Saturday, July 11, 2026

Nathan Lane’s New Job Means It’s Official: Broadway Smash Hit It’s Only A Play Really Does Close January 4th

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If you thought there was a fervor for tickets to “It’s Only a Play” on Broadway with Nathan Lane and Matthew Broderick, it’s going to get worse when this news spreads. The show cannot go on past January 4th after all. Despite its  staggering box office success, the party in Megan Mullaly’s New York penthouse will come to an end after all.

The reason is that Nathan Lane  starts rehearsals the next day for a February 5th opening at the Brooklyn Academy of Music. He’s starring with Brian Dennehy in a reunion of their 2012 Goodman Theater production of Eugene O’Neill’s “The Iceman Cometh.” That production runs February 5th-March 15th and was announced last December. It just somehow escaped everyone’s attention. But now BAM has put out a press release, tickets are on sale.

“It’s Only a Play” averages $1.3 million a week, which is like a big musical, not a “straight play.” It could go on for ages. But the audience wants to see Lane and Broderick. While the rest of the cast is superb, that’s a marketing reality. It’s what kept “The Producers” from for playing on and on for years.

Maybe the Terrence McNally play could come back next fall. It’s doubtful that Lane will want to return to it right after the O’Neill. But now I’m afraid people may go to extremes to get tickets before January 4th. What a dilemma. Everyone should have it.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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