Tuesday, July 7, 2026

Up, Up, and Away: Jeff Bezos to Send GF Lauren Sanchez into Space with Gayle King, Katy Perry, Three Others

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On “The Honeymooners,” Ralph Kramden used to exclaim to his wife, “To the moon Alice!”

Now Jeff Bezos, the billionaire busy destroying the Washington Post, can do it for real.

Bezos is sending fiancee Lauren Sanchez into space on one of his Blue Origin rockets.

Sanchez will be accompanied by an eclectic grouo: Gayle King, Katy Perry, former NASA rocket scientist Aisha Bowe, civil rights activist Amanda Nguyen and “film producer” Kerianne Flynn (three credits for movies we’ve never heard of), whose husband, James, is a wealthy hedge fund player.

The reported cost per person to fly on Blue Origin starts at $150,000. The flights last 10 minutes. You get to experience weightlessness. It’s unclear if there’s a gift bag.

So it’s up, up, and away for these six women who –except for one– have no actual qualifications. What will they find? What’s the purpose? What’s the difference? Maybe Gayle will do a segment from above the clouds! Maybe they’ll find Jeff Bezos’s conscience.

“I don’t know how to explain being terrified and excited at the same time. It’s like how I felt about to deliver a baby,” King, 70, said during the announcement on “CBS Mornings.”

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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