Tuesday, June 30, 2026

Showtime’s Roger Ailes Mini-Series Skips Monica Lewinsky-Bill Clinton Scandal, Rewrites History of How Fox News Became a Powerhouse

Share

★ Make Showbiz411 your Preferred Source on Google

Showtime’s “The Loudest Voice” mini series about Roger Ailes and Fox News is a ratings loser so far. On its opening night, only 299,000 people tuned in for its official debut.

There’s a spectacularly accurate reason “Loudest Voice” isn’t attracting viewers: it’s not good. I don’t mean it’s poorly written, acted, or directed. It’s not. Of course, all those items are high in quality.

But the series has no context, and it jumps around. There’s no sense to it. This past Sunday night’s episode (number 2, ratings announced tomorrow) jumped to 2001, and 9/11, as if that were a pivotal moment at Fox News. It wasn’t. (I was there.) I was surprised that the creators of “Loudest Voice” leaped over 1998-99 and the Monica Lewinsky-Bill Clinton scandal. That was a pivotal moment.

Everything at Fox News changed as Matt Drudge, in his online Drudge Report, broke the stories of Clinton’s affairs (Paula Jones, Gennifer Flowers) and then Lewinsky. Fox hopped on that bandwagon. Drudge even got a Fox News TV show out of it. The Clintons’ vulnerabilities, the impeachment and so on– that’s what fed the new conservative movement. “Loudest Voice” skipped right over that.

They also ignored the 2000 election, hanging chads, and the Bush cousin who was working for Fox News on election night at the broadcast center. Fox News fueled the George W. Bush election win, the Supreme Court fight, all of it.

So interesting: “Loudest Voice” is based on Gabriel Sherman’s excellent book. But the book was Sherman’s take, and it was so much about the Gretchen Carlson-Bill O’Reilly sex scandals etc. The mini series would have been smarter to focus on all of that, the later years, with flashbacks to the early days. Instead, the linear approach is not working. They don’t seem to know much about those days. It’s all gone wrong.

Still, Russell Crowe is excellent as Ailes. Most of the other casting is pedestrian. Mackenzie Astin as John Moody– no. Moody was Ailes’s yes man. His toady. So far, like many of the supporting characters, he’s not fleshed out enough to explain his presence. Also, they missed a good chance with Dianne Brandi, Ailes’s Queens-accented in house barracuda of a lawyer. They could have had a supporting actress nomination with a real scene chewer. Their Dianne Brandi is just wallpaper. Too bad.

Donate to Showbiz411.com

Showbiz411 is now in its 13th year of providing breaking and exclusive entertainment news. This is an independent site, unlike the many Hollywood trades that are owned by one company. To continue providing news that takes a fresh look at what's going on in movies, music, theater, etc, advertising is our basis. Reader donations would be greatly appreciated, too. They are just another facet of keeping fact based journalism alive.
Thank you


Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

Read more

In Other News