Friday, December 19, 2025
Home Blog Page 341

Daryl Hall is Suing John Oates to Stop Him from Selling His Interest in Hit Songs Like “Maneater,” “Sara Smile,” “She’s Gone”

0

Thanks to the AP we now know why Daryl Hall is suing John Oates.

Oates want to sell his portion of the hit songs he wrote with Hall to Primary Wave Music Publishing. Hall is trying to stop him saying they have an agreement about all this stuff.

Hall is basically saying “I can’t go for that,” but Oates will likely prevail. He’s in his 70s and like other songwriters of his age and legacy he wants to cash in for estate purposes.

Why is Hall blocking him? Just to be difficult, probably.

Most of the case is under seal, so it may be some time before we get all the details. According to the AP, Primary Wave already has a sizeable interest in the Hall & Oates catalog. So what’s the difference?

It does seem like Hall & Oates are over, kaput, for good, which is no surprise. But there won’t be reunion tour, etc. They are done.

The duo had a lot of hits. Some were written by them together, some with Sara Allen, some just by Hall. Oates’s name is one the biggest ones, however, including “Sara Smile,” “She’s Gone,” “Maneater,” “Out of Touch,” “You Make My Dreams (Come True),” “I Can’t Go for That,” and a couple of my favorites like “Back Together Again” and “Is it a Star.”

Ironically, Hall wrote one of other early favorites, “It’s a Laugh.” He thinks he’s going to get the last laugh, but I don’t think so. John Oates put in a lifetime with Daryl Hall. Hasn’t he suffered enough? Let him enjoy himself now. He deserves it.

Ridley Scott’s Napoleon Faces Waterloo with Uninterested Audiences, Negative Reviews from Rock Stars

0

Ridley Scott’s “Napoleon” has met its Waterloo — with audiences.

The big battle wide screen motion picture has gotten a B minus from Cinemascore. On Rotten Tomatoes, the audience number is a very low 60.

Even worse: celebrities don’t like it. Twitter users Billy Idol and Sean Ono Lennon each panned it. If you see more, email me at showbiz411@gmail.com.

click here for more headlines

“Napoleon” will make between $22 million and $25 million in its opening 5 day run. That will be a financial bust for Sony Pictures. If only Spider Man could have led the charge for Napoleon’s army!

Historical note: Wikipedia says Napoleon was not so short — five foot six and a hald. Helpful reader Rebecca Black says “He wasn’t short. The mistake is that he was measured by the obsolete French inch & was 5’2″ by that, but in actuality was about 5’8″ in English inches, as the French inch was about 1.2″ in English measurements!”

See below: at least Sean Lennon appreciated the unintentional humor in the epic.

Miley Cyrus Used to Be Young: Watch Her Performs Hits for Friends, Family at 31st Birthday Show Including “Flowers”

0

Miley Cyrus just sings Used to Be Young. She still is, at 31. She celebrated her birthday with a classy looking private shwo for friends and family. She sang “Flowers” live for the first time. Miley is gearing up for Grammy season. She’s nominated for Album, Song, and Record of the Year. “Flowers” should win the latter two! It was indeed the song and record of 2023!

Cher, 77, Topples Mariah Carey on Holiday Pop Singles Chart, Has Number 1 Album, Steals Macy’s Thanksgiving Parade — Sings Live (Watch)

0

UPDATE: Cher has displaced Mariah Carey at number 1 on the iTunes Holiday Chart. Her “DJ Play a Christmas Song” is number 1, kicking “All I Want for Christmas” to number 4. Cher’s Christmas album is number 2 — with another 77 year old, Dolly Parton, at number 1. Carey’s Christmas album is number 46. I did tell you this would happen. Next up for Cher is appearing on The View with Darlene Love on December 15th. Mariah had a good run! But the beat goes on…


THANKSGIVING: Cher is 77 years young. This is her 60th year in showbiz. She very rich. She could be home eating turkey and trimmings. Instead, she stole today’s Macy’s Thanksgiving Parade and performed a song from her new Christmas album.

Even more impressive: she sang LIVE. A lot of the performers today used pre-tapes. But not Cher. She just belted it out. A holiday treat!

Box Office: Thanksgiving Turkey Parade Begins as “Wish,” “Napoleon” Get Stuffed

0

The dismal Thanksgiving week (you can’t call it a weekend) parade of films has begun.

Neither Disney’s “Wish” or Sony’s “Napoleon” will get past $28 million for their six day runs from Tuesday through Sunday.

“Wish” is showing the edge over “Napoleon” as parents will need a place to park children as the week proceeds.

But it’s a sad situation, certainly. The new “Hunger Games” is right behind these two, which isn’t saying much.

Still in theaters: “Killers of the Flower Moon,” which you must see. Forget about the length. This is a sensational film that will not even give you a bathroom break. If you want to see great filmmaking, here it is.

Same for “The Holdovers,” which I watched again last night. This is the most charming film of the season. Paul Giamatti is wonderful, and so are Da’Vine Joy Randolph and newcomer Dominic Sessa.

If you’re into a crazy soap opera with a lot of sexual tension, “Saltburn” is dancing away in limited release. Not an Oscar picture, but a popcorn pleaser. Think “Brideshead Revisited” updated into a Rocky Horror Picture Show. You won’t be bored.

Actor Matthew Modine Makes a Case Against Approving SAG-AFTRA Contract with Studios

0

Actor Matthew Modine — who ran for president of the actors union and had a lot of support — has made a case for rejecting the current contract offer from the studios.

In a letter called “When Consent is Not Consensual,” Modine lays out his reasoning with a lot of serious points.

He says: “I cannot endorse a contract that compromises the independence and financial futures of the performers.”

While the deal will probably be affirmed, a little dissent is a good thing — especially when all this is revisited three years from now.

Here’s Modine’s statement: (bold facing is mine, just to make an easier read)

Happy holiday season. There’s so much to be grateful for. The Screen Actors Guild-American Federation of Radio and Television Artists (SAG-AFTRA) can be thankful that the prolonged strike is over. We appreciate the negotiation committee and their attempt to arrive at a fair and equitable deal. While there are improvements and gains, I will not vote to ratify the contract. Members should vote their conscience. I cannot endorse a contract that compromises the independence and financial futures of the performers. As a National Board Member, it’s morally mandatory to stand beside and provide protection for fellow members. Especially those beginning their careers, those unable to defend themselves, and in this case, their identities, their voices, and their physicality, from being taken away by a technology that no one fully understands. It demands a warning to members that says do not consent to the terms of employment defined by the terms within this contract. Consenting to these terms is a pre-negotiation that will take control of the financial and creative future of every working member of SAG-AFTRA. Consent is surrender.

Within the contract, the word ‘consent’ is evoked at least a dozen times. It is purposefully vague and demands union members to release their autonomy. Agreeing to consent means contractually giving a go-ahead to our employers to digitally capture and reconstruct our physicality and our voices using artificial intelligence. Once this information is collected, a member can be regenerated whenever and however the contract holder chooses forever.

In a recent 60 Minutes episode, a conversation between Scott Pelley and Geoffrey, “The Godfather of AI,” Hinton shared a salient warning regarding artificial intelligence.

Scott Pelley: The risks are what?
Geoffrey Hinton: Well, the risks are having a whole class of people who are unemployed and not valued much because what they–what they used to do is now done by machines.
Scott Pelley: What is a path forward that ensures safety?
Geoffrey Hinton: I don’t know. I — I can’t see a path that guarantees safety. We’re entering a period of great uncertainty where we’re dealing with things we’ve never dealt with before. And normally, the first time you deal with something totally novel, you get it wrong. And we can’t afford to get it wrong with these things.

The union’s marketing department is enthusiastically telling members to approve this contract. You should know that the expenses of making and mailing fliers, not to mention the salaries of the marketing department, are expenses paid for by members. It’s inappropriate for the union to tell a member how to vote without presenting the pluses and minuses of an issue. To do so is disingenuous at best and duplicitous at worst. Members need to understand what they’re signing away by consenting as written within this contract.

Consent means surrendering your physical and vocal identity to an employer. A Faustian bargain. If this contract is ratified, every contract moving forward may require, as a condition of employment, members to consent to the use of artificial intelligence as defined by an employer.

Last week, the SAG-AFTRA National Board gathered and sat through what should be described as a Readers Digest explanation of perhaps the most consequential contract in the merged union’s history. During that meeting, the National Executive Director (NED) explained that it wasn’t necessary to read or discuss the contract in its entirety. Not being fully informed about this contract is like being told that Chicken McNuggets are only made of chicken meat.

Imagine how disappointed members would be if they learned what they were actually being fed. Not sharing the entire contract is irresponsible. Spinning the benefits of the contract as “historic” and “seminal” is as disingenuous as McDonald’s saying McNuggets are not grey goop balls filled with chemicals, antibiotics, beaks, ligaments, and chicken butts.

Yes, SAG-AFTRA members will have a right to say “No” when asked to consent. But doing so will no doubt create a three-tier division between members; there will be those members with the financial/career equity to say no and negotiate their own terms. Others will be forced, out of financial or career necessity, to relent and succumb. Surrendering their voices and unique physicality to be digitized and stored within an employer’s hard drive and forever owned. The third tier will be those union members who refuse to consent and lose employment opportunities to those who do consent. The fourth tier is the endgame. Tier four won’t necessitate consent. It won’t contribute any dues to the union. The studios won’t have to negotiate with anyone. They won’t need teamsters to pick up performers, send them to make up, costumes, or feed them lunch. Level four is the non-union synthesized scab performers digitally cobbled together from dead actors.

Consent, in the context of this agreement, is tyranny. It is submission. If ratified, SAG-AFTRA members who consent will be digitally exploited in ways not clearly defined and are currently beyond our individual abilities to control. The US Government, with all its resources, doesn’t know how to create AI guardrails to provide protections for citizens. SAG-AFTRA certainly doesn’t have the financial resources or technology to navigate the AI tsunami crashing upon the shores of the entertainment industry.

Ratification of this contract will result in greater job reductions — especially for background and stunt performers. This loss of SAG-AFTRA labor will negatively impact our sister unions, primarily IATSE tradespeople and the Teamsters. The use of AI has already financially impacted voice performers in film, television, advertising, and animated films. It’s wonderful having talented performers to voice animated films, but the industry has shown it has no qualms about replacing human actors with digitized “sound-alike” voices. Even monstrously resurrecting voices of performers who are no longer living.

Union means being joined together in cause and common interests. This was demonstrated by thousands of members over the course of the strike. We marched for a stronger union. We marched for a fair deal and protections. We stood together to ensure our work environments were safe. We must continue to demand financial participation in the work we collectively create. Going back to the negotiation room and continuing to work on the issues surrounding AI and consent does not negate nor will it dismantle the benefits the contract now holds. Going back into the negotiating room with a sincere effort to further protect members and to more accurately interpret the rules of ‘consent’ and the uses of AI is the necessary next step we must make.

Donald Trump Posts Thanksgiving Message of Hate and Resentment, Denigrates NY AG Letitia James and Judge Engoron

0

Donald Trump posted this message of hate and resentment overnight.

What is Trump thankful for? Nothing. He just hates everyone, especially NY Attorney General Letitia James and Judge Arthur Engoron.

This is result of

New York state Judge Judge David Friedman lifting the gag order that prevented Trump from attacking members of the court. (I am embarrassed, frankly, that we share a last name — we would never be related.)
Joe Biden today spoke of how great Americans are and what we have achieved.

Adele May Be Married But She’s Not in the Top 20 Female Artists of 2023 According to Billboard

0

Congrats to Adele. There’s a rumor that she “confirmed” her marriage to sports agent Rich Paul recently. Also, she’s got more sold out dates in Las Vegas at Caesars Palace.

Well, you can’t have everything. Billboard posted the top 20 female artists of 2023 and guess who’s not on it?

Adele is one of the least prolific recording artists of all time. She let six years go between her last two albums. Now two years have passed since her

“30” album, which wasn’t that great and not nearly as big a seller as “25.”
If only Adele would work with a great producer, choose important songs, try some new things, maybe put out a single here and there. Then she would be back on the list.

as for songwriters, what happened to her main guy, Paul Epworth? She needs him without a doubt.

#1 @TaylorSwift13

#2 @SZA

#3 @MileyCyrus

#4 @OliviaRodrigo

#5 @Beyonce

#6 @KarolG

#7 @icespicee_

#8 @DojaCat

#9 @NickiMinaj

#10 @laineywilson

#11 @rihanna

#12 @billieeilish

#13 @DUALIPA

#14 @selenagomez

#15 Lana Del Rey

#16 @coi_leray

#17 Ariana Grande

#18 @lizzo

#19 @MariahCarey

#20 @ladygaga

CBS Evening News Forgets to Mention Walter Cronkite on 60th Anniversary of Him Breaking JFK Assassination News

0

CBS News, you forgot that Walter Cronkite interrupted the news on November 22, 1963 to tell us JFK had been killed.

It’s maybe the most important media news announcement in history. The world changed at that moment and never got better.

“As the World Turns” was broadcasting live at 1:30pm on CBS. Yes, a “live” show. Around 1:40pm, Cronkite broke in so fast the logo went up before he was seen on screen.

Why is the Cronkite announcement such a big deal? There were only three network channels then. “As the World Turns” had millions of viewers. Cronkite was already the dean of network news.

CBS News made a big mistake tonight. They should have said something. That moment defined CBS News for the next 20 years at least.

Here’s what happened.

RIP Phil Quartararo, Legendary Record Exec, 67, aka Phi Q, Worked With Every A List Act, from Linkin Park to Paula Abdul to Janet Jackson

0

I am really sad to write that Phil Quartararo has died.

The former head of several record companies including Warner Bros. and Virgin Records, Phil worked with every major act in the business including Linkin Park, the Spice Girls, Janet Jackson, and the Rolling Stones.

Just 67 years old, Phil was beloved in the business. (Apparently, to quote Billy Joel, only the good die young.) His presence lit up every ballroom or convention or concert. He was one of the few people that when you saw him coming, you were actually happy.

According to Wikipedia, Phil directed the marketing and launch of recordings of Coldplay, Norah Jones, Blake Shelton, the Beach Boys, and the Beatles. He was involved with marketing the estate catalogs of the Beatles, Frank Sinatra, Dean Martin, and Les Paul.

At different times, Phil ran Warner Music, EMI, and Virgin Records. In heaven, he’s going to see a lot of our old pals in the music biz who we’ve lost recently and too soon like Kenny DeCamillo and Jerry Blair. Unreal. But the skies will be bursting with good music and great stories.

Unreal. Condolences to Phil’s family.