Monday, June 22, 2026

Is This Tom Cruise’s Final Reckoning? Steep Declines Every Day for “Mission Impossible” Spell Trouble

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Tom Cruise is not having a good weekend.

Each day of this weekend so far “Mission Impossible: FInal Reckoning” has had steep declines at the box office.

After making $24 million over Thursday and Friday, “FR” dropped to $20 million on Saturday and just $18 million on Sunday.

The result is now $63 million total. “FR” will be lucky to hit $75 million for Memorial Day weekend.

That sounds like a lot but it isn’t for a movie with a $400 million price tag.

The only glimmer of hope is that the international numbers are good, with $127 million coming in already. South Korea ponied up $5 million this week. They loved it! For them the movie has ‘s(e)oul’!

Paramount will need all the foreign countries it can find to make “FR” work to turn a profit.

Another light in the tunnel: this “Reckoning” is running considerably ahead of “Dead Reckoning,” although the first one cost a little less. I didn’t remember exactly how badly “DR” did until looking back at the numbers.

So, what’s going on here? The film’s three hour length certainly makes turnaround difficult. Maybe the basic premise — the AI thing no one understands called The Entity — is losing interest. There’s also no big romantic finish. Cruise and Hayley Atwell do not get together. They are extremely chaste. It’s the opposite of, say, a “Fast and Furious” film which would end with a big congratulatory scene, Champagne bottles popping.

Again, it’s a long summer. “FR” will stick around for some time and may turn out to be a long distance runner.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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