Thursday, May 28, 2026

Box Office: “Freddy’s” Falls 86% from Last Friday, “Flower Moon” Crossing $50 Mil Tonight, Taylor Still Swift

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Last night’s box office:

“Killers of the Flower Moon” will hit $50 million today. It’s up over $100 million worldwide. You haven’t seen this masterpiece already? What a ride you will have. Many awards coming…

“Five Nights at Freddy’s” fell 86% last night from last Friday. This was a Halloween movie, to be sure. Total will cross $100 million today. Made for five cents, another horror profit hound from Blumhouse. Next year: Six Nights at Freddy’s, and so on.

Taylor is still Swift: The Eras Tour movie is up around $160 million and slowing down ever so slightly. The Swifts know how to make money. Music Business Worldwide reports that when Taylor’s masters were sold the first time, from Big Machine Records to Scooter Braun, her father made around $15 million from the sale. Not a bad score for him.

Last: Meg Ryan directed a romcom starring herself and David Duchovny. So far no numbers reported. Has a 51% on Rotten Tomatoes from just 35 reviews. I have no clue about it. Maybe it will turn up in end of the year screenings.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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