M. Night Shyamalan’s “Glass” cracked over the weekend. After a $16 million Thurs-Fri opening, the comic book thriller slowed down considerably. The three day take is at $40 million. That strong opening didn’t translate into “legs,” although snow may have slowed the audience down. It remains to be seen how “Glass” will pay out for Universal, since Bruce Willis and Samuel L. Jackson no doubt get dollar one, and James McAvoy is no slouch either.

Good news: “Bohemian Rhapsody” crossed the $200 million mark. “A Star is Born” beat them to it, which means two of the biggest movies of 2018 were musical in nature. That’s good news for the Elton John movie coming called “Rocket Man.” Are more music movies coming? Undoubtedly.

“The Mule” will hit $100 million this week, with a final goal of $120 million. I’ve been hammering away at it not getting an Oscar campaign, but insiders say no one involved was interested. Clint Eastwood has nothing to prove or gain, and apparently Dianne Wiest– who has an Oscar– just wasn’t into it.

Tonight in Los Angeles, the Producers Guild of America will announce their choice for Best Picture.

ALmost with exception, that movie has gone on to win the Academy Award. Stay here for updates around 10pm Pacific Time.

The only times the PGA and Oscars have gone different ways were in 2017, when they chose “La La Land” and “Moonlight” won; 2016 when “The Big Short” was theirs and “Spotlight” won the Oscar. They were also wrong in 2005, 2006 and 2007 when “The Aviator,” “Brokeback Mountain,” and “Little Miss Sunshine” were their choices, as opposed to “Million Dollar Baby,” “Crash,” and “The Departed.”

A lot of the PGA choice goes into who the actual producers are. This year. Graham King, of “Bohemian Rhapsody,” is very popular. So we’ll see what happens. The winner will be a strong indicator, but nothing is 100%.

“Glass” is the kind of movie that invites a dozen different puns for headlines. Shattered, cracked, etc. So let’s just say M. Night Shyamalan’s sequel to “Unbreakable” and “Split” looks like a winner after its opening night.

“Glass” took in $16 million including $3.7 million from Thursday previews. The Universal feature will make $45 million over the three day weekend, and over $50 mil for the MLK holiday. Bad reviews didn’t kill it.

Elsewhere, “The Upside” has turned into a real hit. They’ll hit $40 million this weekend. Somewhere Harvey Weinstein is toasting himself. It was all his idea, he made it, he knew he had the real deal. Again, mixed reviews didn’t cause a downside.

And “Green Book” finally crossed $40 million after 64 tough days. See this movie! It may win the Oscar. I’ll bet no one who made “Green Book” could have imagined the crazy resistance and criticism. Neither could I!

The countdown to Oscar nominations on Tuesday morning is more of a nail-biter than ever.

There are many dramas-within-dramas, including which actors and actresses will be cut off from the top 5 in every category. The Oscar-nosticators are busy all weekend trying to divine who will be in and who will be out.

But the biggest drama is about “Black Panther.” The Academy and ABC TV are counting on Ryan Coogler’s $700 million epic making the finals for Best Picture. If it doesn’t, there will be huge headaches.

“Black Panther” is the one movie everyone who loves movies saw last year. It’s also considered a watershed moment for comic book movies, and for films featuring African Americans. If it’s in the running, fans may very well tune in to see its cast featured and maybe some below-the-line wins.

But if “Black Panther” somehow doesn’t make the cut, there will be terror in all conference calls and group emails about the February 24th show. Right now, “Black Panther” is the key to survival in the ratings. The word is that the show’s producers are trying to round up a huge group of Marvel universe actors including the ones from “BP.” That would be a ratings draw.

So far the good money on Best Picture includes “Roma,” “Green Book,” “A Star is Born,” “The Favourite,” and “Vice.” But then what? “Blackkklansman” is definite. “If Beale Street Could Talk” looks good. That’s seven. Only two more than statistically fit. “Black Panther” would have to be 8, with “Bohemian Rhapsody” or “Mary Poppins Returns” as 9th. “Can You Ever Forgive Me?” lingers at 10.

Let’s say some prayers then for “Black Panther” and hope when Kumail Nanjiani and Tracee Ellis Ross read the list next Tuesday morning, it’s in alphabetical order. Otherwise, we’ll be hearing from the folks in Wakanda.

Where’d you go this time. Bernadette?

Richard Linklater’s comedy starring Cate Blanchett was supposed to be released last May, 2018. Then it was moved to March 22nd, next month.

Now Annapurna Pictures has moved “Where’d You Go, Bernadette?” to August 9th. If I were Cate Blanchett I’d be asking questions now.

Here are some of them:

What is going on with Annapurna Pictures? They aren’t having an easy time right now. “Vice” is their only real hit, with $35 million in the bank. But “Vice” is coming to an end soon, it might hit $40 million if it gets some Oscar nods.

“If Beale Street Could Talk” has made just $8 million. It won’t go much beyond $10 mil even with Regina King sure to win Best Supporting Actress. The company has spent a lot already on both movies’ Oscar and other awards campaigns. Probably more than the movies have made.

And there’s Nicole Kidman in “Destroyer.” Here Annapurna just surrendered. In 23 days “Destroyer” has made less than half a million dollars. Kidman gives an incredible performance, and will probably get an Oscar nomination. But the movie’s had no support.

Now Annapurna has to deal with releasing “Bernadette.” It’s led by a two time Oscar winner, Blanchett, and features Kristen Wiig, Judy Greer, and Billy Crudup. Linklater has an army of his own fans. But Annapurna can’t keep all these balls in the air. Moving “Bernadette” gives them some time to regroup. But if “Bernadette” is marketed like “Destroyer,” there will be blood indeed. These actresses don’t need this tsuris, frankly, especially when they’re doing such good work.