Friday, June 26, 2026

Box Office: “Michael” Dropped 36% on Wednesday as Front Loading Looks Like This Year’s Trend, “Prada 2” Faces Challenge

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“Michael,” the movie, is moonwalking all over the place.

On Monday, after the incredible start, “Michael” dropped 70% in receipts.

On Tuesday, fans wrote to me because box office rose 44% and spiked at $11 million. The social media types kept exclaiming it set a record for a Tuesday in an even numbered year during a full moon.

But yesterday the biopic fell back to the $7 million range, down 36%.

The fact is, “Michael” is very front loaded. How it will do this weekend it still in debate, with “Devil Wears Prada 2” coming in hot PR wise. Will “Michael” hold on to the lead?

“Prada” is probably even more front loaded. Whoever wants to see it will do this weekend. There are estimates of an $80 million weekend. But reviews have been mixed to not good, giving “Prada” a 75% on Rotten Tomatoes. The problem is, many reviewers who assigned a “fresh” to “Prada” were just vamping. The reviews are actually kind of negative for the movie, but everyone loves the cast.

Front loading is the new trend for movies with flashy wrapping and hollow insides. These surging weekends lead to calmer followup.

We’ll see how “Michael” and “Prada” do tonight.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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