Monday, June 29, 2026

Vanity Fair Gives it Away: In UK Nearly Half Their Monthly Circulation is from Freebies

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Vanity Fair is busy erecting their huge temporary buildings in Beverly Hills for their Oscar party tonight.

But the magazine that used to have clout like crazy has been reduced to giving away magazines in the UK to pump up their circulation.

According to ABC, which does the auditing in the UK, Vanity Fair’s monthly circulation in Great Britain clocks in at just over 58K copies Sounds good until you see the breakdown: over 23,000 of those copies are free. They’re given away.

The actual paid circulation looks a lot different: just 18,634 in subscriber copies — which are deeply discounted — and 14,973 in single copies bought on the newsstand. Their digital issue number is insignificant — just 6,476.

In the US, which has a far bigger population, Vanity Fair sells 1.2 million magazines a year, or 120,000 per issue. This is a far cry from its halcyon days under Tina Brown and Graydon Carter. There’s no immediate breakdown of free copies, but it’s likely to be commensurate with the UK numbers.

In the US, Vanity Fair circulation is dwarfed by People, AARP, Better Homes and Gardens, and many other periodicals. None of them has an Oscar party. But none of them need to, I guess.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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