Monday, June 29, 2026

GRAMMYS: Adele Overturned by Harry Styles, Lizzo, Bonnie Raitt, Beyonce Gets Her Record Win, Ben Affleck Looks Bored

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What was Ben Affleck thinking during the Grammy Awards on Sunday night? Here are some possibilities: I could be watching sports, I don’t like any of this music, Who are these people?

Ben came with his wife — yes, wife — Jennifer Lopez, who was there for what reason I do not know. JLo is not a Grammy nominee or winner. She just looks good and likes to be seen. So they were there, and she presented an award, and they stayed all night. On TV Ben looked bored, and anyone who could see him picked up on it.

As for the Grammys themselves: Harry Styles won Album of the Year for “Harry’s House,” an sophisticated record of pop tunes that sound like things you already know. That’s ok. He’s a nice guy with a good voice and the girls love him.

This means Adele lost Album of the Year, as well as Record and Song of the Year. She won Best Pop Vocal Performance for her song, “Easy on Me.” Record of the Year went to Lizzo, Song of the Year went to Bonnie Raitt, the only nominee in that category to be the sole writer of her song. I told you in December this should be the outcome, and it was — indeed, Bonnie won two more Grammys during the pre-telecast in the afternoon for the same song and the album from which it comes. Nice! At the afternoon session, Bonnie’s awards were handed to her by another legend, Judy Collins, who lost Best Folk Album to a folk singer who sounds like Judy Collins from 1968. I guess that’s a compliment.

There were some strange moments at the Grammys. Beyonce was late to the live show, so she won Best R&B Record for “Cuff It,” Nile Rodgers had to accept after someone said something so rude on camera it had to be bleeped. They also said Beyonce was stuck in traffic, which may have been technically true, or she and Jay Z just left home whenever they wanted. Everyone else managed to be in the Crypto.com Center on time.

Adele, winning one award, was also bleeped for letting loose an F bomb, We heard it loud and clear in the arena. Adele makes believe she’s in “My Fair Lady” when she’s in public. It’s her shtick.

Overall the show was produced very well, even if it was low key. With neither Adele, Beyonce, or Taylor Swift performing, producers had to rely on clever writing and some clever pairings. The best of these was Stevie Wonder and Smokey :Robinson singing a son they wrote together, “Tears of a Clown,” some 53 years ago. It was stunning. Stevie also sang Smokey’s Temptations hit, “The Way You Do The Things You Do,” and his own “Higher Ground” with Chris Stapleton on guitar. Everyone was at the peak of their talent, and it showed. Nothing else came close all night.

In the end, everyone got something and what they deserved. I think it was good Adele was knocked down a peg, she can’t just waltz in and get awards. Beyonce was satisfied with her manufactured adulation. Lizzo, who really deserved Best Record, was properly rewarded. Bonnie Raitt showed this gang that a song is not written by committees and producers, it’s the work of an actual artist. And that was pretty cool.

PS Universal Music threw an old fashioned gangbusters after party at Milk Studios in Hollywood where Stevie Wonder was nearly crushed by well wishers and fans…Concord Records hosted an indoor-outdoor soiree featuring In’n’Out Burgers. I ran into Brian D’Arcy James, star of Broadway’s “Into the Woods.” Their soundtrack recording scored a Grammy during the afternoon session.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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