Monday, May 25, 2026

Weekend Box Office Suffers from Aurora Hangover and Olympics Opening Ceremony

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Friday night’s box office numbers were terrible. “The Dark Knight Rises,” predicted to do $19 million, only brought in $18 million. And “The Watch,” with Ben Stiller and Vince Vaughn, did an atrocious $4.5 million. Audiences stayed out of theaters most likely to watch the Olympics opening ceremony. But there was also a warning from theater owners that 2o to 25 percent of people polled are still nervous because of the Aurora massacre. “Dark Knight Rises” is still making money hand over fist, and exceeding its predecessor, but it’s going more slowly than Warner Bros. ever would have anticipated. “The Watch” is also hampered by gettinfg dreadful reviews, and by its completely out of left field association to the Trayvon Martin shooting. “The Watch” is done, pretty much. The two films that have done nicely are “Ted,” which Ron Meyer and co. made into a Universal blockbuster, and “The Intouchables,” a solid foreign film hit for The Weinstein Company. Everyone loves “The Intouchables.” More later…

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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