Sunday, July 12, 2026

What Cost More and Made Less than the Met Ball? The Met Ball Movie “First Monday in May”

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We already know that the Met Ball has annual costs of over $3 million that get absorbed somehow in the Metropolitan Museum of Art’s budget. Anna Wintour’s annual Halloween party in May is an expensive ad for herself and the Museum. And the Museum, as we know, is bleeding money right now.

A year ago, the Met Ball was preceded by a film release– do you remember this? “First Monday in May” opened the Tribeca Film Festival. It was a long, tedious account of how the MetBall comes about. There was a limited audience for this, as it turns out.

“First Monday” made about $500K in the US and $500K total from the UK, New Zealand, Australia and Russia, of all places. The UK was the least interested. There it took in only $97,000.

So far there’s no accounting for how much “First Monday” lost or if any of the money that came in went to the Museum. It was such a bore it sank into oblivion after 62 days in release. In its last week in release “First Monday” made $1,006. It was not offered for awards consideration. I don’t believe (I may be wrong) that its distributor, Magnolia Pictures, included a DVD of it in their Oscar package.

The actual DVD, released in August 2016, is ranked at number 6,458 on amazon.com.

According to reports, the Met is now considering a mandated admission fee. The current suggested entrance fee is $25.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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