Monday, June 22, 2026

What Year Is It? Fleetwood Mac’s “Dreams” Number 1 on iTunes, Van Halen Takes Up Third of the top 100

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What year is it really? 1977?

Fleetwood Mac’s “Dreams” is number on i Tunes this morning.

Van Halen’s singles take up a third of the top 100.

What?

“Dreams” has been propelled up the charts thanks to a viral video on TikTok. Nathan Apodaca aka @420doggface208 drinks from a bottle of Cran-Raspberry juice while skateboarding. Huh? That’s right. “Dreams” is now streaming like crazy.

“Dreams” sold 72,000 copies last week and about the same so far this week via streaming. For the year 2020, “Dreams” has sold 1.1 million copies. Stevie Nicks wrote it, and she’s collecting mucho royalties. (Thanks to Buzz Angle for the stats.)

Meanwhile, Van Halen records are selling like crazy for a sad reason, the death of Eddie Van Halen this week from cancer. Ironically, one of the songs selling best is a Van Halen cover of TheKinks’ “You Really Got Me.” But “Jump” is the number 1 seller. The group’s albums are also all over the albums chart.

The other oldies selling very well on iTunes are Johnny Nash’s “I Can See Clearly Now” and Bill Withers’ “Lean on Me.” Each was a hit in 1972. Both men died this year, Nash just the other day.

 The “Dreams” video is only 23 seconds long.

 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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