees, believed that they would face adverse employment consequences unless they acquiesced to such demands.

On one occasion, HW asserted that he might have to fire a female employee because his daughter (for whom the employee was providing assistance at HW’s direction) was angry with her, and he asked the employee what she was “prepared to do” to keep her job – a proposition that the female employee understood was a demand for quid pro quo sexual activity. The employee quit rather than submit to the demand for sex in exchange for continued employment.

HW’s assistants were exposed to and required to facilitate HW’s sex life as a condition of employment.

HW required his assistants to schedule “personals” for sexual activity both during the workday and after work. Upon arranging a “personal,” assistants were required to clear or adjust any and all other scheduled plans which potentially conflicted with the “personal.”

Assistants possessed copies of a document known as the “Bible,” an assistant-created guide to working for HW which was passed down through Assistants. The document sat in hard copy on several Assistants’ desks, and was accessible to and known to exist by some TWC executives. The Bible included information about HW’s likes and dislikes, and a list of his “friends” with directions for assistants on how to arrange HW’s extensive and frequent “personals.”

HW’s drivers in both New York City and Los Angeles were required to keep condoms and erectile dysfunction injections in the car at all times, in order to provide them to HW as needed.

Specific allegations of misconduct by company management include, among others:

On more than one occasion, upon forwarding a complaint or information about a complaint to the COO, the Human Resources Director was not involved in any investigation or resolution process. Based on documents obtained by the OAG to date, such matters were handled by the COO and other members of TWC senior management, as well as counsel retained to contact victims of misconduct.

On numerous occasions during the relevant time period, victims of HW’s misconduct complained to the Human Resources Director or to other TWC management about various aspects of the conduct described herein. On no occasion was HW subject to a formal investigation, nor to restrictions on his behavior or adverse employment consequences, as a result of any complaint.

Evidence gathered during the course of the investigation reflects that the Human Resources Director was not empowered to take any steps address HW’s ongoing sexual harassment of female employees.

On certain occasions when individuals did complain to Human Resources, those complaints were not treated confidentially and investigated. For example, on one occasion, an assistant to HW wrote an email to Human Resources complaining of certain misconduct by HW. Soon thereafter, the assistant, who had access to HW’s email account due to her role at TWC, saw that her complaint had been forwarded directly to HW via HW’s email account.

On several occasions when TWC employees complained about serious misconduct by HW, TWC took steps to separate the employee from the company while securing an NDA that would prevent the employee from disclosing the misconduct to others or warning others about the misconduct.

Robert Weinstein (“RW”), as co-owner, co-Chairman, and co-CEO, was responsible for maintaining a safe workplace, free of sexual harassment and other unlawful conduct. Yet instead of doing so, RW acquiesced in allowing HW to create a hostile work environment and engage in sexual misconduct that was known to him, or which he was responsible for preventing.

RW also received by email in late 2014 and 2015, and was otherwise informed of, claims of repeated and persistent sexual harassment and misconduct, yet he took no measures to investigate further the claims of misconduct, to terminate HW’s employment, to restrict or prohibit HW from supervising women or having or seeking sexual contact with TWC employees or women seeking to do business with TWC, from having private meetings with employees or women seeking opportunities in hotel rooms or TWC office space, or any other concrete measure that may have prevented HW’s ongoing misconduct.

In response to the information obtained from TWC management, independent Board members sought to obtain access to HW’s personnel file so that counsel representing the Board could use the personnel file and other information to evaluate whether the Board would recommend renewal of HW’s contract. HW resisted the independent directors’ efforts to obtain a copy of his personnel file and otherwise investigate misconduct, on the purported grounds that the contents of the file would be leaked to the press if disclosed to the Board. There was no basis for this claim; instead, HW sought to prevent access to his personnel file to avoid discovery of the extent of his own misconduct. A majority of the Board refused to back the independent Directors’ efforts to obtain HW’s personnel file; thus, efforts that may have resulted in discovery of at least a portion of HW’s misconduct were not undertaken by the Board.

HW’s contract extension also contained an unusual provision that effectively monetized, rather than prohibited, ongoing acts of sexual harassment and misconduct. In particular, it stated that, if TWC had to “make a payment to satisfy a claim that you [i.e., HW] have treated someone improperly in violation of the Company’s Code of Conduct,” he would face escalating financial penalties: $250,000 for the first such instance, “$500,000, for the second such instance, $750,000 for the third such instance, and $1,000,000 for each such additional instance.”

This contract contained no provision for any penalties if HW personally covered the costs of any payments necessary to satisfy claims of improper treatment, and it provided for no adverse employment consequences in the event that one, two, three, or even four or more such payments had to be made by TWC and/or HW as a result of HW’s sexual harassment or misconduct. Thus, pursuant to HW’s employment contract, HW could continue engaging in sexual harassment and misconduct with impunity, provided that he paid the costs of any settlements and that he avoided disclosure of misconduct that might risk causing “serious harm to the company.”

Board minutes reflect that the Board ratified HW’s new employment contract unanimously. No future efforts were undertaken by the Board to investigate HW’s misconduct or TWC’s practices concerning that conduct until HW’s termination in October 2017.

Soft Box Office, Oscar Doldrums as Hollywood Fights Bad Publicity and No Campaigning

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It wasn’t a great weekend at the box office.

The third “Fifty Shades” installment made just $38 million as audiences and the couple on the screen lost interest in the whole affair. Luckily, “Fifty Shades Freed” didn’t cost too much since it was made simultaneously with its predecessor. And you know that three years from now someone will launch it as a mini series on a TV like platform so Christian Grey and Ana won’t be forgotten. They will just be recycled.

There was overwhelming apathy toward Clint Eastwood’s “15:17 to Paris.” The train didn’t leave the station. Not having stars was a big issue. Also, the linear screenplay killed it. Eastwood experimented, and I liked it (so did a few others) but the audience was impatient. And for the second time this year, we learned a lot about Sacramento. (“Lady Bird” being a more successful tourist promotion for California’s capital.)

The total box office number was grim. The Olympics on TV were an easy attraction to divert from the theater going. Plus, an overall pall hangs over Hollywood right now. Show business is eating itself alive as vicious accusations flying back and forth in every direction. The dirty laundry has been exposed like never before. Did anyone stop to consider the economic consequences? “Who’s next?” is the topic of conversation everywhere. And I don’t mean “who’s next” to get an Oscar? No, “who’s next?” to be ruined, embarrassed, shamed, humiliated, destroyed, ripped to shreds and vanished from society?

At the same time, there’s zero discussion of the Oscars. That’s largely because the Academy prohibits campaigning after nominations are announced. So beginning January 23rd, pretty much all events and socializing stopped. That amounts to about 7 weeks of silence prior to an election. Can you imagine if that were the case in politics? All the hoopla that occurred in November, December, and early January comes to a halt. None of the Oscar movies are having much enthusiasm at the box office, either. By March 4th weekend, even “Black Panther” — which will have a huge opening next Friday– will be history.

Oscar voting begins February 20th and ends on the 27th. Wake up, Academy members. Is it “Three Billboards”? “Shape of Water”? or something… else…

Full Text: Fox News Chief John Moody’s Shockingly Racist, Homophobic Rant About Olympic Pride

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I’m not sure that we all saw Fox News Executive Editor John Moody’s full op-ed piece on the US Olympic team and diversity. It was outright racist and homophobic. Why hasn’t he been fired? Because this is what Fox News is about. Moody complains about an Olympic official boasting about what Moody calls “a, frankly, embarrassing laundry list of how many African-Americans, Asians and openly gay athletes are on this year’s U.S. team.”

Got that? Really got that?

Just in case you missed, here’s Moody’s screed. You will not hear about it on Fox News. But luckily we’ve got a screen cache of it.

Unless it’s changed overnight, the motto of the Olympics, since 1894, has been “Faster, Higher, Stronger.” It appears the U.S. Olympic Committee would like to change that to “Darker, Gayer, Different.” If your goal is to win medals, that won’t work.

A USOC official was quoted this week expressing pride (what else?) about taking the most diverse U.S. squad ever to the Winter Olympics. That was followed by a, frankly, embarrassing laundry list of how many African-Americans, Asians and openly gay athletes are on this year’s U.S. team. No sport that we are aware of awards points – or medals – for skin color or sexual orientation.

For the current USOC, a dream team should look more like the general population. So, while uncomfortable, the question probably needs to be asked: were our Olympians selected because they’re the best at what they do, or because they’re the best publicity for our current obsession with having one each from Column A, B and C?

Some breakthroughs in American sports were historic, none more so than Jackie Robinson’s in baseball. But Robinson didn’t make the Majors because he was black. His legendary career occurred in an age of outright racial discrimination, because he was was better at the game than almost everyone around him.

If someone is denied a slot on a team because of prejudice, that’s one thing. Complaining that every team isn’t a rainbow of political correctness defeats the purpose of sports, which is competition.

As my Fox News colleague Ed Henry wrote in his excellent book, “42 Faith: The Rest of the Jackie Robinson Story,” Robinson was not a kvetcher. “Don’t complain, work harder,” was his approach to the game, and the game of life.

Jeremy Lin, who played basketball at Harvard before joining the New York Knicks, did not become a media hero – remember “Linsanity?” – due to his Chinese heritage, but because he almost single-handedly turned around the struggling Knicks in 2012, and had fans delirious over his graceful shots and calm under pressure.

Back in 1993, when, it seems, America still had a sense of humor, the movie “Cool Runnings” portrayed a Jamaican bobsled team whose members willed themselves to compete in the 1988 Winter Olympics. Why was their feat noteworthy? Um … no snow in Jamaica, not racial prejudice.

That same year, Michael Edwards riveted world attention to the ski jumping competition. Didn’t matter that he finished last. “Eddie the Eagle,” as he was known, came from Great Britain, which also doesn’t get much snow and whose highest elevation is 4,400 feet. Ski off that hill and you’re more likely to land in sheep dung.

Insisting that sports bow to political correctness by assigning teams quotas for race, religion or sexuality is like saying that professional basketball goals will be worth four points if achieved by a minority in that sport – white guys, for instance – instead of the two or three points awarded to black players, who make up 81 percent of the NBA. Any plans to fix that disparity? Didn’t think so.

If someone is denied a slot on a team because of prejudice, that’s one thing. Complaining that every team isn’t a rainbow of political correctness defeats the purpose of sports, which is competition. At the Olympic level, not everyone is a winner. Not everyone gets a little plastic trophy to take home.

Sorry. “Faster, Higher, Stronger” still works better than “We win because we’re different.”

Huge Mistake: Kim Cattrall’s Unfortunate Post on Instagram to Sarah Jessica Parker (UPDATE–It’s Real)

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SUNDAY UPDATE I really hoped Kim’s acct was hacked and that she didn’t write this awful thing to Sarah Jessica Parker. It’s unlike Kim and unwarranted against SJP. I know Kim is mourning her brother, but this doesn’t make her look very good. Did she really hate SJP that much over the years? There were always rumors of fights before making the two “Sex and the City” movies. Somehow it all got smoothed over. Yesterday I emailed Kim’s publicist and her old one at HBO and neither of them responded. That’s a very bad sign. So sorry this will be the legacy of that fun loving TV series and these otherwise lovely ladies. Maybe when Cynthia Nixon is elected governor of New York she can mediate a truce!

SATURDAY This was posted to Kim Cattrall’s Instagram account today. It’s so out of character for Kim that I’m hoping it’s a mistake, that she was hacked. Very disappointing and unkind. I know Kim is reeling from the death of her brother, but this is ungracious of her. Sarah Jessica Parker and Kristin Davis each sent condolence messages. This must be an upsetting shock today. “Sex and the City” made them all independently wealthy. There should be no public displays of discord, just gratitude.

Sad News from “Catastrophe” Star Rob Delaney: Two-and-a-Half Year Old Son Dies from Brain Tumor

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Actor Rob Delaney, star of the popular Amazon series “Catastrophe,” has posted this tragic news to Facebook. Condolences to his family. Just heartbreaking.

Fox News Shows True Colors in Exec Editor’s Opinion: US Team is “Darker, Gayer, Different Olympics”

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Can’t say I’m surprised. John Moody, who was Roger Ailes’ chief henchman and continues to be Executive Editor of Fox News, published an Op-Ed piece today about the Olympics titled “In Olympics, let’s focus on the winner of the race — not the race of the winner.”

Moody wrote: “Unless it’s changed overnight, the motto of the Olympics, since 1894, has been ‘Faster, Higher, Stronger.’ It appears the U.S. Olympic Committee would like to change that to “Darker, Gayer, Different.” If your goal is to win medals, that won’t work.”

Fox has since taken the editorial down, because it’s racist and homophobic. But that’s what the real Fox News is, kids. I worked under John Moody for 10 years. The editorial people directly beneath him were constantly dealing with his narrow mindedness.

Moody went on: “For the current USOC, a dream team should look more like the general population. So, while uncomfortable, the question probably needs to be asked: were our Olympians selected because they’re the best at what they do, or because they’re the best publicity for our current obsession with having one each from Column A, B and C?”

There’s more, but you get the drift. Moody expresses exactly the sentiment of Fox News. It couldn’t be clearer. The fact that he’s still there after the Murdochs swept it clean of Ailes stooges is pretty surprising– Moody knew everything that Ailes was doing, promoted his philosophy, carried out his dirty work. Frightening. Maybe this will be enough to clear him out.

I’m putting up a picture of Ailes because it doesn’t matter what Moody looks like. This is who he is. Still.

 

Fifty Shades of Profit: “Freed” Ending to Trilogy Handcuffs $5.6 Mil in Thursday Night Previews

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We all like to snicker at the “Fifty Shades of Grey” series. It gets terrible reviews. Right now it’s at 10 on Rotten Tomatoes.

But last night part 3– “Fifty Shades of Freed”– drew $5.6 million in preview showings. That’s roughly what Part 2 did in previews. “Fifty Shades Darker” scored a total worldwide $381 million, $114 million of that in the US. There was no restraining it!

Remember, “Freed” was shot simultaneously with “Darker,” so the costs are way down for this last go round. “Darker” made $21.4 mil on its Thurs-Fri total opening. So we’ll see how the new one has done in the AM. There’s not much out there this weekend as everyone waits for “Black Panther.” Considering how nasty the critics have been (not me) to Clint Eastwood, if “15:17 to Paris” makes anything this weekend, it’s a success. Go see it for yourselves.

Hollywood Tragedy as Rose McGowan’s Former Manager, Jill Messick, Commits Suicide After Battle with Depression

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A really terrible Hollywood tragedy today: Jill Messick, formerly Rose McGowan’s manager and also an executive producer of several Miramax movies, committed suicide at age 50. She had battled depression for a long time, and was caught in the crossfire in the Harvey Weinstein-McGowan scandal.

Messick executive produced both “She’s All That” and “Frida” at Miramax. But just prior to that she’d been McGowan’s manager, credited with sending her to Weinstein’s suite in Sundance in 1997. It was there that McGowan said she was raped after getting into Weinstein’s hot tub.

Less than ten days ago, on January 30th, Weinstein’s lawyer, Ben Brafman, offered an email Messick had sent regarding this episode. It seemed to exonerate Weinstein  and caused a furor. Brafman said: “In an email to Mr. Weinstein regarding the encounter, Jill Messick says the following, “When we met up the following day, she hesitantly told me of her own accord that during the meeting that night before she had gotten into a hot tub with Mr. Weinstein. She was very clear about the fact that getting into that hot tub was something that she did consensually and that in hindsight it was also something that she regretted having done.”

Messick’s family now says the reveal of the email, and the ensuing bad publicity, was the last straw for her. This is tragic. They wrote in a statement: “Jill was victimized by our new culture of unlimited information sharing and a willingness to accept statement as fact. The speed of disseminating information has carried mistruths about Jill as a person, which she was unable and unwilling to challenge. She became collateral damage in an already horrific story.”

They continued:

“Five years ago, Jill suffered a manic episode. Anyone familiar with bipolar disorder knows that it is a cruel and vicious disease. With the help of doctors, her family and friends, Jill rebounded. Jill had fought to put her life back together. After a long job search, she was in negotiations to run the production division for a new entertainment company.

Seeing her name in headlines again and again, as part of one person’s attempt to gain more attention for her personal cause, along with Harvey’s desperate attempt to vindicate himself, was devastating for her. It broke Jill, who was just starting to get her life back on track.”

Condolences to her family.

 

Exclusive: Shia LaBeouf Making “Honey Boy,” a Movie About His Childhood, Explosive Relationship with Father

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EXCLUSIVE:  Shia LaBeouf once told an interviewer that when he was a child star his father’s pet name for him was “Honey Boy.”

Now LaBeouf is making a movie about his childhood and his relationship with his father. It’s called “Honey Boy” and he wrote it himself. His alter ego is called Otis Lort.

This is the description of the movie: “Otis Lort is a 12 year old kid who’s a rising star on television — but his life revolves around his father James, a man with a past so checkered they might as well paint it black. An ex-con, a recovering drug addict, James is an unemployable trainwreck, a narcissist, a terrific conversationalist, but an utterly unreliable father. Ten years later, 22 year old Otis is well on his way to being a trainwreck himself: he’s almost unemployable in the movie industry, he’s diagnosed as suffering from childhood PTSD, & he’s having a hard time preparing himself for the biggest event of his life: the imminent meeting with his father who he hasn’t seen for years.”

There are many weird things here, of course. The screenplay is credited to Shia and to “Otis Lort,” the same name as the character. It’s unclear if Lort is a pseudonym for Shia’s real life father, Jeffrey laBeouf, or Shia, or just an inside joke. In the screenplay, Otis’s father is named James, who is “an ex-Rodeo Clown, an ex-convict with a rape conviction hanging over his head & a long history of drug addiction, alcoholism and narcissism.”

Otis, the character, grows up to age 22 after starring in a children’s TV series– as Shia did in Disney’s “Even Stevens.” He is now “a leading star in big Hollywood films, a professional actor for half his young life. On the set, he is focused and fine-tuned, like an owl statue but in real life he has internalized his father’s anger, insecurity & alcoholism.”

Israeli commercial director Alma Harel is said to be taking this project on. Producers are Brian Kavanaugh and Chris Leggett.