Monday, December 22, 2025
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Cat Stevens aka Yusuf Signs with George Harrison’s Revived Dark Horse Records, Releases Version of “Here Comes the Sun”

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George Harrison’s wife, Olivia and son, Dhani, continue to do great things his name.

They’ve revived Dark Horse Records, George’s label, moving the whole catalog including “All Things Musgt Pass,” to BMG Records. They already made a publishing deal there.

Now Dark Horse has signed Yusuf Islam, aka Cat Stevens. They’re going to re-release a bunch of Cat Stevens albums that were out of circulation. Yusuf will also make a new album. The 70s hit singer songwriter will turn 75 years young this July. He’s recorded a new version of George’s “Here Comes the Sun.” which you can hear below.

Yusuf says on Instagram:

“George Harrison was beginning to explore Eastern mysticism around the time I was hospitalised with TB, in 1968. Lying in bed, I had a lot of time on my hands and ended up reading a Buddhist book called The Secret Path. That was the beginning of my own search for the light.

“While most of my generation were just into the music, I was a bit like George, where music became the key to something much higher. Following the rages of the 60’s, his consciousness was awakened, and George transcended to levels not many people ever get to experience. You can hear it in his lyrics, and see it in the way he lived and dealt with the material world – looking for a way out.

“George was one of the first to put on a charity concert for the poor, at the time millions of Bangladeshis were fleeing from conflict and becoming refugees. It was a brave thing to do, and against all establishment rules.

“I’m happy to sing one of his songs, especially as it represents the returning of light and hope to a seriously dark and broken world.”

Review: Oh, the Horror! “Cocaine Bear” Snorts Up $8.6 Mil Opening, With an Endearing CGI Lead Star

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Box office: “Cocaine Bear” made a total of $8.6 million on Thurs previews and Friday opening. It’s shooting for a weekend opening of $20 mil plus.

“Cocaine Bear,” a Universal film which opened last night, is exactly what you think it will be. It’s a high octane paced, gore and blood, really funny ride. Universal has another genre hit on their hands, following “Violent Night” and “M3GAN.”

Much is due to the talent of director Elizabeth Banks. She directs this insane comedic thriller with a deft, savvy, sarcastic and quippy touch. “Cocaine Bear” is loosely based on a true story about a drug smuggler (a terrific Matthew Rhys in a quick cameo) who in 1985 tossed out duffel bags of cocaine out on an airplane over the Chattahoochee National Forest in Georgia. In real life the bear died of overdosing on the cocaine, but writer Jimmy Alden and Banks take liberties, to say the least, with the story.

Our She bear (yes we find out she is female in a hilarious reveal as the film goes on) is very much alive, terrifying all who cross her path in her quest for her next high while at the same time protecting her cubs. And animal lovers don’t fret. The bear is CGI and she never comes off as the ‘bad guy,’ she’s actually quite endearing.

Even though there are various plot lines weaving in and out, Banks makes sense of them all and even gets the audience invested in these mostly wacko characters. Ray Liotta — in his final movie appearance, with a lovely dedication at the end — is terrific as Syd, the St. Louis drug lord looking for the elusive white powder for which he is on the hook. The threat of death looms over Syd and his family if he does not find it. His son, Eddie (Alden Ehrenreich,) and his pal, Daveed (O’Shea Jackson Jr.), reluctantly lend hands to help on that screwed up quest. The comedic back and forth between these too goof balls are among the funniest of the film.

Meanwhile, in a different part of the forest, tweens Henry (Christian Convery) and Dee Dee (Brooklynn Prince, so memorable in “The Florida Project”) cut school and get into shenanigans that could prove deadly. Dee’s Mom, an earnest nurse (Keri Russell) follows them in to find her daughter. At the same time the flirty park ranger (played hilariously by Margo Martindale) is entertaining her boy crush wildlife inspector Peter (Jesse Tyler Ferguson with a wild wig) as well as being tough with various hoodlums.

A couple of other storylines are intertwined as well. Combine them all with various limbs being tossed in numerous weirdly funny death sequences and at 90 minutes, Banks briskly keeps the story going staying true to the outrageousness of it all. Along with pop culture references like Reagan’s war on drugs, Wikipedia facts, and cool old footage, Banks is smart and savvy enough to know what the story is and should be. The cast of this surreal comedic thriller are all terrific. “Cocaine Bear” is nothing if not entertaining, and the ludicrous funny brutality of the rollicking premise pays off in spades, or shall we say, snorts!

TV: Tonight May Be the End for Dwayne Johnson’s “Young Rock,” and ABC Cancels “The Goldbergs” After 10 Seasons

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The TV landscape is changing fast.

Tonight may be the final episode of “Young Rock.” Dwayne Johnson’s comedy about his early years has never caught on with viewers.

This is the end of season 3, which had 1.4 million average per episode. NBC owns the show so they’ve let it drift on, but by now the show is in a headlock. Johnson just thanked fans on Twitter, basically saying goodbye.

Meanwhile ABC is finally burying “The Goldbergs.” George Segal died, Jeff Garlin left, no one really knew the show was still on. But since those two events there was zero need to watch it. I guess “The Goldbergs” will rattle into syndication as a cure for insomnia. They treated Garlin very badly, Good riddance.

“SVU” Wipes the Floor with Ellen Pompeo’s “Greys” Exit by More than A Million Viewers, NBC Wins Night

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The long, long, long drawn out exit of Ellen Pompeo from ABC’s “Grey’s Anatomy” did ok but not great in fast overnight ratings from last night.

“Law & Order SVU” beat it handily, by about a million viewers. NBC and Dick Wolf won the night, too.

What’s really weird is that “Station 19,” the “Greys” spin off at 8pm, beat “Greys” slightly in total viewers.

I think fans have had enough of Pompeo and the revolving door at “Greys.” It’s had a negative effect.

Meantime, beloved Mariska Hargitay directed last night’s “SVU” in which she referenced her late mom, 60s star Jayne Mansfield. “SVU” has a devoted audience, and they wouldn’t have missed Hargitay in charge.

“SVU” did 4.89 million, “Greys”: only 3.46 million. CBS was in a rerun night because, I don’t know, we’re still in sweeps?

And get this: also beating “Greys” in total viewers last night was NBC’s finally-growing “Organized Crime.” Thanks to “SVU” and crossovers, “OG” is at last hitting its stride.

Film Critics Throw in the Towel, Wendell Pierce Stock Keeps Rising, Oscars Hire Crisis Team that Resigned from Golden Globes

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It’s been a busy week in the movie world.

Two highly regarded film critics announced that they’re stepping down or moving on to other things. A.O. “Tony” Scott, my favorite New York Times film reviewer, is joining the New York Times Book Review as their lead guy. No more daily movie reviews in the Times. This is very sad. Tony was the absolutely clearest Times reviewer who more often than not “got it.” I will miss, and I’ll bet filmmakers who counted on his intelligence will, too…Meantime, Alfonso Duralde of The Wrap is ankling his post to finish a book. He promises something “big” after that. Who knows? Maybe he’ll take Tony’s place at the Times next fall…

Wendell Pierce is just coming off an acclaimed run on Broadway as Willy Loman in “Death of a Salesman.” He should win a Tony for his work. Tomorrow at the NAACP Image Awards, Pierce is up for Outstanding Actor in a Television Movie, Limited-Series, and Dramatic Special in the No Equal Entertainment production of “Don’t Hang Up.” In “Don’t Hang Up,” Pierce plays Chris Daniels, a man who receives a call that his daughter has been kidnapped. The kidnappers demand that he completes a series of different missions to get her back, including one crucial direction to not hang up the phone….

Last year, pr maven Ken Sunshine, whose firm is Sunshine Sachs et al, gave up representing the Hollywood Foreign Press Association when the Golden Globes became mired in scandal. Last week the Motion Picture Academy announced it had hired a “crisis” team for the Oscars in case anything like last year’s Will Smith slap might happen. It’s unlikely, but just in case it seems like Sunshine Sachs Morgan & Lylis is on the game. They’re the right people to have in line. The Oscars are ready! But probably putting the nominees back in theater seats, and not at tables (as they were last year) will minimize the possibilities of people wandering about…

Say It Ain’t So! “Succession” Will End With This Season Creator Jesse Armstrong Says in Interview

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The story of the Roy family will end this spring with Season 4.

So says “Succession” creator Jesse Armstrong to Rebecca Mead in the New York, online tonight.

HBO’s premier drama will run just 10 more episodes as the adult Roy children try finally to succeed their father in business.

It’s interesting that Armstrong made the announcement and not HBO, which understandably probably wanted a couple more seasons. “Succession” is their biggest hit drama since “The Sopranos.”

Armstrong is very British about why it’s time to wind things up, but there is undoubtedly a money story lurking in the background. The new people at Warner Bros, aka Warner Discovery, are cancelling shows, laying off employees, and living with constant trouble at CNN. If the “Succession” cast needed to renegotiate pay, David Zaslav likely said “nah.” Just a feeling.

So what will happen to Shiv, Tom, Kendall, Roman, Connor, Cousin Greg et al? Will they beat the old man (Logan Roy played by Brian Cox)? Will Logan die? Will Brian Cox keep doing McDonald’s commercials? We’ll have to wait and see.

“Succession” in three seasons earned its stripes as as a psychological thriller, a mental chess game of the highest order, and the most- talkingest show of all time, beating “Moonlighting” and “Gilmore Girls.” You actually need captions and a Xanax at the end of each episode.

Ten episodes begin on March 26th. The finale will come in June. HBO will weep when this is over. But they always have something new up their sleeves!

Mariska Hargitay Directed “SVU” Paid Tribute to Richard Belzer and to Mariska’s Late Mother, Jayne Mansfield

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Tonight’s episode of “Law & Order SVU” was directed by star Mariska Hargitay.

At the end of the show there was a card dedicating the episode to Richard Belzer, who died this week and played Det. John Munch for 15 seasons.

There was another tribute, too. Guest star Bradley Whitford said to Hargitay’s Olivia Benson as she left his hospital room: You have an ass like the devil and a face like Jayne Mansfield.”

 

Screen siren Jayne Mansfield was Hargitay’s mother in real life. She died in a terrible car accident in June 1967 in New Orleans. She was just 33. She would be so proud of Mariska, now in her 23rd season of “SVU” and NBC’s biggest star.

Rihanna, Even More Pregnant, Will Sing “Black Panther” Song “Lift Me Up” on Oscars

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No surprise: Rihanna will sing on the Oscars.

Even more pregnant than on the Super Bowl, the billionaire pop singer will perform “Lift Me Up” from “Black Panther Wakanda Forever.”

In all likelihood, we also be getting announcements about Lady Gaga, David Byrne, Sofia Carson, and the folks from “RRR.” They’re all nominated for Best Song and they should all turn up for the occasion on March 12th.

Every little bit helps the ratings!

Actor John Cusack Can’t Just “Say Anything” on Twitter: Account Disappears, “No Warning Notice, No reason given”

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John Cusack’s Twitter account has gone missing. The star of Cameron Crowe’s 1989 hit, “Say Anything,” has learned you can’t just do that on the social media platform. Someone at Twitter has objected to the content of his Tweets, whether they’re about supporting the war in Ukraine, prodding Merrick Garland, or repeating info about Tesla’s recalls.

Cusack’s account isn’t the only one from a popular 80s actor that’s disappeared. Also gone is the one belonging to Rat Pack actor Andrew McCarthy. He posted to Instagram that “someone has hacked my Twitter account…Twitter is totally unresponsive…Thank God I don’t own a Tesla…” Seriously, McCarthy had no political posts, so no one knows what’s going on there.

Cusack’s post is below as well. Maybe it’s time to call a meeting of the Breakfast Club to figure all this out!

Hey there
Looks like Mr free speech absolutist
banned my twitter account –
Totally frozen out – no warning no notice – was it the Ukrainian children action fund i work with ? Which he has now blocked me from publicizing?
The Shitty battery comments ?
Or my pointing out his spreading disinformation propaganda
And fascist sympathies?
No access to my account no warning notice – or reason given –
If you care to ask him why – I’ll try to make it an issue he has to deal with.
Best
J c

For The Bachelor, The Bloom is Off the Rose: Down 50% from 2021 in Total Viewers Since Chris Harrison Left

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I know, you’re thinking, who cares about The Bachelor on ABC?

But the show and its counterpart, The Bachelorette, have become an industry, and staples on the network since 2002. Yes, two thousand two.

I wrote yesterday about how totally insipid the already fairly low IQ show has become. On Monday night’s episode, the guy who is the Bachelor came down with COVID in London. The 20 or so young women who were all “in love” with him didn’t care if he was sick. They wanted to win. They wanted the final rose, the engagement ring, and publicity. It was a hilarious disaster.

More importantly, Monday’s show also had the lowest number of total viewers in 22 years: 2.8 million. Two years this week, “The Bachelor” scored 5.3 million viewers. That’s nearly 50% less.

That season, the season average was 5.5 million. This season so far the average is 2.3 million — and it’s not going to improve.

The rose is wilting, and almost dead. The bloom is off the rose. As this season sinks into ignominy, it may be time to wrap this enterprise up. “The Bachelor” has outlived whatever usefulness it had. The novelty of seeing stupid, shiny, inarticulate, somewhat illiterate people trying to fall in love instantly has lost its juice. In syndication, it would be a hit. But taking up precious prime time real estate? Enough.

Another issue besides boredom is that “The Bachelor” lost its mojo after host Chris Harrison was pushed out. He got tongue tied into a mess when a recent winner, who was Black, asked him “Extra” about a female contestant who’d attended parties on a Southern plantation. Harrison, ill-equipped to deal with this, defended the young woman and plantations. And he was gone after just under two decades. (Note: the plantation girl ultimately got engaged to her Black suitor, who forgave her. You can’t make this stuff up.)

ABC already moved “Dancing with the Stars” off to streaming. “The Bachelor” is next.